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House Of Gucci

Director – Ridley Scott – 2021 – US – Cert. 15 – 157m

*****

A woman marries into the wealthy Gucci family and inadvertently brings about its downfall – out in cinemas on Friday, November 26th

First impressions.

A beautiful day. A well-dressed man (Adam Driver) relaxes at the café, pays his bill, cycles through the streets. Life is good. He reaches his destination. As he approaches the door, a voice asks, “Mr. Gucci?”

Milan, 1978. Another beautiful day. A woman dressed and moving like a goddess (Lady Gaga) walks past trucks and workers to her father’s transportation business office where she works as his assistant. Later, a friend asks her to a costume party. She dances. She looks incredible. She goes for a drink. The barman (Driver) turns out not to be not the barman. He makes her a drink anyway. He’s Maurizio. Gucci. He knows the host. She’s Patrizia Reggiani. She doesn’t. He tells her he can’t dance. She drags him onto the dance floor and makes him look good even though he does nothing. He leaves at midnight, worried he’ll turn into a frog. It’s a pumpkin, she calls after him.

She stalks him, ‘accidentally’ bumping into him at a bookshop where he’s buying armfuls of legal books (he’s studying to be a lawyer).… Read the rest

Categories
Features Live Action Movies

The Post

Director – Steven Spielberg – 2017 – US – 12a – 116m

*****

The White House versus the press. Set in the 1970s, Steven Spielberg’s journalistic epic tells the story of The Washington Post and the Pentagon Papers – available for digital streaming

In 1971, The New York Times broke the story of the Pentagon Papers. These documents detailed how the incumbent Nixon administration and its predecessors had increased the scale of the US involvement in the unwinnable war in Vietnam for political gain rather than the national good. The administration’s response was swift and repressive: within two days, a legal injunction prevented the paper from publishing further details. The Washington Post (often shortened to The Post, as in the film title), at the time more a local paper than a national one, stepped into the breach with its reporters hunting down the New York Times’ source so that it could publish more of the story as it emerged. Having just floated on the New York Stock Exchange, the paper found itself in the tricky situation of being accountable to conservative shareholders who didn’t like the idea of exposing their investment to risks with the potential to close the paper down for good.… Read the rest