David Bradley Archives - Jeremy C. Processing

Director – Richard Eyre – 2022 – UK – Cert. 12a – 98m

***

While a small NHS hospital in Wakefield, Yorkshire is in danger of being closed down by the government as inefficient, it seeks to care for its geriatric patients– out in UK cinemas on Friday, March 17^th

Based on the 2018 stage play by Alan Bennett, this multiple plot- and character-drama follows the day-to-day lives of assorted, mostly terminal, geriatric patients in The Beth, or the Bethlehem Hospital to give it its full name, in Wakefield, Yorkshire. Dr. Valentine (Bally Gill) whose real Indian name no-one can pronounce (really?) provides a framing device, a man who in an engaging, opening voice-over makes it clear that he genuinely cares for the elderly and who closes the film in a couple of scenes that don’t really work. Of which, more later.

Because what follows is for the most part character- rather than plot-driven, the character of Dr. Valentine doing his rounds and grappling with the inevitable day-to-day crises as they come up provides the main structural spine of the story.

I say ‘the main’ line, but in fact there is one other character who serves a similar function not to mention several subsidiary plots, one of which is considerably weightier than the others.… Read the rest

Guillermo del Toro’s
Pinocchio

Directors – Guillermo del Toro, Mark Gustafson – 2022 – US – Cert. PG – 114m

*****

Created as a puppet by a bereaved, religious woodcarver father, a little wooden boy must make his way in a world of ruthless show business, Fascism and war – stop-frame puppet movie is out on Netflix on Friday, December 9th

Co-helmed by Will Vinton alumnus Gustafson, del Toro’s Carlo Collodi adaptation sees him return to the theme of the Catholic Church collaborating with Fascism that he previously explored in Pan’s Labyrinth (2006). The story roughly follows the familiar template of Disney’s Pinocchio (1940), even down to punctuating the action with songs, but with the loosely defined place and time of a fairytale shifted to a very specific Italy before (briefly) and during World War II, with Pleasure Island replaced by a boys’ military training camp. The emphasis has shifted, too, from the notion of the narrator cricket character as conscience to coming to terms with mortality, although the idea that just because things appear to be fun they may not necessarily be good is knocking around in there too.

A narrator who will later identify himself as Sebastian J. Cricket (voice: Ewan McGregor) introduces us to churchgoing woodcarver Gepetto (voice: David Bradley), who is working on a statue of Jesus Christ crucified for the local church, raising dutiful son Carlo (voice: Gregory Mann), an equally religious child with a true sense of wonder at the world around him, including planes in the sky.… Read the rest