The Dissident Directed by Bryan Fogel Certificate 12 (Amazon advisory), 119 minutes Released on Amazon Prime Video in the UK and Ireland from April 1st 2021
On 2 October 2018, the Washington Post journalist Jamal Khashoggi entered the Saudi consulate in Turkey to obtain a marriage licence. He never came out. It later transpired that Khashoggi had been murdered on the premises by Saudi officials and his body dismembered, taken away and disposed of.
This fast-paced and frankly mind-boggling documentary examines a good deal more than the murder…[read more]
Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m
Battle in Outer Space
*****
Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m
Alongside the standalone release of Mothra (1961) comes a double bill of two more Toho science fiction movies directed by Ishiro Honda with special effects by Eiji Tsuburaya: , The H Man (1958) and Battle In Outer Space (1959). The Toho studio is associated more with monster movies than any other genre, notably Godzilla (1954) and Mothra. The superior entries in this cycle tend to be the ones they directed, including the initial 1954 film which ticked all the right boxes to prove a massive success.
When no-one at Toho was quite sure what had made Godzilla work, the pair collaborated on a number of different SF films before everything came together on Mothra. The H Man is a monster film dressed up in gangster trappings while Battle in Outer Space is an epic with space stations, flying saucers, rocket ships, an alien moon base and alien mind control… [read more]
Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m
Battle In Outer Space is one of those films that paints on a bigger canvas and sacrifices character development in favour of big-screen visual spectacle, brought to life with state-of-the-art special effects. According to Kalat, the film owes much to the bigger Hollywood 1950s SF feature film films made in colour. These include not only films by former Puppetoon animation creator George Pal such as The War Of The Worlds(1953) and Conquest Of Space (1955) but also This Island Earth (1955) and Forbidden Planet (1956).
Honda’s film wades straight in to alien war scenarios… [read more]
Over at All The Anime, I review Eureka!’s Ishiro Honda Blu-ray double bill of The H Man and Battle In Outer Space.
Director – Shaka King – 2021 – US – Cert. 12 – 126m
****1/2
The FBI recruit a small-time thief to infiltrate the Chicago chapter of the Black Panthers and report on rising political leader and activist Fred Hampton – two-time Oscar winner is on digital from Monday, April 26th
This cleverly and skilfully plays out both as a terrific thriller about a smart, small time crook recruited by the FBI as an undercover agent and as a chance to take a fresh look at a piece of US social history that has been presented in an unfavourable light by its largely state-sympathetic chroniclers. That piece of history is the Black Panther Party (BPP), long presented as violent insurgents intention upsetting the US status quo. However in the #BlackLivesMatter era when the police in the US have all too often shown themselves in sync with ideas of white entitlement, maybe it’s time to look at the BPP again.
I’m not sure you can totally exonerate the BPP – they did, after all, take up arms against the police although you might argue much of that’s in self-defence – but at the same time there seems to have been a lot in the organisation that’s good: social programmes and trying to help blacks and the social underclass stand on their own two feet in a system rigged against them.… Read the rest
Director – Kelly Reichardt – 2019 – US – Cert. N/C 15+ – 122m
***1/2
Western (set in Oregon!) in which a drifter and an immigrant join forces to surreptitiously milk a rich man’s first cow and better their lot – in UK cinemas from Friday, May 28th
A woman with a dog (Alia Shawcat) discovers two human corpses in the present day Oregon woods. Flashback to the nineteenth century. Cookie (John Magaro), a drifter, is the cook attached to a party of trappers travelling through the woodlands. He’s a poor scavenger for food and as a result, they are starving – with much acrimony directed towards him. As soon as they find a small settlement, he departs company and lets the trappers go on their way without him. He watches a rich local take delivery of his first cow with plans for buying a mate and breeding a herd later on.
Cookie falls in with Chinese immigrant King-Lu (Orion Lee) who has a hut nearby. They bond over a bottle of wine at King-Lu’s shack in the woods and become friends. Finding the cow wandering near their dwelling, they hatch a plan to milk it secretly at night (cookie milks while King-Lu keeps watch from a nearby tree) and use the milk as an ingredient in oily cakes, which they start selling at the settlement and which become a huge success overnight.… Read the rest
Director – Bryan Fogel – 2020 – UK – Cert. 15 – 119m
*****
An investigation into the state-sanctioned killing of Washington Post journalist Jamal Khashoggi in the Saudi Consulate in Turkey in 2018 – on Amazon Prime from Thursday, April 1st
If you had to use a single phrase to describe this documentary, it would be “jaw-dropping”. The central subject here is the disappearance of Saudi-born Washington Post journalist Jamal Khashoggi who on October 2nd 2018 entered the Saudi consulate in Turkey to obtain a document and was never seen again.
There are a number of narrative strands: the career of a Saudi exile Omar Abdulaziz Alzahrani in Montreal, Canada who Khashoggi befriended, a brief history of the Saudi regime focusing in particular on the last decade, Khashoggi’s ongoing romance with young Turkish political researcher Hadice Cengiz who he planned to marry and the story of what actually went on inside the consulate recounted by the Turkish prosecutor Irfan Fidan.
Jamal Khashoggi and Hatice Cengiz
It’s jaw-dropping because it delivers one devastating revelation after another. The idea of entering your country’s consulate to collect a document and not leaving alive is horrific enough, but there are numerous other, equally chilling disclosures here.… Read the rest
Director – Ishiro Honda – 1961 – Japan – Cert. PG – 101m
*****
Giant moth attacks Tokyo to save fairies. Someone had a meeting about that.
You’d be forgiven for assuming Mothra (1961) a typical Toho monster movie in which a giant moth attacks Tokyo. Yet the film single-handedly redefined the genre much as the original Godzilla film defined it.
With a typhoon moving towards Japan, sailors abandon ship near Infant Island where Rolisica – an amalgam of Russia and the US – has recently tested nuclear weapons. Rescued survivors are tested for radiation sickness but no symptoms found. Two members of the press, reporter Zenichiro Fukuda (Frankie Sakai) and photographer colleague Michi Hanamura (Kyoko Kagawa) sneak into the team of scientists to take pictures and ask questions, learning the natives gave them red juice to drink. They report back to their editor (Takashi Shimura).
Clark Nelson (Jerry Ito) leads an expedition to Infant Island to find a jungle like Pathé’s for King Kong (1933) with man-eating plants, hostile natives and two telepathic, singing Shobijin (lit: ‘small beauties’) about a foot tall… [read more]
Director – François Ozon – 2014 – France – Cert. 15 – 108m
*****
UK release date 22/05/2015
Both these films can easily be ruined by spoilers, so be wary of reading reviews or cinema blurb or even watching trailers before you see them. That said, the following is spoiler free. Now read on.
Spring
The single, male protagonist of US indie Spring suffers serious emotional trauma then becomes involved with a woman who is not all that she seems. The married, female protagonist of French maverick Ozon’s The New Girlfriend – based on a book by Ruth Rendell who passed away last month – suffers serious emotional trauma then becomes involved with a man who is not all that he seems. In both films, the question is: can their relationship survive?
Spring
Spring‘s Evan (Lou Taylor Pucci) witnesses the death of his bedridden mother. Distraught, he heads to the local bar, gets into drunken fight which ends up with his leaving the US to evade the police. He heads to Italy where he meets a bunch of Brit backpackers and indulges in more binge drinking, but everything changes when he meets and falls for the mysterious Louise (Nadia Hilker)… (This reviewer confesses that by this point – about ten minutes into the film – he wasn’t feeling much sympathy for the character – or, indeed, liking the film very much at all – but Evan’s subsequent relationship with Louise had him hooked.)… Read the rest
Assassins Directed by Ryan White Certificate 12, 104 minutes Released 29 January, online
In 2017, Kuala Lumpur International Airport in Malaysia briefly became headline news when Kim Jong-nam, half brother of the North Korean leader Kim Jong-un, was killed there. The story behind his assassination is truly unsettling, involving as it does two young women who seemingly had no idea what they were getting into… [Read more]
A US documentary edited out of footage shot on the Wuhan Covid-19 hospital frontline by two Chinese reporters allowed access – on VoD from Friday, January 22nd
Documentary film making is a curious medium – one might even say genre – and this is a curious piece of work. On the level subject matter, it hits paydirt. The city of Wuhan, China has a population of 11 million. When it went into lockdown on January 23rd, 2020 as the authorities attempted to curtail the spread of Covid-19, who knew a global pandemic was coming? Few if any in the West and perhaps no-one in China either.
Be that as it may, two journalists, Chen and one who has kept his / her name off from the film, started shooting what was happening in four hospitals in that city, a lockdown which continued for the eponymous 76 days until the local outbreak was considered safely under control. Given what happened later, interest in the footage they shot and the film subsequently made is now far greater than they may have initially imagined.
Documentary film maker Wu was appalled by China’s initial cover-up of what was happening in Wuhan and sought out journalists who’d had access to events and documented them on camera with a view to exchanging information and making a film himself about the pandemic situation in the US, a project eventually cancelled.… Read the rest
