Tag: mountain

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Features Live Action Movies

Goryeojang
(고려장)

Director – Kim Ki-young – 1963 – South Korea – 89m

2019 Korean Film Archive (KOFA) Restoration (two reels missing)

****

Goryeojang is the concept of taking your elders up a mountain when they reach 70 so that they can face death – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank – from the London Korean Film Festival 2019

Over fifty years old, Goryeojang is sadly available as only a print with two reels (three and six) missing. The LKFF screened the version where the missing scenes are explained by a brief series of intertitles so that the rest of the film can make sense. It’s a tough film to pigeonhole. A description like period drama, which genre it absolutely fits, proves woefully inadequate. To a Western viewer, it plays out like a classic fairy tale, with archetypal characters and considerable amounts of cruelty. The art direction is light years away from any sort of social realism with its rural sets obviously artificially constructed in a studio, recalling (to name but one obvious example) The Singing Ringing Tree (Francesco Stefani, 1957), especially for all those British people who saw that latter film in black and white on BBC children’s television in the 1960s.… Read the rest

Categories
Animation Features Live Action Movies

Mavka
The Forest Song
(Mavka.
Lisova Pisnya,
Мавка.
Лісова пісня)

Directors – Oleh Malamuzh, Oleksandra Ruban – 2022 – Ukraine – Cert. PG – 99m

Ukrainian language dubbed version with English subtitles ****1/2

English language dubbed version ****

#Mavka

Can the love of a brave and essentially honest youth for Mavka the forest spirit succeed in the face of the enmity between humans and nature? – Ukrainian animation is out in UK cinemas on Friday, July 28th

Long ago, events flared into a terrible winter war between the Guardian (voice in Ukrainian: Nazar Zadniprovskyi; in English: Marc Thompson) of the forest beyond the Dark Mountain and a sawmill owner who initially wanted to obtain one drop of the Source of Life to heal his sick daughter but then became greedy and brought an army to seize the rest of the Source of Life for himself. Seeing the terrible devastation wrought upon the forest in the conflict, the Guardian decreed that no human should ever again set foot in the forest.

Many years later, as young forest spirit Mavka (voice in Ukrainian: Natalka Denysenko; in English: Laurie Hymes) awakens from her winter sleep to spread the new life of Spring, in the nearby village where flautist Lucas (voice in Ukrainian: Artem Pyvovarov; in English: Eddy Lee) is performing with fellow musicians, the late sawmill owner’s daughter Kilina (voice in Ukrainian: Olena Kravets; in English: Sarah Natochenny) returns promising well paid work.… Read the rest

Categories
Features Live Action Movies

Lunana:
a Yak in the Classroom
(ལུང་ནག་ན)

Director – Pawo Choyning Dorji – 2022 – Bhutan – Cert. PG – 109m

****

A young man trapped in and frustrated with a teaching career is sent to a remote village, which turns out to be the best thing that’s ever happened to him – 2022 Oscar-nominated film for Best International Feature is out in UK cinemas on Friday, March 10th

Bhutan operates a system of National Service, and for Ugyen (Sherab Dorji) this means five years working in education. His heart was never in it, and he finds it something of an ordeal. His grandmother (Tsheri Zom) constantly berates him for not getting up early enough, while the State education system is less than impressed with his record. If he had his own way, he’d give it all up, take his guitar and go to Australia to try and set himself up as a singer. He’s still required to finish his five years first, though.

That’s bad enough, but then this die-in-the-wool urbanite addicted to his mobile phone and music listening on headphones finds that the system is so fed up with him, it sends him to an unexpected Autumn term teaching placement he’s in no position to refuse, much as he might wish to do so.… Read the rest

Categories
Features Live Action Movies

Fantastic Beasts:
The Secrets
Of Dumbledore

Director – David Yates – 2022 – UK – Cert. 12a – 142m

***

In the 1930s, Newt Scamander, Albus Dumbledore and others attempt to prevent the despotic wizard Grindlewald from seizing power in a wizard’s election in J.K. Rowling’s third Fantastic Beasts movie – out in cinemas on Friday, April 8th

It’s difficult to know where to start with the third of J.K. Rowling’s self-penned Fantastic Beasts productions. A plethora of characters who apart from a few main ones quickly get confusing, some genuinely fantastic beasts as you would hope and some truly great underlying ideas poorly served by a narrative that doesn’t seem to understand basic storytelling in cinema. Perhaps if I’d immersed myself in all the books and films and whatever else is out there, it would make more sense (and no doubt this is what much of the dedicated fan audience will do), but as a standalone film, even one that’s a part of an ongoing saga, it makes little sense, although certain sequences are terrific.

The big ideas here are built around a creature called a Qilin (pronounced chillin) – a beast borrowed from Chinese and Far Eastern mythology – specifically an orphaned newborn Qilin that looks a lot like a golden version of Bambi, a resemblance underscored by the fate meted out to its mother in the opening reel.… Read the rest

Categories
Features Live Action Movies

The Battle
At Lake Changjin II
aka
Water Gate Bridge
(Zhang Jin Hu,
长津湖之水门桥)

Director – Tsui Hark – 2022 – China – Cert. 15 – 153m

**

Ill-considered sequel to box office barnstorming, Chinese war movie fails to match the emotional engagement and excitement of the original – out in cinemas on Friday, February 11th

After the exciting and energetic original, this sequel is a disappointment. It has the same expertise of CG special effects as its predecessor. However the cast is cut down, many of the memorable characters having died heroically in the first film, and there’s no attempt to replace them. Similarly, the spectacular locations are fewer in number because there’s no journey from home through different regions, so this has a smaller geographical palette to play with.

The cast of characters issue would be easy enough to fix within the war genre: members of a military unit die, others come to the fore to replace them in the vacuum created. But no, here all we get are People’s Volunteer Army (PVA) 7th Company commander Wu Qianli (Wu Jing from The Wandering Earth, Frant Gwo, 2019, and sequels) and his younger brother Wu Wanli (Jackson Lee) and no real attempt to further develop their relationship under fire. The two characters are just there, and the audience is expected to carry over their emotional investment from the first film without the second one providing any reason for doing so.… Read the rest

Categories
Features Live Action Movies

The Battle
At Lake Changjin
(Zhang Jin Hu,
长津湖)

Directors – Chen Kaige, Dante Lam, Tsui Hark – 2021 – China – Cert. 15 – 176m

*****

Chinese war movie which has barnstormed the global box office does exactly what it says on the tin – out in cinemas on Friday, November 19th

There is a history of war films with a cast of thousands being directed by several (usually three) directors in an attempt to portray campaigns with huge military logistics on the screen. Probably the best known are The Longest Day (Ken Annakin, Andrew Marton, Bernard Wicki, 1962) about the World War Two Allied invasion of Normandy and Tora! Tora! Tora! (Richard Fleischer, Toshio Matsuda, Kinji Fukasaku, 1970) about the Japanese attack on Pearl Harbour. Both of those Western (and, as it happens, Twentieth Century Fox) movies presented both sides of the conflict by hiring directors from the different countries concerned.

The big difference between them and Chinese global box office phenomenon The Battle At Lake Changjin is that although the latter film deals with a conflict in which the Chinese are pitted against the Americans, all three directors are Chinese. Tsui (Zu Warriors, 1983; Once Upon A Time In China, 1991) at least has some working knowledge of America, having studied film in Texas.… Read the rest

Categories
Animation Features Movies

Lotus Lantern
(Bao Lian Den,
宝莲灯)

Director – Chang Gwang Xi – 1999 – China – Cert. N/C U – 85m

*1/2

A boy must rescue his goddess mother from Heavenly wrath invoked when she fell for his father, a mortal – available to rent online in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021 from Friday, February 12th to Wednesday, May 12th

Immortal Goddess Sanshengmu (voice: Xu Fan) falls in love with mortal man Liu Yanchang and leaves Heaven to pursue love with him on Earth. This goes down badly with her brother Yang Jian (Jiang Wen) since it’s against the Law of Heaven, so he sends an army of hounds down to earth in pursuit. She is however able to evade capture by keeping a lotus lantern close to her to make sure it’s not accidentally lit as this would give away her location.

Seven years later, while boating on a river with her young son Chenxian (Yu Pengfei), the lantern’s accidental lighting reveals her whereabouts to her brother, who promptly whisks the boy to heaven.  When she arrives to demand her son’s return, her brother instead imprisons her in a mountain. … Read the rest

Categories
Animation Art Movies Shorts

The Cowboy’s Flute
(Mu Di,
牧笛)

Directors – Qian Jiajun, Te Wei – 1963 – China – Cert. N/C U – 20m

*****

A flute-playing forest boy loses then is reunited with his beloved water buffalo in the mountains. – available to rent online in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021 from Friday, February 12th to Wednesday, May 12th

This opens with a lengthy panning shot of a forest drawn with pen and ink in a distinctive Chinese style not entirely dissimilar to the animated opening of the Japanese live action feature The Mad Fox (Tomu Uchida, 1962) but without the chaos or violence. Among the ink and watercolour-rendered trees wanders a boy playing a flute as he rides a slow moving buffalo, rendered like the backgrounds in pen and ink so that the effect is not of watching clumsily moving images over exquisitely rendered backgrounds, as has often been the case in Western animation departing from the 2D Disney model, but rather of watching a seamlessly moving brush and ink painting. Te Wei had already done this with his groundbreaking Where is Mama? (1960) and he pulls off the same trick again here.… Read the rest