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The Contestant

Director – Clair Titley – 2023 – UK – Cert.12a – 90m

*****

How a man’s incarceration in a room, broadcast on TV, became a media sensation in Japan– out in UK cinemas on Friday, November 29th

Before The Truman Show (Peter Weir, 1998), which would be released later the same year, a couple of years before Big Brother and the start of the UK’s reality TV phenomenon, a Japanese TV show breaks new boundaries. A man is put in a room where he had to earn a million yen in prizes from magazine competitions before being released. The facilities are basic – there is a sink unit and a gas ring, but no cooking utensils. The whole situation is filmed by two cameras. The man in the room, Nasubi, knows it is being filmed, but has been told by the producer that most of it will be thrown away. He is completely unaware that this setup is being edited into a weekly, six-minute TV spot and going out on the weekly, magazine format, endurance TV show Denpa Shonen.

The Denpa Shonen show is the brainchild of TV producer Tsuchiya, who for this segment auditions a dozen or so male hopefuls and chooses one of them, Nasubi, by lottery.… Read the rest

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Moor
(Mavr)

Director – Adilkhan Yerzhanov – 2024 – Kazakhstan, France – 83m

***

A mercenary known by the codename ‘Moor’ returns from the war to the big city to rescue his younger brother’s wife and son from her husband’s debts – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Found by the authorities, who apprehend him by a perimeter fence and remove his bag of home-made weaponry which includes a wooden bow and arrows and a knife carved from bone, which he will get back and make use of later in the plot, Moor is processed alongside wounded and traumatised veterans. He speaks few words and is in complete control of his faculties. The chief of police, who talks in a confident, jokey manner and insists on addressing him as Bro, feels more like a gangster than a cop, wearing a snakeskin jacket not unlike the hero of Wild at Heart (David Lynch, 1990) and often accompanied by a small entourage who read as gangsters rather than cops, even though the group occasionally expands to contain officers with the word POLICE on the back of their jackets.

He explains that Moor’s younger brother Houdini has disappeared, leaving behind him not only a mountain of debt but also a wife and small son.… Read the rest

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Mother’s Kingdom
(Uhm-mah-ui
Wahng-gook,
엄마의 왕국)

Director – Lee Sang-hak – 2024 – South Korea – LKFF Cert. 15 – 97m

*****

A Christian mother, her ‘Christian book’ author son, and her local pastor brother-in-law are haunted by traumas from their collective past – suspense thriller from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

I don’t often preface a film review with a piece of verbal, religious text, but in this exceptional case, the following Old Testament quote may be pertinent, particularly the phrase in bold:

The Lord passed before him and proclaimed, “The Lord, the Lord, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty, visiting the iniquity of the fathers on the children and the children’s children, to the third and the fourth generation.”

– Exodus 34:6–7

Ji-wook (Han Ki-jang) lives with his mother Kyung-hee (Nam Kee-ae), and although he’s earning a respectable living working from home as a writer of self-help motivational books, in many ways he seems deeply unqualified to be peddling such advice to a wider public.… Read the rest

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Blitz
(2024)

Directed by Steve McQueen
Certificate 12a
120 minutes
Released 1 November

People just getting on with life in dire circumstances, doing what they have to do. A mother searches for her lost son. An 11-year-old embraces his black identity. Women work in munitions factories. Thieves take advantage of death and devastation to turn a profit. And, unexpectedly, a spiritually dark place produces an impassioned plea for the virtues of Christianity.

This is London during the Nazi bombings of the Second World War. Steve McQueen (12 Years a Slave, the Small Axe TV series) and his collaborators have done remarkable historical and visual research, so that the historical situation seeps into you. McQueen’s way in was a photograph of a young black boy, around whom he has woven a story of an evacuee jumping from the train to return to his mum.

In a remarkable performance, 11-year-old Elliot Heffernan plays the boy… [Read the rest at Reform magazine]

Read my longer review on this site here.

Trailer:

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Mist
(Angae,
안개)

Director – Kim Soo-yong – 1967 – South Korea – 78m

****

A married man leaves Seoul to visit his dull hometown for a few days, where he embarks on a brief affair with a music teacher from the local school – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Yun Gi-jun (Shin Seong-il from The Barefooted Young, Kim Ki-duk, 1964) is bored with his job. He sits at his desk in a huge office looking at the paperwork, seeing it crawling with insects. But when others enter the office, they don’t see any of that, so it’s clearly all in his head. In many ways, that sets the scene for the mood of this heavily introspective piece which makes much use of voice over and flashback, as Gi-jun takes time out in his hometown of Mujin, for which he claims not to feel much affection but which is nevertheless full of personal history and memories for him.

We see him at home with his wife as she straightens his tie, and later as she brings her rich father over to the house.… Read the rest

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Terminator 2
Judgement Day

Director – James Cameron – 1991 – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – plays as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

What makes the film work is the mother and son element. Sarah is a believer in Terminators, the coming war against the machines, and humanity’s fightback in a world where such beliefs are dismissed as delusions.… Read the rest

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Terminator 2
Judgement Day
3D

Director – James Cameron – 1991 (3D version 2017) – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – remastered 3D version of James Cameron’s classic is out in UK cinemas from Tuesday, August 29th 2017

Painstakingly remastered in 3D, this plays as well in its current rerelease as it did back in 1991. In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

Unlike the 3D conversion of the same director’s Titanic (1997) which proved 3D to be a greatly improved, astonishing revelation, the improvements afforded T2 by 3D are comparatively minor (though they’re peerlessly executed).… Read the rest

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Blitz
(2024)

Director – Steve McQueen – 2024 – UK, US – Cert. 12a – 120m

*****

As the Germans bomb London in WW2’s Blitz, a boy evacuated by his mother as per government instructions refuses to stay on the train and finds his way back to London – from the BFI London Film Festival 2024 which runs from Wednesday, October 9th to Sunday, October 20th in cinemas and on BFI Player and then out in UK cinemas on Friday, November 1st

(This review is a piece of writing currently in progress. Please bookmark and return to this page to see the whole review in due course.)

A five-star review (and I’m unrepentant) for a film that’s less than perfect. It gets the five stars because of the incredible things it gets right.

Blitz promises two things: one, an immersive experience of the London Blitz, and two, the mother and son story of a woman sending her son out of London in the mass child evacuation and the child’s refusal to follow the plan, complicated with the racial tension of the child’s having a black father (who is absent) and a white mother.

Writing these lines, the film’s potential problem is evident; the immersive experience is probably a movie in itself, and this side of things is brilliantly realised without the need for narrative coherence.… Read the rest

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Hellboy
The Crooked Man

Director – Brian Taylor – 2023 – US – Cert. 15 – 99m

**1/2

Hellboy must confront a dark labyrinth of hills, the Crooked Man who tricks people out of their souls, and some unresolved family matter from his own past– latest franchise reboot is out in UK cinemas on Friday, September 13th

1959. Hellboy (Jack Kesy), his assistant Jo (Adeline Rudolph) and an FBI man are transporting a deadly spider in a boxcar across the Appalachians to a lab where Jo can subject it to further study when the creature goes berserk, busts out of its crate, precipitating a terrible struggle in which the FBI man is killed and their boxcar is thrown down a steep embankment. They have arrived in a place where, we later learn in dialogue, a network of mining tunnels acts like veins to the living creature that is the hills, and the authorities have built a church atop the hills in the exact place where a portal used to connect a world of demonic forces with our own world.

The area is frequently visited by the Crooked Man (Martin Bassindale), who carries with him numerous coins, each one representing a soul he has tricked into selling him- or herself to the Devil.… Read the rest

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Firebrand

Director – Karim Ainouz – 2023 – UK – Cert. 15 – 121m

*****

Henry VIII’s sixth wife Katherine Parr must navigate the increasingly treacherous waters between her desire for religious tolerance and Henry’s more authoritarian take on Christianity – out in UK cinemas on Friday, September 6th

With her husband Henry VIII away fighting wars abroad, the Queen – Henry’s sixth wife Katherine Parr (Alicia Vikander) – has been declared Regent. Yet, for all the power, at least temporarily, entrusted to her, she cannot go anywhere outside the castle without male guards. On the pretext of visiting a religious shrine to which only women can be admitted, she (and her loyal ladies in waiting) slip off to a forest glade where her old friend Anne Askew (Erin Doherty) is preaching on the fact that the Bible has recently been translated into English and therefore made available to the common people in their own language for the present time. “Where will it all end?”, Anne asks her small, gathered audience.

Where indeed? Katherine may be a reformer at heart, but she is also staunchly royalist and believes in the King both as an institution and Henry himself specifically.

And then Henry (Jude Law) comes back from the wars, bringing her time as Regent to an end.… Read the rest