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Street Wanderers
(Los Caminantes
de la Calle)

Director – Juan Martin Hsu – 2025 – Argentina, Peru – 90m

*****

Argentinian cops and robbers procedural is set largely in the world of Mendoza’s immigrant Chinese community – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

2010. Mendoza, Argentina. The family-run, Chinese restaurant of Dageng (Kon Yam Pin) receives telephone threats for protection money. When they don’t pay up within 24 hours, a motorbike with two riders pulls up on at their door which opens onto the main street and fires four shots. So Dageng’s son (Willy Kon Chin Yi) delivers a rucksack containing $50 000 to the gang. But later, the riders complain there was only $30 000 and demand another $20 000.

Lots of similarly threatening phone calls overlap on the soundtrack as we see numerous yellow cables plugged into a telecoms hub, recalling similar motifs in movies as diverse as Three Colours Red (Krzysztof Kieślowski, 1994) and Dial M for Murder (Alfred Hitchcock, 1953).

The prosecutor’s office is monitoring phone calls, but faces challenges. One such is that the calls are in Cantonese so require an interpreter to turn them into intelligible Spanish. Another is illustrated when the current interpreter quits, terrified what might happen to her family if word about the nature of her work gets out.… Read the rest

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China Sea
(Kinų Jūra)

Director – Jurgis Matulevičius – 2025 – Lithuania, Taiwan, Poland, Czechia – 96m

*****

A former champion kickboxer whose career has been destroyed by his poor anger management attempts to find direction in life – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

World champion kickboxer Osvald Gurevicious (Marius Rapsys) has it all, but unfortunately is a bit too full of himself, accidentally clobbering a woman who is standing in the wrong place during a bar room brawl. We see him at the height of his success, playing an opponent in a tournament in Japan, but we never see the incident which destroys his career. Instead, he goes on TV back in Lithuania explaining that it was all a terrible accident which he regrets, but sadly that doesn’t seem to cut any ice.

Discussing the situation with his coach (Marius Misiūnas), he resolves to make the best of the situation by opening his own gym; his coach, however, isn’t sure that Osvald has what it takes and suggests he work at the gym as an assistant to see if he has a feel for coaching. Among Osvald’s new kickboxing charges is the promising Angelika (Samantha Drilingate), who he helps to learn how to defend herself in the ring when she comes in one day with a massive torso bruise from a bar fight that got out of hand.… Read the rest

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Features Live Action Movies

The Shrouds

Director – David Cronenberg – 2024 – Canada, France – Cert. 15 – 120m

*****

An entrepreneur who has created graveyard corpse-viewing technology to cope with his late wife’s death by cancer finds his inner world disrupted when his creation is vandalised and hacked – The Shrouds is out on UK digital from Monday, August 11th

She (Diane Kruger from The 355, Simon Kinberg, 2022; Disorder, Alice Winocour, 2015; Inglorious Basterds, Quentin Tarantino, 2009; Joyeux Noel, Christian Carion, 2005; Troy, Wolfgang Petersen, 2004) lies dead on a slab suspended on air in an underground cave. He (Vincent Cassel from A Dangerous Method, 2011; Eastern Promises, 2007, both David Cronenberg; Default, Choi Kook-Hee, 2018; Trance, Danny Boyle, 2013; Black Swan, Darren Aronofsky, 2010; Mesrine, Jean-François Richet, 2008; La Haine, Matthieu Kassovitz, 1995) screams. He is Karsh, an entrepreneur who has set up the first in a projected series of high-tech cemeteries. Thanks to his proprietary technology GraveTech, clients can install the body of their loved one in a shroud, a wraparound artefact resembling clothing fitted with cameras which record images of the deceased’s decaying body in real time, accessible for viewing by the client whenever they wish.… Read the rest

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Features Live Action Movies

Late Shift
(Heldin)

Director – Petra Blondina Volpe – 2025 – Switzerland – Cert. 12a – 92m

****1/2

An experienced and competent nurse in a hospital in the Western world endures a particularly gruelling night shift – out in UK cinemas on Friday, August 1st

There’s a moment of calm at the start of Late Shift… Scrubs going through a laundry system… Floria Lind (Leonie Benesch from September 5, Tim Fehlbaum, 2024; The Teachers’ Lounge, Ilker Çatak, 2023; The White Ribbon, Michael Haneke, 2009) on the night bus to her shift… She and a colleague making small talk whilst changing at the lockers… (The film ends similarly, with a reverse of this bookend, peace after the night shift is over.) And then, they’re on shift.

As soon as Mrs. Lind comes into the ward, the chaos starts. She helps a male colleague (bilingual in German and, for the patient, French) lift the demented Mrs Kuhn (Margherita Schoch) out of her wheelchair so Floria can change the lady’s underwear (and, quite literally, clean her shit off the floor). This evening, it’s Floria, one other nurse (Sonja Riesen), and Amelie (Selma Jamal Aldin), an inexperienced med student. Handing over, a colleague runs through by name the patients on the ward this shift and their various medical needs.… Read the rest

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Mongrel
(Baiyi Cang Gou,
白衣蒼狗)

Director – Chiang Wei-liang – 2024 – Taiwan, Singapore, France – Cert. 15 – 128m

****1/2

An immigrant caregiver is caught between the demands of his exhausted, needy clients on the one hand and his profit-oriented gangster taskmasters on the other – out in UK cinemas on Friday, May 23rd

This gets straight in there with a taboo-breaking shot of a human bottom covered in excrement, something familiar to anyone who has worked as a carer for an incontinent person but a bit of a shock to the rest of us. A hand bearing a cloth comes into shot and wipes the excrement off. When we eventually see the carer’s head, he is wearing earphones as he does the work. All his male client is doing is wordlessly moaning. We watch the carer lift the man, reassuring him, and deposit him in an offscreen chair. An elderly woman dozes on the sofa. He wipes her brow with a fresh towel. She takes it from him and wipes her face. He tells her he’s fed and bathed Hui (i.e. the son, played by Kuo Shu-wei who has cerebral palsy).

The carer goes outside in the rain. In the cab of his truck, his boss asks, what the hell took you so long?… Read the rest

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The Body
(2024)
(Il Corpo)

Director – Vincenzo Alfieri – 2024 – Italy – 115m

*****

The body of a rich industrialist’s wife vanishes from the morgue after her death – stylish giallo premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

An unashamed genre piece, The Body is a giallo – an Italian crime and murder mystery named after the yellow book covers of their literary equivalents. While it absolutely fits into that very specific Italian genre, it’s actually the fourth remake of Spanish murder mystery The Body (Oriol Paulo, 2012) following remakes in India (twice, as Game, A.M.R. Ramesh, 2016 and The Body, Jeethu Joseph, 2019) and South Korea (The Vanished, Lee Chang-hee, 2018).

The current version juxtaposes stock elements from gialli and popular fiction with some highly original ideas which may or may not have been used in the earlier versions as yet unseen by this writer. The stock elements include: the womaniser suspected of murdering his wife, the hard-bitten inspector investigating the case, the man who has married into wealth, and the university professor having an affair with a student. The highly original ideas: a man running out in front of a car, a corpse disappearing from a morgue, and a married woman who is also a practical joker.… Read the rest

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Johatsu
(Johatsu)

Directors – Lina Lužytė, Nerijus Milerius – 2024 – Lithuania – 83m

***

A woman who checks bodies entering a morgue investigates one that she is convinced has been registered under a false name – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

The concept of Johatsu or ‘vanished people’ – which is never explained here, merely name-checked in the title – originated in Japan, where it refers to people who vanish from their everyday lives without a trace. One way to achieve that goal would be to fake your own death, which is exactly what Lina (Zygimante Elena Jakstaite) believes she has stumbled upon someone doing as this opens.

Lina works as an orderly in a morgue. When the fresh corpse of a man supposedly blown up in an explosion on a ship is identified as her husband by his widow, Lina becomes convinced that the woman is lying, and that the body is that of someone else entirely. Which begs the question, what happened to the real husband?

First off, Lina takes it upon herself to visit and question the supposed dead man’s wife. Talking to the woman, she discovers that before the body turned up, the husband had already been ‘missing’ for around three years.… Read the rest

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Red Cliff
(Chì Bì,
赤壁);
Red Cliff II
(Chì Bì
Jue Zhan Tian Xia,
赤壁（下）)

Director – John Woo – 2008, 2009 – China, Hong Kong – Cert. 15 – 139m + 135m

*****

As a warlord seeks to crush opposition in Southern China, its two kingdoms join forces to defeat him, with the deciding battle taking place at Red Cliff – plays as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

China, 208 A.D., around the end of the Han Dynasty. With the puppet Emperor more interested in talking to birds than the nitty-gritty of ruling his kingdom, his Prime Minister Cao Cao (Zhang Fengyi) talks him into a commission to subdue the rival Southern warlords Liu Bei (You Yong) and Sun Quan (Chang Chen).

After a battle against the former’s forces in which his a loyal soldier is unable to prevent Liu’s wife getting killed but manages to get their baby to safety by strapping it on his back prior to single-handed combat, Liu’s advisor Zhuge Liang (Takeshi Kaneshiro) sets out to persuade Sun Qian to join them in an alliance against the aggressor.

Despite unanimous opposition from his ministers, who would prefer to surrender to keep the peace, Sun agrees to fight along with his frontline commander Zhou Yu (Tony Leung Chiu-wai) and, because she insists on joining them, his tomboy sister the Princess Sun Shangxian (Zhao Wei).… Read the rest

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Beetlejuice

Director – Tim Burton – 1988 – US – Cert. 15 – 92m

***1/2

A recently deceased couple hire a bio-exorcist to rid their former house of its new, yuppie occupants – review originally published in Samhain, 1988

Whilst its opening shot recalls the aerial opening of The Shining (Stanley Kubrick, 1980) segueying into that of The Witches Of Eastwick (George Miller, 1987), this film has been described as a reworking of Ghostbusters (Ivan Reitman, 1984) and The Exorcist (William Friedkin, 1973) (!) from the ghost’s point of view. The plot concerns a couple (Geena Davis and Alec Baldwin) who die and then find that their house – which they have to live in as ghosts – is bought by an horrific collection of yuppie trendies.

The couple try to carry on as normal, picking up the occasional useful tip from a weighty tome entitled ‘The Handbook for the Recently Deceased’ (or diseased, as they first pronounce it!) and despite warnings from their afterlife caseworker Juno (played by veteran Hollywood actress Sylvia Sidney) they decide to employ the self-styled bio-exorcist Beetlegeuse (Michael Keaton) to frighten off the new occupants.

The single most memorable image of Beetlejuice is that of a desert landscape peopled by sea monster-like worms, reminiscent of nothing so much as a surrealist version of Frank Herbert’s Dune.… Read the rest

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Nightwatch
(Nattevagten)

Director – Ole Bornedal – 1994 – Denmark – Cert. 18 – 107m

*****

Strange goings-on take place in a morgue after a law student takes on the nightwatchman’s job – out on Shudder UK from Friday, May 17th

Two male students Jens (Kim Bodnia) and Martin (Nikolaj Coster Waldau) make a pact: they are to challenge one another to a series of outrageous acts, and the first one who fails to follow though must marry his girlfriend. One evening, they and respective girlfriends Kalinka (Sofie Gråbøl) and Lotte (Lotte Andersen) are in a bar when two louts appear and hassle the two women as they return from the ladies room. Martin challenges Jens to stand up to them, which he does and gets assaulted for his pains. Jens later challenges Martin to go with 17-year-old prostitute Joyce (Rikke Louise Andersson), an encounter Jens facilitates in a restaurant, pinning his own name on Martin as a cover. Their swapping of names will later prove highly significant.

To save some money for his and Kalinka’s future, Martin takes on a job as a nightwatchman in a morgue, an easy enough job provided you don’t mind being the only living person on the premises along with a batch of corpses, which often includes murder victims since a murderer is currently at large in the area.… Read the rest