Tag: Leslie Cheung

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A Chinese
Ghost Story
(Sien Lui Yau Wan,
倩女幽魂)

Director – Ching Siu Tung – 1987 – Hong Kong – Cert. 15 – 95m

*****

Some of the most seminal offerings of the commercial Hong Kong cinema are the product of creative wizard Tsui Hark. The producer who first gave John Woo his niche as bullet strewn action director on A Better Tomorrow (1986) also ensured director Ching Sui Tung’s place in fantasy film’s Hall of Fame with this stunning little offering.

The Hong Kong supernatural, fantasy genre is itself defined almost single-handedly by Tsui’s groundbreaking epic Zu: Warriors From the Magic Mountain (1983). CGS both typifies the genre and proves one of its finest examples. CGS spawned two sequels for what Tsui describes as “sentimental reasons – when the ghost died at the end, we want her to come back pretty badly.” He admits the sequels weren’t as good, though.

CGS opens in a downpour as a rain sodden Leslie Cheung (known to Western audiences from such diverse fare as A Better Tomorrow and art house hit Farewell My Concubine, Chen Kaige, 1993) watches a grim, head lopping argument between two bandits as he does his cowardly best to look inconspicuous. His work as a debt gatherer suffers something of a setback as he discovers the ink in his books has run with the damp, so once he arrives in the nearby town he’s unable to collect the payments he’d expected.… Read the rest

Categories
Features Live Action Movies

Nomad
(Lie Huo Qing Chun,
烈火青春)
4K Director’s Cut

Director – Patrick Tam – 1982 – Hong Kong – Cert. 15 tbc – 92m

*****

A group of young Hongkongers fool around with sex and search for a cultural identity – plays in the UK as part of Focus Hong Kong 2023 at BFI Southbank which runs from Wednesday, July 12th to Saturday, July 15th

Opening with a curious conversation in a typically cramped Hong Kong apartment between a man embarrassed about being a father and his own father advising against lowering interest rates before moving swiftly through an equally cramped scene with the dour and concerned families of a young teen and the coquettish girl he has got pregnant, this freewheeling, slices of Hong Kong teenage life drama moves swiftly on to the man’s son Pong (Kent Tong), a lifeguard at the local swimming pool who in a complete switch of tone fails to get a rowdy and playful group of girl swimmers under control with the result that they throw him in the pool and humiliate him by stealing his shorts.

Before that, Pong has a run in with a confident young woman Kathy (Pat Ha) who sits in and refuses to move from his lifeguard seat unless he physically lifts her down.… Read the rest

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Features Live Action Movies

Lucky Chan-sil
(Chansilineun
Bokdo Manhji,
찬실이는 복도 많지)

Director – Kim Cho-hee – 2019 – South Korea – 95m

****

When a film director she’s worked for over several years dies, his film producer has to rethink her life – currently streaming on MUBI as part of their New South Korean Cinema season

Director Ji (Seo Sang-won), his fortysomething producer Lee Chan-sil (Kang Mal-geum) and three or four others are drinking Soju round a table after a hard day’s work on the set. Suddenly, Ji slumps forward. Everyone thinks he’s kidding. He’s not. He’s dead. Unexpectedly dead. Ji makes little independent films in his own highly idiosyncratic style. If he’s no longer there, then the film, too, is dead. And Chan-sil, who has only worked with him, is suddenly out of a job.

With her regular income gone, she downsizes and moves into a cheap flat owned by an ageing live-in landlady (Youn Yuh-jung). It’s near the top of a hill, so other members of the abandoned film production help her carry stuff up there. She sees a lot of her flighty actress friend Sophie (Yeung Soon-ah) for whom she now goes to work as a cleaner. These changes of circumstance give her the both the space and the opportunity to reassess her life.… Read the rest