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Padre Pio

Director – Abel Ferrara – 2022 – Germany, Italy – Cert. 15 – 104m

***1/2

Post-WW1, In San Giovanni Rotondo, Italy, a Catholic mystic undergoes temptation while down in the village, armed landowners and military officers attempt to halt the rising tide of socialism – out on Blu-ray, DVD & DL from Monday, March 11th

Ferrara has long been something of an outsider, working with small budgets. This current offering is highly uneven, very strong and moving in places, betrayed by a lack of planning and resources in others. Perhaps its besetting sin (to use Christian religious parlance) is that it doesn’t deliver exactly what it sets out to: this is not exactly a portrait of early 20th Century, Catholic mystic Pio (Shia LaBeouf). The friar really only forms half of the film – arguably its weaker half – dealing only intermittently with his life from arrival in the impoverished Italian village of San Giovanni Rotondo in 1916 through to his visitation by Jesus and first manifestation of stigmata some years later.

The other half of the film, running in parallel to this, deals with the aftermath of World War One in that same village, as men return from the Front to be reunited with wives and mothers.… Read the rest

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Your Mother’s Son
(Anak Ka Ng Ina Mo)

Director – Jun Robles Lana – 2023 – Philippines – Cert. none – 100m

****

An intense cocktail of two uneasy, polyamorous relationships erupts into jealousy, betrayal and violence – sexually explicit political allegory of nepotism in Filipino politics plays in the spirit of the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

A candidate’s electoral vans belts out loud-hailer exhortations to secure votes in an upcoming election, but no-one in the poor rural locality through which they pass pays any attention. Everyone is struggling to make ends meet. Middle-aged Sarah (Sue Prado) puts all her efforts into both running a laundry business, providing ad hoc employment for much younger Amy (Elora Españo) who lives nearby, and teaching students online. Sarah’s son Emman (Kokoy De Santos) has just lost his job at a restaurant because it closed down. He doesn’t seem to share her work ethic, and would rather lounge around in bed all day than actually have to do anything of an employed nature.

Or, at least, that’s how things appear outwardly.

When his mother finally prises Emman from his bed so that he can go out looking for work – which might include a contact she has who may, possibly, be able to help him – he instead hangs out at the house of Amy who, like his mother, has a strong work ethic, to have sex with her at every opportunity, and do drugs.… Read the rest

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Documentary Features Live Action Movies

Bobi Wine:
The People’s President

Directors – Moses Bwayo, Christopher Sharp – 2022 – UK – Cert. 12a – 121m

*****

Aided by his wife Barbie, Uganda’s opposition leader, the musician Bobi Wine, takes on the country’s corrupt dictator of 35 years President Museveni, in the run up to the 2021 election – out in UK cinemas on Friday, September 1st

At the start of this remarkable documentary about Uganda, a small group of people engage in impromptu Christian prayer in a car before going about their business. While few more outward religious trappings are shown, the subject is a man possessed by a desire for justice for ordinary citizens, especially the underprivileged and voiceless, facing a corrupt regime determined to stay in power by any means possible, with the army and police under their control.

Successful pop singer and musician Bobi Wine… [Read the rest at Reform magazine]

Bobi Wine: The People’s President is out in cinemas in the UK on Friday, September 1st.

Trailer:

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Documentary Features Live Action Movies

Memories To Choke On,
Drinks
To Wash Them Down
(Ye Heung,
Yuen Yeung,
Sham Shui Po,
夜香・鴛鴦・深水埗)

Directors – Leung Ming Kai, Kate Reilly – 2019 – Hong Kong – Cert. N/C 15+ – 77m

**1/2

Four stories from contemporary Hong Kong comprise three dramas and a closing documentary segment – plays Focus Hong Kong 2023 on Saturday, June 24th at 3.30pm

An anthology of four stories from contemporary Hong Kong – three fiction and one documentary – showing the city’s diversity: Forbidden City, Toy Stories, Yuen Yeung and It’s Not Going To Be Fun.

Forbidden City features an old lady (Leong Cheok-mei) and her immigrant carer (Mia Mungil). The first time ‘grandma’ mentions that her son is now a big shot but used – as the not quite right subs put it –to scratch his wee-wee when he was young, it’s funny. The second and third times, it becomes obvious she has dementia and keeps repeating the same phrases over and over. Mia initially refuses to accompany her charge to a reunion in town, but after taking a video of the old lady swearing that she won’t take her carer to her son’s office (“if I do that he’ll fire me,” the carer says), she agrees to accompany her on the bus into town.… Read the rest

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Reality

Director – Tina Satter – 2023 – US – Cert. 12a – 83m

*****

A young woman working in US security services is questioned in her home by two FBI interrogators who believe she’s leaked classified documents to The Intercept – out in UK and Irish cinemas on Friday, June 2nd

This film is based on a true story. That commonly used phrase can encompass everything from attempts at verisimilitude through to extreme misrepresentation. This film, however, is something different from most films bearing that legend.

The true story on which this film is based is an interview of a woman by two FBI agents. That organisation’s protocols dictate that such incidents, planned ahead of their execution, must be recorded in transcription form. So the film is not based on the incident so much as it is based on the official transcript of it. That includes not only the verbal words, but also pauses or gaps on the parts of those speaking them.

Writer-director Satter was hooked by the transcript and has already turned it into the critically acclaimed Broadway play Is This A Room. Theatre and cinema, while they often share certain elements, are essentially two different media; a successful play has an immediate attraction to movie producers who believe its proven theatrical track record will sell cinema tickets, yet the cinema is littered with stagebound adaptation of plays which worked far better on stage than screen.… Read the rest

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Documentary Features Live Action Movies

The Coup D’État
Factory
(A Fantástica
Fábrica
De Golpes)

Directors – Victor Fraga, Valnei Nunes – 2021 – UK, Brazil – 105m

****

An exploration of the role played by Brazilian media conglomerate Globo in various right wing Brazilian coup d’états over the decades – UK premiere on Sunday, May 29th 2pm at BFI Southbank followed by a discussion with special guests: Baroness Christine Blower, Jean Wyllys, Marcia Tiburi alongside the filmmakers

For the Brit, there’s something quite unnerving about coming to this documentary about the Brazilian political system and the role played within it by media conglomerate Globo, which controls the country’s most popular TV channel, newspapers and more. We think we have media bias problems here in the UK, but in this country we at least have a certain amount of press regulation enshrined in law and through such ethical bodies as the Press Council and institutions such as public service broadcasting.

That doesn’t appear to be the case in Brazil where, it seems, the media can do pretty much what they like without anyone holding them to account. Which also means that those outside of the country aren’t well-informed as to what goes on inside it since much of the information (or misinformation) about events from within the country is skewed.… Read the rest

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The Batman

Director – Matt Reeves – 2022 – US – Cert. 15 – 175m

****

A reinvention of the popular superhero alongside his iconic villain adversaries in a Gotham City run by corrupt elites and gangsters – out in cinemas on Friday, March 4th; home premiere available to rent from Tuesday, April 19th

The posters for Warner Bros.’ second Batman movie Batman Returns (Tim Burton, 1992) announced it with the names of three iconic characters: The Bat, The Cat, The Penguin. They could have done similar here, although The Bat, The Cat, The Penguin, The Riddler doesn’t quite work as an animal-themed slogan. However, The Batman is a very different movie – and not just because of the addition of the Riddler.

Of all the superheroes, Batman is arguably the richest in terms of raw material and its potential for reinvention. This new film is quite unlike the Nolan films which preceded it which in turn is quite unlike the Burton films which preceded them which are quite unlike the art deco animated Batman TV series which in turn is quite unlike the sixties TV series which preceded that.

In movies as in comics, Batman, Gotham City and its accompanying cast of characters appear ripe for reinvention in a way that no other superhero and their world quite does.… Read the rest

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Fantastic Beasts:
The Secrets
Of Dumbledore

Director – David Yates – 2022 – UK – Cert. 12a – 142m

***

In the 1930s, Newt Scamander, Albus Dumbledore and others attempt to prevent the despotic wizard Grindlewald from seizing power in a wizard’s election in J.K. Rowling’s third Fantastic Beasts movie – out in cinemas on Friday, April 8th

It’s difficult to know where to start with the third of J.K. Rowling’s self-penned Fantastic Beasts productions. A plethora of characters who apart from a few main ones quickly get confusing, some genuinely fantastic beasts as you would hope and some truly great underlying ideas poorly served by a narrative that doesn’t seem to understand basic storytelling in cinema. Perhaps if I’d immersed myself in all the books and films and whatever else is out there, it would make more sense (and no doubt this is what much of the dedicated fan audience will do), but as a standalone film, even one that’s a part of an ongoing saga, it makes little sense, although certain sequences are terrific.

The big ideas here are built around a creature called a Qilin (pronounced chillin) – a beast borrowed from Chinese and Far Eastern mythology – specifically an orphaned newborn Qilin that looks a lot like a golden version of Bambi, a resemblance underscored by the fate meted out to its mother in the opening reel.… Read the rest

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Sheep Without
A Shepherd
(Wu Sha,
误杀)

Director – Sam Quah – 2019 – China – Cert. 15 – 112m

*****

A family stands together when their daughter kills the local police chief’s son who is both a rapist and blackmailer – available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland.

This opens with a prison break in which the escapee ends up interred in a coffin next to the corpse of the man who was trying to get him out. That turns out to be a story told by Li Wiejie or Jie for short (Xiao Yang), an insatiable watcher of detective and crime thrillers. The film lays its cinematic cards on the table almost immediately by referencing Hitchcock, montage, sound effects, excitement and The Shawshank Redemption (Frank Darabont, 1994). Sheep Without A Shepherd is in thrall to the West’s suspense movies and plays out like one while at the same time retaining its distinctive Chinese character with its emphasis on the importance of family ties and loyalty.

Jie and his wife (Tan Zhuo) run a small store in Thailand. Their daughter Ping known in the family as PingPing (Audrey Hui) persuades dad to fund her to go to summer camp where she is drugged and videoed being gang-raped by privileged brat Su Cha (Beety) and his pals.… Read the rest

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Totally Under Control

Directors – Alex Gibney, Ophelia Harutyunyan, Suzanne Hillinger – 2020 – US – Cert. 12 – 123m

***1/2

Documentary looks at the Trump administration’s handling of the early months of the COVID-19 pandemic in the US – in cinemas from Friday, October 23rd and on iTunes, Amazon, Google, BFI Player, Curzon, Sky, Rakuten, Virgin. On BBC iPlayer from Sunday, November 1st.

This is a documentary shot, as it were, on the hoof. It constitutes a record of near-contemporary events as they unfolded in the recent past, in two of three very specific geographic locations. Two or three because the subject is the early months of the 2020 global COVID-19 pandemic in the origin of which the third country, China, specifically the city of Wuhan, played the major part. But this film isn’t really about China beyond that country’s being the source of the infection.

Nor is it really about the second country, South Korea, here quite reasonably held up to the audience as a paragon of virtue in its handling of the crisis. The film is really about the first country, the US, during this period, which had a playbook ready and waiting should such a crisis come to pass.… Read the rest