Tag: A.I.

After Yang

Post author By Jeremy Clarke
Post date 22 September 2022
1 Comment on After Yang
Sticky post

Director – Kogonada – 2022 – US – Cert. PG – 96m

****1/2

In the distant future, a couple must come to terms with the loss of the eldest child, actually an A.I. purchased as an ethnically programmed companion for their adopted South East Asian daughter – SF mystery drama is on Sky Cinema from Thursday, September 22nd

Memory is one of the great themes of cinema because when you point a moving image camera at someone, you capture and preserve their moving image for posterity. (Something similar happens when you record the sound of someone’s voice. Or even if you write down their words on paper, a simpler, more primitive form of recording.) Memory is also one of the elements which defines us as human beings.

Full marks, then, to director (actually writer, director, editor) Kogonada for taking the short story Saying Goodbye To Yang by Alexander Weinstein and expanding it into a feature. As described in the parlance of the distant future world in which this is set, Yang is a technosapien (i.e. a robot), a purchased elder sibling of a family comprising father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith) and daughter Mika (Malea Emma Tjandrawidjaja).

Mika is adopted, and her ever so Hollywood liberal parents – he a white man who has built a business around his passion for tea, she a black woman who is a hard-working, highly motivated high-flier in a demanding corporate business that’s never really defined – are concerned that she connect with her South East Asian heritage.… Read the rest

Tags A.I., academic, Alexander Weinstein, artificial intelligence, audiovisual memory, brothers and sisters, budget, business, car journey, charge, charge fee, charge sum, Clifton Collins Jr., Colin Farrell, computer tech, conspiracy theory, core, corporate business, corporation, cultural heritage, disaster, ecological collapse, ecology, electric car, ethnicity, exhibition space, family, family portrait, future, garden, GIFs, Haley Lu Richardson, high-flier, home, home computer, image, Jodie Turner-Smith, Kogonada, law, legal, Malea Emma Tjandrawidjaja, memory, moving image, museum, next door neighbour, owner, parents and children, park, policy, post-disaster, reboot, recorded voice, refurbish, resolve issue, retail outlet, Ritchie Coster, robot, Sarita Choudhury, school run, sci-fi, science fiction, self-driving car, SF, shut down, sibling, software, software reader, South East Asia, spyware, tea, tech, technician, technosapien, upward mobility, won’t reboot, workbench, workshop

Features Live Action Movies

Free Guy

Director – Shawn Levy – 2021 – US – Cert. 12a – 115m

***1/2

A non-player character in a mayhem-riddled video game decides to take matters into his own hands after meeting the girl of his dreams – out in cinemas on Friday, August 13th

Guy (sic) (Ryan Reynolds) works in Free City. In a bank. Every day he selects the same shirt from his wardrobe, gets a coffee from the same barista, goes to work. Where, at specific times like clockwork, there are robberies. He and his buddy, a security guard named Buddy (sic) (Lil Rel Howery) drop to the floor where they then chat about life, love and other issues.

Then, one day, he meets Molotov (Jodie Comer), a gun-carrying girl with a British accent. He feels as if he’s known her forever, like she’s the missing piece in his life. But she’s a Specs. She wears specs. People who wear specs do things people who don’t don’t. Guy decides he’s going to steal specs from the first bank robber who comes along.

What Guy doesn’t know is that he’s an NPC (non-player character) in a video game called Free City. The game is made by a company called Soonami run by Antwan (Taika Waititi).… Read the rest

Features Live Action Movies

A.I. Rising

Original title: Ederlezi Rising

Director – Ladar Bodroza – 2018 – Serbia – 18 – 86 mins

****

Serbian Sci-Fi shot in the English language in which a male astronaut becomes dissatisfied with the female android programmed to satisfy his every desire on a deep space mission – on Amazon and iTunes

You’ve got to admire the sheer ambition of A.I. Rising, a Serbian sci-fi movie shot in the English language with production values and visual effects on a par – mostly – with anything Hollywood at its most lavish can offer.

I say mostly because there’s an early rocket launch sequence which cries out for exterior shots of the rocket on its launch pad and then taking off, but all we get is an admittedly impressive view from space of the distant ship ascending into the atmosphere. It’s the only time the production misses a trick like this and it doesn’t detract from what follows.

The plot concerns one man and his dealings with women – well, one woman in particular. Milutin (Sebastian Cavazza) is given a new assignment by the Ederlezi corporation. Prior to his flight into deep space, a woman social engineer (Marusa Majer) explains the nature of his mission and that he’ll be required to work in a team of two, the other member being an android modelled after a human woman “but unlike a human woman, she’ll be unable to hurt you.”… Read the rest