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Mad World
(Yat Nim
Mou Ming,
一念无名)

Director – Wong Chun – 2016 – Hong Kong – 101m

*****

Mental health is no child’s play: all the odds seem to be stacked against a father’s struggles to care for his bipolar adult son, in a film that’s a sharp comment on Hong Kong’s failure to care for the most vulnerable – played in Creative Visions: Hong Kong Cinema 1997 – 2017, which took place in London between November 17th and 19th 2017

Lorry driver Wong (Eric Tsang) lives in a cramped apartment block in Hong Kong. He collects his estranged adult son Tung (Shawn Yue) from the hospital. Tung is bipolar and the doctors say there is nothing more they can do in order to help him. He must return home.

But “home” is less simple than it sounds. His mum (Elaine Jin) was bipolar, too. Dad walked out on the family years earlier. Tung resents him for it just as he resents his brother, his mother’s favorite, who impressed her by doing well in school and getting himself a lucrative job in the US where he now lives.

As he pointed out to his mother while she was still alive, it was Tung – and not his idolised brother – who stayed behind to look after her.… Read the rest

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Features Live Action Movies

Mr. Vampire
(Geung See Sin Sang,
殭屍先生)

Director – Ricky Lau – 1985 – Hong Kong – Cert. 15 – 94m

*****

This review originally appeared in Manga Mania to coincide with the film’s UK VHS release from Made In Hong Kong. Running time as on VHS sleeve. See also my All The Anime review coinciding with the 2020 Eureka! Blu-ray.

SCREEN GEMS

MR. VAMPIRE

The Far East views vampires through completely different cultural baggage, the extraordinary result of which can be seen in seminal Hong Kong period horror outing Mr. Vampire (1985) – which spawned several sequels and influenced countless genre outings both in Hong Kong live action and Japanese animation.

HOW IT ALL BEGAN

Encounters Of The Spooky Kind (1980) sees director Sammo Hung spend the night in a haunted house where he encounters various undead manifestations. It’s no surprise that Hung acted as producer on the later Mr. Vampire, where director Ricky Lau distilled Chinese cadaver / vampire mythology into a subsequent industry staple. As Lam Ching-ying so clearly explains in Mr. Vampire: “There are good men and bad men…corpses and vampires…this corpse is turning into a vampire.” Producer and director went on to make Mr. Vampire 2, 3 and 4, all with corpse‑busting star Lam Ching-ying who returned a fifth time under a different director for the present day Magic Cop / Mr.… Read the rest