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Little Amélie
or
The Character of Rain
(Amélie
et
la Métaphysique des Tubes)

Directors – Maïlys Vallade & Liane-Cho Han – 2025 – France – Cert. PG – 77m

*****

A Belgian diplomat’s baby daughter growing up in Japan comes to realise, by her third birthday, that she is not God – out in UK cinemas on Friday, February 13th; previews Saturday, 7th and Sunday, 8th February

In the beginning was God. At least, that’s how the new-born Amélie (French language version voice: Loïse Charpentier) sees herself. She is, essentially, a tube which swallows, digests and ejects (as per the film’s French language title). She has a perfect command of verbal language, so sees no need to say anything. That said, she makes great use of voice-over throughout the piece. She remains motionless, practising “the gift of serenity”. “Your child is a vegetable”, proclaims a doctor to the child’s parents. She remains in this state until her second birthday, when life is interrupted by an earthquake – nothing significant in the wider scheme of things, but a momentous event in the interior life of a small child. She attempts to speak, but to her horror the words in her head don’t emerge, only baby noises.

Amelie is the third child of Patrick (French voice: Marc Arnaud) and Danièle (French voice: Laetitia Coryn), and has two older siblings, Juliette (French voice: Haylee Issembourg) and André (French voice: Isaac Schoumsky).… Read the rest

Once

Director – John Carney – 2006 – Ireland – Cert. 15 – 90m

*****

Two musicians fall for each other on the streets of Dublin… – review originally published in Third Way magazine, October 2007

UK release date 19/10/2007

This brilliant film is a reviewer’s nightmare because a thumbnail synopsis on paper sounds incredibly bland and clichéd – something the actual film isn’t. A busker meets a girl on the street in Dublin. He fixes her vacuum cleaner. Being a pianist, she gets involved in his newly formed band. Romantic entanglements might ensue, but they don’t because she has a husband. The band’s demo sounds impressive, and the former busker departs for London to seek his fortune – without the girl. And that’s it.

However, the above outline doesn’t tell you two things.

One, there are a lot of songs. As in, the narrative stops so a character or characters can sing a song. This is not the case of, as in the classic movie musicals, the invisible orchestra swells and the character or characters can sing, but something more naturalistic. For instance, the first song occurs when the busker, on the street, picks up his guitar and sings a song.… Read the rest