Tag: George Pal

Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争,
lit. The Great Space War)

Post author By Jeremy Clarke
Post date 31 March 2021
No Comments on Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争,
lit. The Great Space War)

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Battle In Outer Space is one of those films that paints on a bigger canvas and sacrifices character development in favour of big-screen visual spectacle, brought to life with state-of-the-art special effects. According to Kalat, the film owes much to the bigger Hollywood 1950s SF feature film films made in colour. These include not only films by former Puppetoon animation creator George Pal such as The War Of The Worlds (1953) and Conquest Of Space (1955) but also This Island Earth (1955) and Forbidden Planet (1956).

Honda’s film wades straight in to alien war scenarios… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda Blu-ray double bill of The H Man and Battle In Outer Space.

Tags 1950s, alien, America, astronaut, Battle In Outer Space, bombardment, cinema building, Cinerama, Columbia, conference, Conquest Of Space, damsel in distress, East Germany, Eiji Tsubaraya, Etsuko Shiraishi, Forbidden Planet, freezing, gags, gender bias, George Pal, George Whitman, Godzilla, Golden Gate Bridge, Great Space War, India, Iran, Ishiro Honda, Japan, Kyoko Anzai, landscape, life form, meteors, mind control, moon, Mothra, New York, nuclear tests, Philippines, position of women, Puppetoons, ray, rover, Ryu Ikebe, San Francisco, science, science fiction, scientist, SF, Shinichi Sekizawa, ship, space torpedoes, space travel, special effects, The H Men, The War Of The Worlds, This Island Earth, Toho, Tokyo, UFO, US, weightlessness, Yoshio Tsuchiya, zero gravity

Features Live Action Movies

Ishiro Honda
Double Feature
The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)
and
Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争)

The H Man

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

Battle in Outer Space

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Alongside the standalone release of Mothra (1961) comes a double bill of two more Toho science fiction movies directed by Ishiro Honda with special effects by Eiji Tsuburaya: , The H Man (1958) and Battle In Outer Space (1959). The Toho studio is associated more with monster movies than any other genre, notably Godzilla (1954) and Mothra. The superior entries in this cycle tend to be the ones they directed, including the initial 1954 film which ticked all the right boxes to prove a massive success.

When no-one at Toho was quite sure what had made Godzilla work, the pair collaborated on a number of different SF films before everything came together on Mothra. The H Man is a monster film dressed up in gangster trappings while Battle in Outer Space is an epic with space stations, flying saucers, rocket ships, an alien moon base and alien mind control… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda double bill Blu-ray.

Tags 1950s, alien, America, astronaut, Battle In Outer Space, bombardment, cinema building, Cinerama, Columbia, conference, Conquest Of Space, cops, cops and robbers, damsel in distress, detective, East Germany, Eiji Tsubaraya, Etsuko Shiraishi, Forbidden Planet, freezing, gags, gangster, gas, gender bias, George Pal, George Whitman, ghost, Godzilla, Golden Gate Bridge, Great Space War, India, inspector, Iran, Ishiro Honda, Japan, Jasper Sharp, Kaiju, Kyoko Anzai, landscape, life form, liquid, Matango, meteors, mind control, monster, moon, Mothra, mushroom, mutant, New York, nuclear tests, Philippines, police, police procedural, position of women, Puppetoons, ray, rover, Ryu Ikebe, sailor, San Francisco, science, science fiction, scientist, SF, Shinichi Sekizawa, ship, singer, song, space torpedoes, space travel, special effects, Takashi Kimura, The H Man, The H Men, The Human Vapor, The War Of The Worlds, This Island Earth, Toho, Tokyo, trauma, UFO, US, Warning From Space, weightlessness, Yoshio Tsuchiya, zero gravity

Features Live Action Movies

The War
Of The Worlds
(1952)

Post author By Jeremy Clarke
Post date 11 March 2021
No Comments on The War
Of The Worlds
(1952)

Director – Byron Haskin – 1952 – US – Cert. PG – 82m

****

RUK PAL laserdisc review, 1997.

Originally published on London Calling Internet.

Hungarian born George Pal, who produced the stop-frame Puppetoons shorts in the forties, chose H.G.Wells’ seminal alien invasion novel for his fourth live action production. Media wunderkind Orson Welles had already transplanted the Home Counties setting across the Atlantic to New Jersey for radio; it was only natural that a rising Hollywood producer such as Pal should shift events further West to California. A then‑unknown Puppetoon animator named Ray Harryhausen had pitched a movie version at Welles, without success. However, while Welles was beginning his legendary slow descent from the pinnacle of the movie biz, Pal was clearly in the ascendant.

It’s not hard to see the attraction of the Wells’ novel to such creative heavyweights. Orson Welles, whose radio version had interrupted what appeared to be a programme of live, on air dance music with a series of eye-witness newsflashes of the Martian landings, clearly relished the prospect of panicking an entire nation in art if not in life. Harryhausen, one imagines, would have recreated Wells’ towering tripods, mechanical Victoriana burning up the Home Counties with their terrifying death rays (a decade later, Harryhausen’s First Men In The Moon, Nathan Juran, 1964 is packed with Victorian industrial ephemera).… Read the rest

Features Live Action Movies

When Worlds Collide

Director – Rudolph Maté – 1951 – US – Cert. U – 79m

***

RUK PAL laserdisc review, 1997.

Originally published on London Calling Internet.

Made the year before European-born producer George Pal’s The War Of The Worlds (Byron Haskin, 1953), this science-fictional disaster outing stages the end of the world by a star and orbiting planet Zyra rushing headlong towards the Earth. A handful of scientists build a Space Ark to save a chosen few humans via a perilous voyage to Zyra. But who will go – and who will stay behind and face annihilation?

From its opening Bible with destruction quotations to match, right through to its New Start For Humanity In A New World finale, this is infused with Pal’s Christian sensibilities. The script never allows that to get in the way of the story, however: the result is a compelling yarn that remains almost unique in the annals of SF cinema.

Director Rudolph Maté was a former cameraman whose prior experience included shooting Foreign Correspondent (Alfred Hitchcock, 1940) which features one of the most spectacular plane crashes in the movies. Together with lensing Dante’s Inferno (Harry Lachman, 1935) , this stood him in good stead for pulling off the outstanding special effects work required for When Worlds Collide.… Read the rest

Tags 1950s, annihilation, ark, Bible, Christianity, disaster movie, George Pal, laserdisc, New York, outer space, Rudolph Maté, science fiction, scientists, Space Ark, special effects, US