Tag: Ishiro Honda

Godzilla
King of the Monsters
(2019)

Post author By Jeremy Clarke
Post date 3 April 2024
No Comments on Godzilla
King of the Monsters
(2019)

Director – Michael Dougherty – 2019 – US – Cert. 12a – 132m

***

Fantastical, giant creatures Godzilla, King Ghidorah, Mothra and Rodan battle it out on land and sea, leaving cities devastated in their wake – in cinemas from Wednesday, May 29th 2019

Warner Bros’ latest effort in their strategy to create a self-contained universe out of Toho’s Godzilla and his accompanying trademark monster characters to rival that of Disney’s popular Star Wars and Marvel cinematic universes is a mixed bag. On one level, it’s a hackneyed family story involving a couple splitting apart with their daughter caught in the middle, a plot not of the slightest interest to fans of Godzilla who aren’t paying to see a family drama. On another level, it’s a thinly veiled excuse to recreate Godzilla, King Ghidorah, Mothra, Rodan and others with state-of-the-art, special effects technology and have them fighting against one another, at which aim it succeeds handsomely. In passing, it delivers facile, one-line ideas about nuclear war and global warming. Finally, it wants to explore the iconography of these extraordinary creatures, but scarcely knows where to begin. They are great properties, but you can’t help but wish it was directed and produced by people with a stronger visionary sense.… Read the rest

Features Live Action Movies

The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)

Post author By Jeremy Clarke
Post date 1 March 2021
No Comments on The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

The H Man (lit. Beauty And The Liquid People) was scripted by Takashi Kimura, who, as Jasper Sharp notes in the accompanying booklet, wrote monster movies for Honda where the monsters were liquid, gas (The Human Vapor, 1960) and mutant man-mushrooms (Matango, 1963). All these can be read as the elements constituting the clouds – or mushroom clouds – of nuclear bombs dropped on Japan or tested near it.

Yet after opening with nuclear explosion stock footage, the film swiftly morphs into a police procedural in which various characters mysteriously disappear… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda Blu-ray double bill of The H Man and Battle In Outer Space.

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Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争,
lit. The Great Space War)

Post author By Jeremy Clarke
Post date 31 March 2021
No Comments on Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争,
lit. The Great Space War)

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Battle In Outer Space is one of those films that paints on a bigger canvas and sacrifices character development in favour of big-screen visual spectacle, brought to life with state-of-the-art special effects. According to Kalat, the film owes much to the bigger Hollywood 1950s SF feature film films made in colour. These include not only films by former Puppetoon animation creator George Pal such as The War Of The Worlds (1953) and Conquest Of Space (1955) but also This Island Earth (1955) and Forbidden Planet (1956).

Honda’s film wades straight in to alien war scenarios… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda Blu-ray double bill of The H Man and Battle In Outer Space.

Tags 1950s, alien, America, astronaut, Battle In Outer Space, bombardment, cinema building, Cinerama, Columbia, conference, Conquest Of Space, damsel in distress, East Germany, Eiji Tsubaraya, Etsuko Shiraishi, Forbidden Planet, freezing, gags, gender bias, George Pal, George Whitman, Godzilla, Golden Gate Bridge, Great Space War, India, Iran, Ishiro Honda, Japan, Kyoko Anzai, landscape, life form, meteors, mind control, moon, Mothra, New York, nuclear tests, Philippines, position of women, Puppetoons, ray, rover, Ryu Ikebe, San Francisco, science, science fiction, scientist, SF, Shinichi Sekizawa, ship, space torpedoes, space travel, special effects, The H Men, The War Of The Worlds, This Island Earth, Toho, Tokyo, UFO, US, weightlessness, Yoshio Tsuchiya, zero gravity

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Ishiro Honda
Double Feature
The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)
and
Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争)

The H Man

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

Battle in Outer Space

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Alongside the standalone release of Mothra (1961) comes a double bill of two more Toho science fiction movies directed by Ishiro Honda with special effects by Eiji Tsuburaya: , The H Man (1958) and Battle In Outer Space (1959). The Toho studio is associated more with monster movies than any other genre, notably Godzilla (1954) and Mothra. The superior entries in this cycle tend to be the ones they directed, including the initial 1954 film which ticked all the right boxes to prove a massive success.

When no-one at Toho was quite sure what had made Godzilla work, the pair collaborated on a number of different SF films before everything came together on Mothra. The H Man is a monster film dressed up in gangster trappings while Battle in Outer Space is an epic with space stations, flying saucers, rocket ships, an alien moon base and alien mind control… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda double bill Blu-ray.

Tags 1950s, alien, America, astronaut, Battle In Outer Space, bombardment, cinema building, Cinerama, Columbia, conference, Conquest Of Space, cops, cops and robbers, damsel in distress, detective, East Germany, Eiji Tsubaraya, Etsuko Shiraishi, Forbidden Planet, freezing, gags, gangster, gas, gender bias, George Pal, George Whitman, ghost, Godzilla, Golden Gate Bridge, Great Space War, India, inspector, Iran, Ishiro Honda, Japan, Jasper Sharp, Kaiju, Kyoko Anzai, landscape, life form, liquid, Matango, meteors, mind control, monster, moon, Mothra, mushroom, mutant, New York, nuclear tests, Philippines, police, police procedural, position of women, Puppetoons, ray, rover, Ryu Ikebe, sailor, San Francisco, science, science fiction, scientist, SF, Shinichi Sekizawa, ship, singer, song, space torpedoes, space travel, special effects, Takashi Kimura, The H Man, The H Men, The Human Vapor, The War Of The Worlds, This Island Earth, Toho, Tokyo, trauma, UFO, US, Warning From Space, weightlessness, Yoshio Tsuchiya, zero gravity

Features Live Action Movies

Mothra
(Mosura,
モスラ)

Director – Ishiro Honda – 1961 – Japan – Cert. PG – 101m

*****

Giant moth attacks Tokyo to save fairies. Someone had a meeting about that.

You’d be forgiven for assuming Mothra (1961) a typical Toho monster movie in which a giant moth attacks Tokyo. Yet the film single-handedly redefined the genre much as the original Godzilla film defined it.

With a typhoon moving towards Japan, sailors abandon ship near Infant Island where Rolisica – an amalgam of Russia and the US – has recently tested nuclear weapons. Rescued survivors are tested for radiation sickness but no symptoms found. Two members of the press, reporter Zenichiro Fukuda (Frankie Sakai) and photographer colleague Michi Hanamura (Kyoko Kagawa) sneak into the team of scientists to take pictures and ask questions, learning the natives gave them red juice to drink. They report back to their editor (Takashi Shimura).

Clark Nelson (Jerry Ito) leads an expedition to Infant Island to find a jungle like Pathé’s for King Kong (1933) with man-eating plants, hostile natives and two telepathic, singing Shobijin (lit: ‘small beauties’) about a foot tall… [read more]

Full review at All The Anime.

Blu-ray available from Eureka!

Trailers: