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Features Live Action Movies

That Burning House
(Shi Le Yuan,
火宅之犬)

Director – Tsai Yin-chuan – 2025 – Taiwan – 133m

****1/2

Teachers In a care home attempt to break the cycle of violence among their charges – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

This is one of those films that takes place in several different times in the characters lives, including when they are children, teenagers and adults. That means that you need more than one actor to play each character at different times in their lives, and if you’re going to attempt that, you’d better get your casting right, so that when you see the second actor playing an older or younger version of the character, you instantly recognise that character.

I wanted to rate this compelling film as five stars, but it has severe problems in this area – it’s really hard working out which character is which in the various different times in which events take place. Studying the end credits helped somewhat in this regard, but that information really ought to be expressed more clearly within the film narrative itself. (To see an example of a film that tackles this multiple character casting brilliantly, see Moonlight (Barry Jenkins, 2018).… Read the rest

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Features Live Action Movies

The White Ribbon
(Das Weiße Band)

Director – Michael Haneke – 2009 – Austria, Germany – Cert. 15 – 144m

*****

Reviewed for Third Way magazine to coincide with UK release date 13/11/2009.

Plays in Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 6th and on BFI Player from Thursday, September 11th 2025.

Haneke’s first period drama for the big screen is set in 1913-14 in a Northern German Protestant village where strange accidents befall the community. A doctor (Rainer Bock), out riding a regular route, is brought down and injured by a wire between two trees. The wife of a farm labourer is killed when factory floorboards give way beneath her. Children are abducted. A baby’s window is left open in Midwinter. A building burns. But who is – or are – responsible?

The film sets out its cast of characters in terms of the social hierarchy. The landowning classes are represented by the local Baron (Ulrich Tukur), his wife (Ursina Lardi) and their child; the professional classes by a widowed doctor, the midwife (Susanne Lothar) “who has made herself useful to him”, the Baron’s steward (Josef Bierbichler), the village Pastor (Burghart Klaussner) and the local teacher (Christian Friedel) – also as an old man the narrator (Ernst Jacobi) – who is courting the nanny of the Baron’s son; the working classes by numerous agricultural labourers who generally feature less prominently in the story.… Read the rest

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Features Live Action Movies Music

Slade in Flame

Director – Richard Loncraine – 1975 – UK – Cert. – 91m

****

Slade play Flame, a small-time rock band who cut their musical teeth managed by lowlife crooks before going on to a meteoric rise and fall managed by corporate suits– 2K Remaster for the film’s 50th Anniversary Re-release is out in UK cinemas on Friday, May 2nd following BFI Southbank premier on Thursday, May 1st

In the early 1970s, four-piece pop act Slade (singer-guitarist Noddy Holder, bass player Jim Lea, guitarist Dave Hill and drummer Don Powell) were a British pop phenomenon. They clocked up six number one singles, with three going straight to the number one position. To capitalise on that success, the band’s manager Chas Chandler, previously Jim Hendrix’s manager and, before that, the bass player with The Animals, decided Slade should make a movie; the band, however, didn’t want to make light, upbeat, whimsical fantasies like The Beatles vehicles (A Hard Day’s Night, 1964; Help!, 1965, both Richard Lester; Yellow Submarine, George Dunning, 1968); they wanted instead to make something darker, reflecting the experience of trying to make it in a band in England in the late 1960s.

First-time feature director Richard Loncraine proved to be an inspired choice, confirmed both by the gritty, urban nature of his many subsequent films (The Missionary, 1982; Bellman and True, 1987; Richard III, 1995) and for his signature compositional style (letterbox frame, sepia-dominated palette), developed with cinematographer Peter Hannan (The Missionary, not to mention Monty Python’s The Meaning of Life, Terrys Gilliam and Jones, 1983).… Read the rest

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Art Documentary Features Live Action Movies

War Paint
Women at War

Director – Margy Kinmonth – 2025 – UK – Cert. 12a – 89m

*****

A look at the output of various women artists who have documented and dissected war, and what they can tell us – out in UK cinemas on Friday, March 28th

Although being promoted, reasonably enough, with an image from World War Two of women working with barrage balloons, right from the start in narration over its opening titles this breaks the mould for anyone expecting it to cover any one specific historical or geographical war. “I’m going to talk to women all round the world”, says director Kinmonth in regard to the concept of war as a catalyst for creativity. “What do women see that men don’t?” Quite apart from her gender, she is well-placed to tackle such a subject having recently made two documentaries on the subject of war artists: Eric Ravilious: Drawn to War (2022), War Art with Eddie Redmayne (2015), and many more before that on the subject of art in assorted social contexts.

The film is a compendium of interviews with living female artists or, in the cases of artists who’ve passed on, their descendants or proponents. Some of the names are familiar, such as Lee Miller, Maggi Hambling or Dame Rachel Whiteread, others much less so.… Read the rest

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Features Live Action Movies

The Girl
with the Needle
(Pigen med Nålen)

Director – Magnus Van Horn – 2024 – Denmark, Sweden, Poland – Cert. 15 – 123m

*****

A young Copenhagen woman’s attempts to escape poverty following the Great War lead her into a dark nightmare – Denmark’s entry for Best International Feature is out in UK and Ireland cinemas on Friday, January 10th

In the darkness, faces writhing, superimposed on other faces. Katherine (Vic Carmen Sonne from Godland, 2022; Holiday, Isabella Eklöf, 2018), behind on the rent for her room by 14 months, is evicted. She works at a rag trade factory as a seamstress, where the owner Peter (Besir Zeciri) wants to be able to help her but cannot grant her widow’s supplement without proof of death of her husband, who has gone missing in the war. She manages to find herself cheaper lodgings. Sensing something more behind Peter’s kindness and an offer of a shoulder to rest on, Katherine has sex with him in an alley in broad daylight.

One day, her husband Jørgen (Joachim Fjelstrup) returns from the war, his face heavily disfigured. She takes him in but, unable to cope with his recurring nightmares, soon throws him out. Something similar is soon visited on her; Peter agrees to marry her, but when his mother (Benedikte Hansen from Borgen, TV series, 2010) explains that her son can do as he wants, but not with her money or her estate, he changes his mind (this, incidentally, is the same plot that drives Anora, Sean Baker, 2024).… Read the rest

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Features Live Action Movies

Next Sohee
(Da-eum So-hee,
다음 소희)

Director – July Jung – 2022 – South Korea – Cert. 18 – 134m

*****

A schoolgirl on an internship is appallingly exploited by her employers, and a police detective is called in to investigate – out in UK cinemas on Friday, June 14th

Here’s a film which presents a real problem for reviewers. Something monumental happens in the middle of the film which entirely changes it. It’s a little bit like the shift from the traumatic drama to the police manhunt in High and Low (Akira Kurosawa, 1963) and a bit like the infamous shower scene in the middle of Psycho (Alfred Hitchcock, 1960). And yet, the film is like neither of those classics in any other way (except, perhaps, the fact that it’s a remarkable film that will leave you with an indelible impression afterwards). Still, how much can a reviewer give away without ruining the film for audiences?

It’s very much a film of two halves. The first half centres around Sohee (Kim Se-eun), a star pupil at an average secondary school. She is obsessed with dancing, specifically the kind of dance moves associated with K-pop girl- and boy-bands. Among her friends are another former intern from her school who dropped out of her intern position and now spends her evenings getting paralytically drunk.… Read the rest

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Features Live Action Movies

Maria Full of Grace

Director – Joshua Marston – 2004 – US, Colombia – Cert. 15 – 101m

Reviewed for Third Way magazine to coincide with UK release date 25/03/2004.

Life’s options are limited for 17-year-old Maria Alvarez (Catalina Sandino Moreno). She would rather climb old ruined buildings in the open air than succumb to her parochially-minded boyfriend’s constant demands for sex, but that doesn’t stop him getting her pregnant. When he offers to marry her for no other reason than because that’s what you’re supposed to do; she dumps him. She hasn’t told anyone else about this yet. Warned she can’t use the lavatory on work time by the foreman at the rose-stripping factory where both she and her best friend Blanca (Yenny Paola Vega) works, she quits. She’s also fed up with being asked to contribute money to support her sister’s baby. What’s a good Catholic, Columbian girl to do? She visits the church to pray about it.

Travelling to Bogotá ostensibly in pursuit of a possible lead on work as a maid, Maria runs into carefree, leather-jacketed Franklin (Jhon Alex Toro) and the word “mule”. Suckered in by his confidence and the promise of $5 000, she agrees to bodily transport Heroin pellets to the US despite the terrible stories she’s heard of people being arrested for the offence.… Read the rest

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Features Live Action Movies

The Lavender Hill Mob

Director – Charles Crichton – 1951 – UK – Cert. U – 78m

*****

A Bank of England employee stumbles upon the perfect means to rob his employer of the gold bullion he transports there on a daily basis– classic Ealing comedy is back out in a new 4k restoration in UK cinemas on Friday, March 29th

Holland (Alec Guinness) has a lowly job at the Bank of England supervising the transfer of recently minted bars of gold bullion to the bank’s secure vault by security van., He rides in the back and is forever asking the harried driver to check round the corner for suspected cars lying in wait to ambush the van. He is considered an honest nobody, an appearance he has cultivated for the best part of two decades. He has a mind to rob the van, if only he could work out how to smuggle the bullion out of the country.

Fate intervenes in the form of a newly arrived tenant at the downmarket Balmoral Guest House in Lavender Hill, where he lodges. Pendlebury (Stanley Holloway) runs a business selling tourist tat, including lead models of the Eiffel Tour for selling at that Parisian monument. He melts the lead down on his London premises to cast it into the models.… Read the rest

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Animation Features Movies

The Boy And The Heron
(Kimitachi Wa
Do Ikiru Ka,
君たちはど
う生きるか,
lit.
How Do You Live?)

Director – Hayao Miyazaki – 2023 – Japan – Cert. 12a – 124m

*****

During WorldWar Two, a boy bereaved of his mother moves to the countryside with his businessman father where a heron lures him into another dimension to rescue his vanished stepmother – out in UK cinemas on Friday, December 26th

Directors, eh? They make their last film, then, some time later, they go and make another one. The Wind Rises (2013) was supposed to be Hayao Miyazaki’s last film, but three years later, he was working on his next one. And seven years further on, The Boy And The Heron hits cinemas. The Japanese title How Do You Live? comes from a popular children’s novel, a copy of which appears in the film, rather than the film being an adaptation of the novel.

Three years into World War Two, young boy Mahito (Japanese dub: Soma Santoki; English dub: Luca Padovan) loses his mother in a Tokyo hospital fire. Four years into the war, his father (Japanese dub: Takuya Kimura; English dub: Christian Bale) – a businessman who manufactures aircraft cockpits for the war effort – decides to move both his factory and his son out of Tokyo to the countryside where he plans to marry his late wife’s younger sister Natsuko (Japanese dub: Yoshino Kimura; English dub: Gemma Chan).… Read the rest

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Animation Features Movies

Chicken Run:
Dawn of the Nugget

Director – Sam Fell – Co-Director – Jeff Newitt – 2023 – UK – Cert. PG – 101m

****

Which came first – the chicken or the egg? Having escaped the farm for an island paradise, the chickens must break into and wreck a food processing factory masquerading as a holiday camp to lure unwitting chickens to their doom – out in UK cinemas on Friday, December 8th and on Netflix from Friday, December 15th

More than two decades after the original Chicken Run (Nick Park, Peter Lord, 2000), its poultry return. They can hardly escape from the farm again, having established themselves on a secluded island in a lake well away from human beings. So the original’s co-screenwriter Karey Kirkpatrick, a veteran of The Rescuers Down Under (1990), James And The Giant Peach (1996), The Little Vampire (2000), Charlotte’s Web (2006), makes use of a number of very clever tricks to have the chickens break in to a facility that endangers chicken lives rather than break out of one.

He effectively redeploys the escapees from the original, but it being over two decades since its production, he races through what would be just over a decade in chicken years if their lifespans were comparable to humans and has the hero Rocky (voice: Zachary Levi) and the heroine Ginger (voice: Thandiwe Newton) get together and produce a family in the form of a daughter, Molly (voice: Bella Ramsey) , who in the opening minutes’ montage grows into a teenager.… Read the rest