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Animation Features Movies

Ponyo
(Gake no Ue no Ponyo,
崖の上のポニョ,
lit. Ponyo on the Cliff)

Director – Hayao Miyazaki – 2008 – Japan – Cert. U – 103m

*****

A girl fish spirit takes on human form to become a companion to a human boy – reviewed for Third Way, February 2010

Miyazaki’s animated filmography prior to international crossover item Spirited Away (2001) has scarcely graced UK screens, despite colossal success in his native Japan. Tragically, this includes much of his best work – such films as Nausicaä of the Valley of the Wind (1984), My Neighbour Totoro (1988) and Kiki’s Delivery Service (1989) – all released, happily, on posthumous UK DVD – beside which the more recent works pale. Until now: his latest film Ponyo compares favourably to those earlier works, just when one had given up hope he’d ever make another truly great film.

Loosely speaking, it’s Hans Christian Andersen’s The Little Mermaid as eponymous underwater girl fish spirit Ponyo, rescued after being beached by small boy Sosuke then recaptured by her zealous, over-protective Sorcerer’s Apprentice magician-like father, decides she wants to return to shore and become a human girl companion to the boy. Sosuke lives with his mother Lisa in an isolated, coastal house, while his ship’s captain father Koichi is frequently absent due to work commitments.… Read the rest

Categories
Features Live Action Movies

The Red Shoes

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1948 – UK – Cert. PG – 135m

*****

A young dancer gives her all to the art of ballet, symbolised by the story’s centrepiece of the Ballet of the Red Shoes, in which the heroine is danced to death by the eponymous footwear – out in UK cinemas on Friday, December 8th; major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger continues at BFI Southbank and on BFI Player until the end of December with a free exhibition The Red Shoes: Beyond The Mirror (booking essential) running until Sunday, January 7th 2024

The second movie by the Archers not to deal with wartime issues in any way, shape or form (the first being Black Narcissus, 1947) deals with art in the story of a young dancer torn between love and her chosen art form. Student Julian Craster (Marius Goring) is outraged to discover, during its debut performance, that his music tutor Professor Palmer (Austin Trevor) has lifted several passages of Craster’s college work to pass them off as part of his latest dance score Heart of Fire. His subsequent interview with ballet company head and creative genius Boris Lermontov (Anton Walbrook, who appeared in four Productions of the Archers and later in The Queen Of Spades, Thorold Dickinson, 1949) secures him a lowly job as music arranger for the prestigious Ballet Lermontov.… Read the rest