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Palimpsest
The story of a name
(隱蹟之書:重寫自我)

Palimpsest: The story of a name (隱蹟之書:重寫自我)

Director – Mary Stephen – 2025 – France – Cert. – 108m

*****

Exploring her family history, Hong Kong-born Mary Stephen delves into the mystery behind her surname being British rather than Chinese – plays at the Barbican as is the opening film of the UK’s Hong Kong Film Festival which runs from Friday, September 25th to Sunday, 4th October at various venues

The director narrates her film in the first person, talking about the fact of her father’s name being Henry Stephen on his birth certificate, while her mother retained her Chinese name on the document. Mary Stephen herself was born in Hong Kong in 1953, the same year as Queen Elizabeth II’s coronation in Britain. Archive images of Hong Kong from that year show a strange dislocation, with images of the new English monarch jostling side by side with Chinese words on buildings. A British built clock tower looks strangely out of place.

She worked for years with celebrated New Wave director Eric Rohmer as his editor. His name, too, was a palimpsest.

Her father died and was buried in Canada in 1979, alongside her mother. When the family first moved there, she was a teenager.… Read the rest

Categories
Features Live Action Movies

Orphée

Director – Jean Cocteau – 1950 – France – Cert. PG – 112m

*****

Acquitted by mirrors! Rereleased two thirds of a century on, Cocteau’s reimagining of the Greek legend of Orpheus remains as magical as ever – out in the UK on Friday, October 19th, 2018

Jean Cocteau (1889-1963) was a self-styled ‘poet’, a versatile, avant-garde French artist who worked across a number of different media – novels, visual art, design, theatre, cinema as well as poetry. 1950’s Orphée is one of his most celebrated films. And rightly so.

Famed poet Orphée (Jean Marais) is going through a bad creative patch when newcomer rival Cégeste (Edouard Dermithe) is killed by two speeding, leather-clad motorcycle riders. Orphée becomes obsessed with messages transmitted over the radio of the car belonging to Cégeste’s patron the Princess (Maria Casarès) which seem to him better than any lines he’s written recently.

So obsessed with these broadcasts does Orphée become that he fails to pay enough attention to his wife Eurydice (Marie Déa) who becomes increasingly restless. Every night as he sleeps, the Princess – who a voiceover (read by Jean Cocteau himself) informs us is actually Orphée’s death – visits his room through his wardrobe mirror to watch over him.… Read the rest