Categories
Animation Live Action Movies Shorts

La Jetée

Director – Chris Marker – 1962 – France – Cert. PG – 28m

*****

This movie has been resonating around my head these last weeks of the COVID-19 crisis as pertinent to where we are at present.

La Jetée / The Pier remains unlike anything else I’ve ever seen, black and white still images with voice over (which means that the English language dub, excerpted below, works just as well as the French language original). Little bits of it are really tough to watch in our current situation. For me, watching it again helps me deal with where we are right now. It’s about grief, about a world we’ve lost, to which we can never go back. It’s a film that regularly and rightly crops up on critics’ lists of the best films ever made. At the time of writing this, the film reads differently from the way it did three months previously. Not for everyone at the present time, but if you’re up for it, highly recommended.

Watch the opening minute below:

Categories
Animation Features Movies

I Lost My Body
(J’ai Perdu
Mon Corps)

Director – Jérémy Clapin – 2019 – France – Cert. 12a – 81m

****1/2
A severed hand searches for its body while a boy searches for the girl who he only knows from the sound of her voice in this French animated feature – from the BFI London Film Festival then in cinemas on Friday, November 22nd and on Netflix from Friday, November 29th

This unique 2D animation opens with a discussion about how to catch a fly before splitting into two parallel narratives. In one, a severed hand goes on a quest in search of the body from which it has become detached. In the other, boy meets girl. This is the boy who at a later point in the film will lose his hand in an accident. The opening fly discussion turns out to be a flashback of the boy.

The hand shows great ingenuity as it escapes rats in a subway, climbs medical skeletons in a storage room and duels with an aggressive pigeon in a roof gutter. It has a pretty hard time of it physically. And when it eventually finds its body, reuniting with it proves far from simple.

The boy, Naoufel (voiced by Hakim Faris in the seen French version and Dev Patel in the upcoming English dub), is working as a pizza delivery boy, a job to which he isn’t particularly suited.… Read the rest

Categories
Dance Features Live Action Movies

Climax

Director – Gaspar Noé – 2018 – France – Cert. 18 – 97m

*****

Uppers and downers – either way blood flows. Arthouse enfant terrible Noé combines technical skill and singular focus with some of the most spectacular dancing ever put on film to produce a dark and challenging vision of hell on earth – now available on VoD

Cinema at its purest. Bright white on a screen. A woman starts crawling from the top of the screen. Extreme audience disorientation. We realise she’s crawling through snow. She appears to be in a bad way. Traces of blood. The camera follows her forward movement down the screen. Slowly a tree comes into shot from the bottom. We are watching the same overhead camera movement.

A series of vox pops on a television screen with shelves of books on one side and piles of DVDs on the other. Dancers answer questions on why dance is important to them. Would they do anything in order to make it big? What would they do if they weren’t able to dance?

Then the narrative proper begins. It’s 1996. We’re inside a building with a dance floor watching the most amazing dance routines we’ve ever seen.… Read the rest

Categories
Animation Art Movies Shorts

Memorable
(Mémorable)

Director – Bruno Collet – 2019 – France – 12m

*****

The techniques used in this remarkable short include both computer and puppet animation, with all the surfaces of both the puppets and the sets resembling that of a canvas painted with oils. It’s the perfect artistic form in which to express the story the film wishes to tell.

Louis is a painter suffering from dementia. Neither he nor his wife and model Michelle are coping well. He struggles to recognise different items of food by name at the dinner table – a bit of a problem when Michelle asks him to pass the pepper – and attempts to eat a banana without taking the skin off it first… [read more]

Nominated for Best Animated Short at the 2019 (92nd) Oscars.

As part of my Annecy 2019 coverage, I review Memorable (Mémorable) for DMovies.org.

Categories
Features Live Action Movies

Spring

Directors – Justin Benson, Aaron Moorhead – 2014 – US – Cert. 15 – 109m

*****

UK release date 22/05/2015

The New Girlfriend

The New Girlfriend (Une Nouvelle Amie)

Director – François Ozon – 2014 – France – Cert. 15 – 108m

*****

UK release date 22/05/2015

Both these films can easily be ruined by spoilers, so be wary of reading reviews or cinema blurb or even watching trailers before you see them. That said, the following is spoiler free. Now read on.

Spring

The single, male protagonist of US indie Spring suffers serious emotional trauma then becomes involved with a woman who is not all that she seems. The married, female protagonist of French maverick Ozon’s The New Girlfriend – based on a book by Ruth Rendell who passed away last month – suffers serious emotional trauma then becomes involved with a man who is not all that he seems. In both films, the question is: can their relationship survive?

Spring

Spring‘s Evan (Lou Taylor Pucci) witnesses the death of his bedridden mother. Distraught, he heads to the local bar, gets into drunken fight which ends up with his leaving the US to evade the police. He heads to Italy where he meets a bunch of Brit backpackers and indulges in more binge drinking, but everything changes when he meets and falls for the mysterious Louise (Nadia Hilker)… (This reviewer confesses that by this point – about ten minutes into the film – he wasn’t feeling much sympathy for the character – or, indeed, liking the film very much at all – but Evan’s subsequent relationship with Louise had him hooked.)… Read the rest

Categories
Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

The story functions as an effective fable about adulthood and life. Michaël Dudok De Wit and his team brilliantly develop the character of the man through the various challenges he must face… [Read the rest]

Review originally published in DMovies.org, May 2017, to coincide with the film’s UK theatrical release.

Categories
Features Live Action Movies

A Good Year

Director – Ridley Scott – 2006 – US – 12A – 118 mins

***1/2

A ruthless, successful Square Mile bond trader travels to Provence to sort out the estate he’s inherited from his late uncle – UK release date 27/10/2006

Back in the 1980s, British TV commercials spawned a number of hugely successful feature film directors, with Scott arguably the most talented. A great visual stylist, his impressive filmography includes the seminal (Alien, 1979; Blade Runner, 1982; Thelma & Louise, 1991), the blockbuster (1492: Conquest Of Paradise, 1992; Gladiator, 2000; Kingdom Of Heaven, 2005) and the forgotten (Black Rain, 1989; White Squall, 1996; G.I. Jane, 1997). Scott is perhaps the archetypal ‘style over content’ director: his impressive visuals often threaten to overpower everything else, yet his sense of style invariably makes anything he does worth a look. A film-maker, in other words, of extreme contradictions.

The end of that same era saw highly regarded London advertising man Peter Mayle relocate to the South Of France to pen a series of books about that region starting with the bestselling A Year In Provence.

Scott and Mayle have known each other since the eighties advertising boom.… Read the rest