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Wrath Of Silence
(Bao Lie Wu Sheng,
暴裂无声)

Director – Xin Yukun – 2017 – China – 120m

***

Fist of parental fury: mute villager fights hard to find his missing son in rural China, in a film teeming with extraordinary social commentary and… fighting!!! From the BFI London Film Festival 2017

The young boy Zhang Liu tends sheep on a hillside in Northern China not far from a mine where lorries come and go. One day he doesn’t come home. His mother, already in debt for various medical treatments for her swollen legs, is at her wits’ end. The boy’s mute father, the miner Zhang Baomin (Song Yang), has a way of solving problems. Fisticuffs. He beats up people in the local mine. In the village restaurant he plunges a broken meat bone into the eye of the local organiser of signatures to sign away the village mining rights for which he’s holding out but everyone else in the village has signed. He goes around showing a picture of the missing Liu in the hope that someone has seen the boy.

This takes him to a local mining site where he’s inside eating with the foreman when thugs turn up in vans and jeeps to tell the miners a new company has bought out the mine and their service are no longer required.… Read the rest

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A Quiet Passion

Nonconformist poet

A Quiet Passion
Directed by Terence Davies
Certificate 12a, 126 minutes
Released 7 April 2017

A stern matriarch divides a school room of young women into those who are saved on one side and those who hope to be saved on the other. This leaves Emily Dickinson (Cynthia Nixon) in the middle because she hasn’t got as far as that yet. Rescued from the seminary by her father Edward (Keith Carradine), Emily confesses that she was suffering from ‘evangelism’.

Thus begins the latest film from the British, Catholic director Terence Davies – a biopic of the 19th-century, US poet Emily Dickinson, from her leaving school, through her life as a single woman in an era when women were supposed to marry and have children, to her death. Directed with Davies’ usual visual, cinematic rigour and punctuated by large chunks of Dickinson’s poetry in voice-over, the film also drips Christianity. It never attempts to convert anyone, but neither does it shy away from portraying a household in the southern states where faith and theology are everyday discussion topics. [Read more…]

Full review in Reform magazine, April 2017.

Trailer:

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Pan’s Labyrinth
(El Laberinto
Del Fauno)

Director – Guillermo del Toro – 2006 – Mexico – Cert. 15 – 119m

*****

In the aftermath of the Spanish Civil War, a young girl must complete three tasks for a mysterious faun in an underground kingdom – in UK cinemas from Friday, November 11th 2006.

Mexican director del Toro is best known as a director of big budget Hollywood horror-ish effects fests like Mimic (1998), Blade II (2004) and Hellboy (2004). More impressive however – and less easily generically defined – are the two movies he’s made in Spain set in the immediate aftermath of the Spanish Civil War. The Devil’s Backbone (2001) is a ghost story with an alien ambience reminiscent of visionary SF writer J.G.Ballard. Pan’s Labyrinth (2006) is arguably even more ambitious: at once a no holds barred fantasy / horror outing and a brutal and violent war drama. And much, much more besides.

Following a fairytale prologue concerning a subterranean princess’ departure from her underground kingdom for the surface world where her former identity is unknown, young girl Ofelia (Ivana Baquero) travels cross-country with her mother Carmen (Ariadna Gil) to live with Carmen’s new husband Vidal (Sergi López), a ruthless Captain in Franco’s army obsessed with stamping out the remaining rebel forces.… Read the rest

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Eat Drink Man Woman
(Yin Shi Nan Nu,
飲食男女)

Director – Ang Lee – 1994 – Taiwan, US – Cert. PG – 124m

*****

Originally published in Home Entertainment.

Ageing restauranteur Chu (Lung Sihung) lives in Taipei with his three daughters – Christian schoolteacher Jia-Jen (Yang Kuei-mei), high-flying businesswoman Jia- Chien (Wu Chien-lieu) and teenage fast food assistant Jia-Ning (Wang Yu-wen). His problem (as with the mother in Lee’s Sense And Sensibility/1996) is that none of his daughters are married – and the clock is ticking.

Opening (scooter) traffic shot boasts encompassing sound, later rivalled by such DS subtleties as hymn singing (on a wonky Walkman) and a playground full of kids. Better yet are the cooking noises – bubbling, frying, pouring, steaming – rendered more mouth-watering still by accompanying oriental cuisine visuals. Should be watched with a lavish meal ready for consumption by the time of (or even before) the final frame.

Film 5/5

Sound 5/5

Nominated for Best Foreign Language Film at the 1994 (67th) Oscars.

Originally published in Home Entertainment.