Tag: single parent family

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Hoard

Director – Luna Carmoon – 2023 – UK – Cert. – 126m

****

A young girl’s strange relationship with her rubbish-hoarding mother, cut short in childhood, leads to an equally bizarre bond in adult life – out in UK cinemas on Friday, May 17th, with previews from Friday, May 3rd and exclusively on MUBI from Friday, July 5th

When I first stumbled across the title of this film, and the image used to promote it of a young couple staring into what I took to be a circular hole, which, I realised after seeing the film, was in fact the outline of a communal bin of the type commonly found on an English housing estate, I guessed it was a thriller – two people stumble upon a hoard: a bag of money or otherwise valuable contents. A noun. However, after viewing, I now realise the title could equally well suggest an activity, a verb. To hoard. The act of hoarding. The state of being which is hoarding. The film isn’t really a thriller. To describe it as a drama might be closer to the mark, but that doesn’t prepare the viewer for how utterly strange and alien the experience of watching this is.… Read the rest

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Features Live Action Movies

Evil Dead Rise

Director – Lee Cronin – 2022 – New Zealand, Ireland – Cert. 18 – 97m

****

When the Necoromicon is opened in a tower block, demons bloodily attack and possess members of an all-female nuclear family who try to fight them off – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

The first bookend: the sound of a fly buzzing around the auditorium, is if to state that this is a film about technique. Almost immediately, a POV shot travelling rapidly along a river then a lake recalls The Evil Dead (Sam Raimi, 1979). If you know the original, you’ll feel like you’re in good hands. The camera homes in on the characters as they interact with one another (a girl trying to relax on the pier, a boy goofing around nearby) and you get a strong idea of who they are. The acting is surprisingly good. Which means that, when people start being possessed by demons (which they do pretty quickly), you have a sense of what’s been lost, what’s been taken away. Pretty swiftly, you have to emotionally let the possessed go and get on the side of those still alive trying to survive the possessed demons.… Read the rest

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Features Live Action Movies

Herself

Director – Phyllida Lloyd – 2020 – UK/Ireland – Cert. 15 – 97m

****

A woman leaves her abusive and violent husband and builds a new home for herself and her two young daughters – in UK cinemas from Friday, September 10th

Things come to a head in the marriage of Gary (Ian Lloyd Anderson) and Sandra (Clare Dunne, also co-screenwriter) when he violently assaults her and stamps on her hand, an incident witnessed by their younger daughter Molly (Molly McCann). Sandra has trained her kids well for such a situation and the eldest Emma (Ruby Rose O’Hara) knows what to do, rushing to the local shopkeeper with a lunch box inside the lid of which is the family address to give to the Garda.

Like her mother before her, Sandra works as a cleaner to retired and physically disabled local doctor Peggy O’Toole (Harriet Walter). To make ends meet, Sandra also works in a local pub as a barmaid alongside Amy (Ericka Roe) who lives in a nearby squat. After separating from Gary, she and he have joint custody of the kids while the council put her and her kids up in temporary accommodation in a hotel room.

As it’s four years on the housing list to get a home, Sandra investigates other alternatives and, surreptitiously using Peggy’s internet, discovers that she could build a house for only slightly more than a year’s rent to the council.… Read the rest

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Features Live Action Movies

Herself

A house of her own

Herself
Directed by Phyllida Lloyd
Certificate 15, 97 minutes
Released 10 September

Herself has a brutal opening in which Sandra (Clare Dunne), a mother of two girls in Dublin, is physically assaulted by her husband Gary (Ian Lloyd Anderson), an incident witnessed by her youngest daughter, Molly (Molly McCann), while her eldest, Emma (Ruby Rose O’Hara), races across the estate to the local shop to deliver a pre-written emergency message.

From here, it becomes a tale about a single mum’s struggle to find a decent home for her and her kids in the face of a social welfare system that can’t cope with either the level of need or any innovation through which people try to legitimately help themselves… [Read more]

Full review published in Reform.

See my alternative review of the film here.

Trailer: