Tag: T.Rex

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Features Live Action Movies

Bolan’s Shoes

Director – Ian Puleston-Davies – 2022 – UK – Cert. 15 – 97m

****

Two traumatised siblings reconnect as adults years after a childhood coach crash coming back from a Liverpudlian orphanage trip to a T.Rex gig in the 1970s – out in UK cinemas on Friday, September 15th

*** SPOILER ALERT ***

Picture black. A radio DJ dedication to Bob and Sally. T.Rex’s Calling All Destroyers blasts out on the soundtrack against a sudden image of a coach travelling through the English countryside. On board: excited orphanage kids with the trip organiser Simon (Louis Emerick) plus their local vicar (Andrew Lancel) and his daughter Penny (Eden Beach). Sadie (Amelia Rose Smith) nuts Tommo (Alfie Donnahey) for, as she swearily and excitedly explains to Penny, picking on her older brother Jimmy (Isaac Lancel-Watkinson). There is blood. To the consternation of Simon, who isn’t going to let the incident get in the way of the day’s enjoyment. “You’ll thank me in later years,” he says. “You’ll be able to say, I was there.”

After the gig, Simon has fixed up a trip backstage for the kids to meet founding T.Rex member Marc Bolan, getting them past other fans waiting outside for a glimpse of their hero.… Read the rest

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Features Live Action Movies

Jurassic World
Dominion

Director – Colin Trevorrow – 2022 – US – Cert.12a – 148m

***

Sixth Jurassic movie promises then dumps a plot where humans and dinosaurs co-exist in the modern world and instead heads for a secluded valley where numerous dinosaurs are kept by a dodgy corporation – out in cinemas on Friday, June 10th

There’s a long tradition in cinema of putting dinosaurs alongside humans, as if the dinosaurs on their own wouldn’t be enough to bring in audiences. This is nonsense of course: look no further than the TV series Walking With Dinosaurs (1999), Walt Disney’s Fantasia (segment directors: Bill Roberts, Paul Satterfield, 1940) or The Animal World (effects: Willis O’Brien, Ray Harryhausen, 1956), and the high regard in which they’re held, for proof.

The genius of Jurassic Park (Steven Spielberg, 1993) was to reconstruct the dinosaurs from their DNA, providing a much better reason to put both species side by side than the lost plateau of The Lost World (effects: Willis O’Brien, 1925), the lost island of King Kong (effects: Willis O’Brien, 1933), the lost valley of The Valley Of Gwangi (effects: Ray Harryhausen, 1969) or the cavemen and dinosaurs of One Million Years B.C. (effects: Ray Harryhausen, 1966).… Read the rest

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Features Live Action Movies

Jurassic Park ///

Director – Joe Johnston – 2001 – US – PG – 92m

****1/2

Joe Johnston directs Jurassic Park ///, the third instalment of Steven Spielberg’s Jurassic Park franchise – out in UK cinemas from Friday, July 20th 2001

This redresses two minor omissions in Steven Spielberg’s first Jurassic Park (1993): JP///’s dinosaurs include some that interact with water (Michael Crichton’s original book contained a T.Rex swimming after its human prey, but the film didn’t) and some that fly (pteranodons). A rival giant dinosaur (here, a spinosaurus) at last fights the star predator (the T.Rex), a device used by dinosaur movies from The Lost World (Harry O. Hoyt; effects: Willis O’Brien, 1925) and King Kong (Merian C. Cooper, Ernest B. Shoedsack, effects: Willis O’Brien, 1933) through Disney’s Fantasia (Rite Of Spring segment, Bill Roberts, Paul Satterfield, 1940) to One Million Years BC (Don Chaffey; effects: Ray Harryhausen, 1966).

Gone is all the chaos theory talk and cuddly Sir Richard Attenborough. The proceedings have now been pared down to people trapped on a deserted isle – with no obvious means of escape – and dinosaurs. Guess what – this time those dastardly corporate folks at InGen have populated a third island (Isla Sorna) with dinosaurs then abandoned it.… Read the rest

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Animation Features Live Action Movies

Ready Player One

Director – Steven Spielberg – 2018 – US – 12a – 140m

*****

Get your game on. Spielberg heads back to the future using Tye Sheridan as his avatar inside a visually lavish virtual world stuffed with 80s pop culture references and dirtylicious resonances – now on Netflix

Spielberg has long been happy to move between big-budget spectaculars like Jurassic Park (1993) which push the boundaries of what’s possible in film and culturally significant stories like Schindler’s List (1993) which rely less on special effects or reshaping the blockbuster medium. Following Bridge Of Spies (2015) and The Post (2017), Spielberg now brings audiences Ready Player One which represents something he’s been trying to make for years – a movie which gets into the heads of gamers.

Among his earlier forays, The Lost World: Jurassic Park (1997) felt like a funny mixture of a sequel and an attempt at realising the gamer world (think: racing through fields in vehicles surrounded by numerous running dinosaurs). Subsequent films A.I. (2001) and Minority Report (2002) both boast futuristic environments that might not look out of place in a state of the art video game. Further, the experience of watching The Adventures Of Tintin (2011) recalls the process of actually playing a computer game.… Read the rest