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Features Live Action Movies

The Cheaters

Director – Paulette McDonagh – 1930 – Australia – 95m
***1/2

A criminal gang leader’s lifelong vow for revenge threatens the future happiness of his daughter in this beautifully restored and presented Australian silent -– free to watch on BFI Player as part of the BFI London Film Festival 2020 from 13.00 hrs Sunday, October 11th to 13.00 hrs Wednesday, October 14th

The first thing to say about this film is that it looks in remarkably good nick by any standards. Judging by the restoration trailer, this is an amazing testimony to today’s technology. Much of the footage before had deteriorated to near unwatchable. After the process, it looks fantastic.

As for the silent side of things, the current presentation on BFI Player shows the film windowboxed as you’d expect but then also the keyboard accompanist in locked off shot, keyboards and hands only, also windowboxed in a comparatively tiny image at the bottom left. This proves extremely effective and provides an excellent model for both future online screenings of silents and presentation on home video media such as Blu-ray or DVD.

The film medium has come a long way since 1929, so this film begs the question, is it any good?… Read the rest

Categories
Live Action Series Television

A Day-Off
Of Kasumi Arimura Ep. 1
(Arimura Kasumi
No Satsukyu,
有村架純の撮休 第1話)

Director – Hirokazu Kore-eda – 2020 – Japan – 42m

****

In the first episode of director Hirokazu Kore-eda’s TV series A Day-Off Of Kasumi Arimura, the actress Kazumi Arimura plays herself in a fictionalised version of her life – on BFI Player as part of the BFI London Film Festival 2020 from 13:00 Saturday, October 10th to 13:00 Tuesday, October 13th

This is a curiosity, one-off festival screening that admirers of contemporary Japanese cinema are going to want to see. Kore-eda (Shoplifters, 2018) is one of the highest profile, contemporary directors in Japan and like many other directors around the world in between his theatrical cinema films he also works in small screen television. This is the first of eight episodes of the TV series A Day-Off Of Kasumi Arimura in which actress Kazumi Arimura plays herself in a fictionalised version of her life. As the subtitle of the end title indicates, this drama is fictional. It has nothing to do with Kazumi Arimura’s real life. 

There’s a little pre-amble in which Kazumi learns that tomorrow’s shoot is cancelled because someone has gone down with the ‘flu. Which you might think makes the episode rather close to or currently perilous pandemic times, but it doesn’t really.… Read the rest

Categories
Features Live Action Movies

A Perfectly Normal Family
(En Helt Almindelig Familie)

Director – Malou Reymann – 2020 – Denmark – Cert. PG – 97m

****

A girl struggles to deal with her dad’s new female gender identityin cinemas and on Modern Films Virtual Screening Room and Curzon Home Cinema from Friday, October 2nd

This opens, closes and is punctuated at regular intervals with 4:3 aspect ratio home movie footage of a family, two sisters growing up and precious moments with their mum and, particularly, their dad (Mikkel Boe Følsgaard). The first excerpt sees dad carrying baby Emma, showing her to the camera and herself in a mirror, showing her her mum Helle (Neel Rønholt) in bed and her elder sister Caroline / Caro in her cot, then taking her downstairs to watch the football match on TV with dad. “Are you a little football girl?”, he asks her.

The rest of the film is in 16:9 widescreen, starting off with teenage Emma (Kaya Toft Loholt) and the rest of her football team being told off by their coach. On the sidelines, dad dribbles the ball. She comes over and tackles him effortlessly. Later, when the family go to look at a dog because both girls want the family to have one, it becomes clear that something is up with their parents.… Read the rest

Categories
Documentary Features Live Action Movies

Dick Johnson
is Dead

Director – Kirsten Johnson – 2020 – US – 89m

*****

The director imagines the death of her dad in a film which celebrates both the man himself and the art of cinema – on Netflix worldwide from Friday, October 2nd

I was alerted to this movie both because not only was Johnson’s prior Cameraperson (2016) excellent but also the subject matter of this new film looked promising. Johnson spent three decades as the cameraperson on numerous documentaries (among them Farenheit 9/11, Michael Moore, 2004 and Citizenfour, Laura Poitras, 2014) before making her previous feature out of interesting bits and pieces of footage she had lying around. Her new film is highly personal and almost fits into the home movies or personal diary school of film making – lent an inevitable, additional gravitas given Johnson’s prior artistic and technical career.

C. Richard Johnson (b. 1932 – ) is Kirsten Johnson’s dad. One day, like all of us, he is going to die. So his daughter decided that while he was still alive she would make a film about his dying, filming his possible deaths and staging his funeral service ahead of time.

There’s a huge contradiction at the heart of this idea.… Read the rest

Categories
Features Live Action Movies

Nocturnal

Director – Natalie Biancheri – 2019 – UK – Cert. 15 – 84m

***

A man becomes obsessed with a schoolgirl and starts spending more and more time with her at night – in cinemas and on BFI Player and Curzon Home Cinema from Friday, September18th

A Yorkshire seaside town. Teenage schoolgirl Laurie (Lauren Coe) is training to be a sprinter and spends much of her time training at the school track. She’s spotted by odd job painter and decorator Pete (Cosmo Jarvis) whose regular girlfriend has just moved out of his apartment. Pete starts to take an interest in Laurie, eventually driving her out to a club then talking with her for hours in his flat.

From Laurie’s life at home with her mother Jean (Sadie Frost), it’s clear that they’ve only recently moved into the area. The girl has a healthy distrust of the older man who starts stalking her. She points out that he might be a serial killer, which he turns into a running joke. His interest seems pretty creepy though, so you do wonder if there’s any truth behind this banter. She’s a teenager playing at being an adult. When he takes her to a bar and they drink shots of whiskey, she is being sick soon after.… Read the rest

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Features Live Action Movies

Real

Director – Aki Omoshaybi – 2019 – UK – Cert. 15 – 78m

***

Boy meets girl but both are embarrassed by their economic circumstances so pretend to be much better off than they arein cinemas and on BFI Player and Sky Store from Friday, September 11th

Kyle (director Aki Omoshaybi) and Jamie (Pippa Bennett-Warner) first meet in a newsagents in the city centre. Her credit card is stopped. He helps her out and pays the bill. She works in a local community centre, he in a solicitor’s. Actually, both of them are lying, desperate to make a good first impression and reluctant to reveal their true circumstances for fear of judgement.

They start dating. Jamie is the first to crack. She admits she has a child Felix (Taye Matthew). And works in a convenience store. However,  Kyle can’t bring himself to come clean. Unfortunately for him, Jamie’s best mate Tash (Amy Manson from Run, Scott Graham / 2019) has had dealings with him and knows he’s an ex-offender. So it’s only a matter of time before Jamie finds out.

Kyle has become homeless, so begs his alienated mum (Karen Bryson) to let him stay at hers for a while.… Read the rest

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Features Live Action Movies

The Bold,
The Corrupt
And
The Beautiful
(Xue guan yin,
血觀音)

Director – Yang Ya-che – 2017 – Taiwan – Cert. 15 – 112m

*****

A dysfunctional family, a property investment scam and sex and drugs meet head on in this impressive, female character-driven Taiwanese drama-thriller – exclusively in these cinemas for three days from Friday, September 4th

One family, three generations of women, each with their own demons. Middle aged matriarch Madame Tang (Kara Wai) is in the process of setting up illicit property deals with a network of corrupt state officials to the tune of $3m Taiwanese. Her scheming daughter Tang Ning (Wu Ke-Xi, writer and star of Nina Wu / 2019) is involved in sexual intrigues and addicted to a lethal mixture of drink and prescription meds. Teenager Tang Chen (Vicky Chen Wen-chi) seems both incapable of forming healthy relationships of any sort with other people and constantly spying on them through gaps in doors or curtains – or just by being in places she’s not really wanted.

Tragedy befalls the Lins, one of the families involved in Madame Tang’s scheme, when they are shot dead in their family home by intruders. Somehow their teenage daughter Pien (Wen Chen-Ling) survives the massacre. Her boyfriend Marco (Wu Shu Wei) is the murder suspect.… Read the rest

Categories
Features Live Action Movies

Yes, God, YES

A plea for honesty

Yes, God, YES
Directed by Karen Maine
Certificate 15, 77 minutes
Released digitally on 17 August

Despite its provocative title suggesting a racy sex comedy about religion, this is actually a gentle independent film exploring the everyday inadequacies of American teenagers growing up within a conservative Catholic tradition. Essential life issues, including sex, truth telling, lying and religion, come up.

There’s a rumour going round Alice’s Catholic high school that she (Natalie Dyer) has been “salad tossing”. Having no idea what this means, she spends much of the film trying to find out. Impressed that Nina (Alisha Boe) has been on a four-day camp and seems to have her life together, Alice signs up.

The camp takes place at a Catholic retreat centre staffed by a nun and Father Murphy (Timothy Simons). Alice is immediately attracted to Chris (Wolfgang Novogratz), the camp leader and school football team captain. When Nina asks Alice to surrender her watch and mobile phone “because you’re on Jesus’ time”, Alice keeps her phone hidden to play games on it… [Read the rest]

I review Yes, God, YES for Reform.

Available to view on Amazon Prime and iTunes.

Trailer:

Categories
Features Live Action Movies

Sheep Without
A Shepherd
(Wu Sha,
误杀)

Director – Sam Quah – 2019 – China – Cert. 15 – 112m

*****

A family stands together when their daughter kills the local police chief’s son who is both a rapist and blackmailer – available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland.

This opens with a prison break in which the escapee ends up interred in a coffin next to the corpse of the man who was trying to get him out. That turns out to be a story told by Li Wiejie or Jie for short (Xiao Yang), an insatiable watcher of detective and crime thrillers. The film lays its cinematic cards on the table almost immediately by referencing Hitchcock, montage, sound effects, excitement and The Shawshank Redemption (Frank Darabont, 1994). Sheep Without A Shepherd is in thrall to the West’s suspense movies and plays out like one while at the same time retaining its distinctive Chinese character with its emphasis on the importance of family ties and loyalty.

Jie and his wife (Tan Zhuo) run a small store in Thailand. Their daughter Ping known in the family as PingPing (Audrey Hui) persuades dad to fund her to go to summer camp where she is drugged and videoed being gang-raped by privileged brat Su Cha (Beety) and his pals.… Read the rest

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Features Live Action Movies

Eat Drink Man Woman
(Yin Shi Nan Nu,
飲食男女)

Director – Ang Lee – 1994 – Taiwan, US – Cert. PG – 124m

*****

Originally published in Home Entertainment.

Ageing restauranteur Chu (Lung Sihung) lives in Taipei with his three daughters – Christian schoolteacher Jia-Jen (Yang Kuei-mei), high-flying businesswoman Jia- Chien (Wu Chien-lieu) and teenage fast food assistant Jia-Ning (Wang Yu-wen). His problem (as with the mother in Lee’s Sense And Sensibility/1996) is that none of his daughters are married – and the clock is ticking.

Opening (scooter) traffic shot boasts encompassing sound, later rivalled by such DS subtleties as hymn singing (on a wonky Walkman) and a playground full of kids. Better yet are the cooking noises – bubbling, frying, pouring, steaming – rendered more mouth-watering still by accompanying oriental cuisine visuals. Should be watched with a lavish meal ready for consumption by the time of (or even before) the final frame.

Film 5/5

Sound 5/5

Nominated for Best Foreign Language Film at the 1994 (67th) Oscars.

Originally published in Home Entertainment.