Jurassic Archives - Jeremy C. Processing

(Review originally published in Third Way, May 1993.)

Director – Steven Spielberg – 1993 – US – PG – 127m

*****

A wealthy philanthropist brings dinosaurs to life from preserved fragments of their DNA to populate his island theme park – in cinemas from 16th July 1993 and back out again on Friday, September 1st 2023

“God creates dinosaurs.

God kills dinosaurs.

God creates man.

Man kills God.

Man creates dinosaurs.”

– Dr. Ian Malcolm (Jeff Goldblum), chaos theoretician.

“Dinosaurs kill man.

Women take over the world.”

– Dr. Ellie Sattler (Laura Dern), palaeobotanist.

“Creation is an act of will: next time, it’ll be flawless.”

– John Hammond (Richard Attenborough), creator of Jurassic Park.

Set to become the biggest grossing movie of all time (if it hasn’t already done so by the time you read this), Steven Spielberg’s latest offering concerns rich industrialist John Hammond’s (Richard Attenborough) theme park built around his dream to delight children with wonders come to life. The wonders are dinosaurs, cloned from dino DNA ingested by prehistoric insects subsequently drowned and preserved in amber. For more on this aspect of the story, read co-screenwriter Michael Crichton’s original (and best-selling) novel; Spielberg, who races through small chunks of plot as quickly as he can, isn’t interested in them half as much as he is in dinosaurs.… Read the rest

Jurassic World
Dominion

Director – Colin Trevorrow – 2022 – US – Cert.12a – 148m

***

Sixth Jurassic movie promises then dumps a plot where humans and dinosaurs co-exist in the modern world and instead heads for a secluded valley where numerous dinosaurs are kept by a dodgy corporation – out in cinemas on Friday, June 10th

There’s a long tradition in cinema of putting dinosaurs alongside humans, as if the dinosaurs on their own wouldn’t be enough to bring in audiences. This is nonsense of course: look no further than the TV series Walking With Dinosaurs (1999), Walt Disney’s Fantasia (segment directors: Bill Roberts, Paul Satterfield, 1940) or The Animal World (effects: Willis O’Brien, Ray Harryhausen, 1956), and the high regard in which they’re held, for proof.

The genius of Jurassic Park (Steven Spielberg, 1993) was to reconstruct the dinosaurs from their DNA, providing a much better reason to put both species side by side than the lost plateau of The Lost World (effects: Willis O’Brien, 1925), the lost island of King Kong (effects: Willis O’Brien, 1933), the lost valley of The Valley Of Gwangi (effects: Ray Harryhausen, 1969) or the cavemen and dinosaurs of One Million Years B.C. (effects: Ray Harryhausen, 1966).… Read the rest