canal Archives - Jeremy C. Processing

Directors – Nick Park, Merlin Crossingham – 2024 – UK – Cert. U – 79m

*****

Feathers McGraw returns to wreak havoc with Wallace’s latest invention, robotic garden smart gnomes – out in UK cinemas on Wednesday, December 18th 2024, on the BBC on Christmas Day, and on Netflix from Friday, January 3rd 2025

Opening with the capture, some years ago, of notorious master criminal Feathers McGraw (voice: none) for the attempted theft of the blue diamond, foiled by simple Lancastrian inventor Wallace (voice: Ben Whitehead, doing an amazing job replacing the late Peter Sallis) and his smart pet dog Gromit (voice: none), this second feature sees Wallace inventing furiously, making next to no money and the household bills pile up.

However, all that is about to change with Wallace’s latest gadget, Norbot the Smart Gnome (voice: Reece Shearsmith) who, voice-instructed by his inventor to make Gromit’s carefully tended garden “neat and tidy”, chops down most of the put-upon pooch’s cherished, colourful flowerbeds to replace them with something resembling a Brutalist version of the Gardens of the Palace of Versailles.

This impresses the neighbours and passing tradesman, causing Wallace – a lightbulb sign from a stationery van (hilariously parked behind him) above his head – to realise that he has a potential business startup here.… Read the rest

Ghost In The Shell
(Kokaku Kidotai,
攻殻機動隊)
(1995)

Director – Mamoru Oshii – 1995 – Japan, UK, US – Cert. 15 – 83m

****1/2

A cybernetically rebuilt, female, government agent and her male sidekick pursue a mysterious computer hacker known as The Puppet Master through Hong Kong – Digital IMAX version plays in the Anime season April / May 2022 at BFI Southbank

Review originally published in What’s On In London in 1996.

Ghost In The Shell is the first (and hopefully not the last) anime feature to be jointly financed by America, Japan and Britain (our very own Manga Entertainment). Although superficially pigeonholeable as teenage boy’s market material (nothing wrong with that per se), Ghost is considerably more intelligent than that implies. Its plot is highly complex: suffice it to say that cybernetically rebuilt female agent Kusanagi and male sidekick Bateau are pursuing a mysterious computer hacker known as The Puppet Master through Hong Kong.

Kusanagi, who makes her first appearance stripping off her clothing, jumping off a skyscraper roof and crashing through a window below to riddle a criminal pleading “diplomatic immunity” with bullets, employs thermoptic camouflage which renders her invisible to the naked eye in a matter of seconds. It’s an impressive touch, additionally furnishing such great moments as a fugitive ankle-deep in an urban canal suddenly finding himself hit, gripped and thrown around by an invisible assailant.… Read the rest