Tag: US

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Features Live Action Movies

The Unbearable Weight
Of Massive Talent

Nicolas Cage and Pedro Pascal Photo Credit: Karen Ballard/Lionsgate

Director – Tom Gormican – 2022 – US – Cert. 15 – 105m

****

Down on his luck, actor Nick Cage (playing himself) accepts the job of spending time at a fan’s house for one million dollars, unaware that his host is a crime lord pursued by the CIA – on digital Friday, July 8th and SteelBook, 4K UHD, Blu-ray and DVD Monday, July 11th

This unusual entry in the ‘actor playing themselves’ genre is effectively the movie equivalent of fan fiction. That might sound disparaging, but that’s not at all what I mean.

Obsessed with the actor Nic Cage and his movies, writer-director Gormican has written this: a movie in which a character called Nick Cage (Nic Cage playing a version of himself) is an actor down on his luck, desperate to get a part for which he’s just auditioned and which he believes will revitalise his flagging career. He needs this part. He’s heavily in debt. His ex-wife (Sharon Horgan) wants him to spend more time with their teenage daughter Addy (Lily Mo Sheen), specifically, listening to her, since he spends most of his time spouting off about his own career in particular or movies in general.

When the part he’s after falls through, he decides to take the other offer from his agent Fink (Neil Patrick Harris), the one where he gets a million dollars for hanging out with a rich fan.… Read the rest

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Animation Features Movies

Minions:
The Rise Of Gru

Directors – Kyle Balda, Brad Ableson, Jonathan del Val – 2022 – US – Cert. U – 87m

***1/2

Three plots involving the Minions, their pre-teen, supervillain master Gru and a gang of supervillains called Vicious 6 compete with each other – out in cinemas on Friday, July 1st

This starts off bravely for a franchise entry with the introduction of a raft of six new supervillains who comprise the gang Vicious 6, their names thrown at the audience in rapid-fire vignettes too fast too absorb, suggesting the makers have half an eye on freeze-frameable, home viewing platforms and half an eye on merchandising. The fabulous, motorbiking Belle Bottom (voice: Taraji P. Henson) who appears to have wandered in from 1970s blaxploitation with enormous Afro hair and disco diva clothing is the main focus of an enthralling car chase in which she outwits the cops with incredible stunts.

Her co-villains are voiced mostly by a roster of action stars known for that rather than animation voice work: the crab-pincered Jean Clawed (voice: Jean-Claude Van Damme), the Scandinavian-sounding Svengeance (voice: Dolph Lundgren), Stronghold (voice: Danny Trejo) and nunchaku-wielding nun Nunchuk (Lucy Lawless).

(A quick aside: older readers will recall that back in the 1970s, nunchaku were a no-no for the BBFC who would prune their use or even excise them altogether, sometimes in the most innocuous of contexts.… Read the rest

Categories
Animation Features Movies

Final Fantasy:
The Spirits Within

Directors – Hironobu Sakaguchi, Motonori Sakakibara – 2001 – Japan, US – Cert. PG – 106m

*****

Earth (and its attendant spirit Gaia) have been attacked by aliens, its human and animal populations decimated, its cities deserted – review originally published in Ad Hoc magazine, 2001

The first computer-generated movie to dispense with real live actors in favour of their computer-generated counterparts – at least as far as the visuals go – Final Fantasy The Spirits Within proves as radical a departure as the first animated feature Snow White And The Seven Dwarfs (1937), the convincing computer-generated characters of Jurassic Park (Steven Spielberg, 1993) and the first computer-animated feature Toy Story (John Lasseter, 1995).

The lead heroine’s hair and the creases in the characters’ clothing both convince utterly. The characters’ movements are taken off real people and fed into a computer by a process known as motion capture, which also provided the incredible moving freeze-frame moments in The Matrix (Larry and Andy Wachowski, 1999).

Mouth movements spouting pre-recorded speech doesn’t quite come off every time while the facial expressions haven’t quite managed all the subtleties of human visages. Most of them, true, though not quite all. But then, the computer technology here is way ahead of another of this year’s animation highlights, the cartoony Shrek (Andrew Adamson, Vicky Jensen, 2001).… Read the rest

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Features Live Action Movies Uncategorized

Swimming With Sharks

Director – George Huang – 1994 – US – Cert. 15 – 93m

*****

A film school graduate’s job with a Hollywood producer turns out to be a nightmare

To the blissfully ignorant outsider, the Hollywood movie business is a glamorous place where dreams come true. In reality, it’s often closer to a personal hell where the aspirant’s dreams are trampled underfoot by passing megalomaniacs. At least, that’s what the nightmarish Swimming With Sharks would have us believe as it cheerfully plunges green film school graduate Guy (Frank Whaley) into an assistant’s job with major Hollywood producer Buddy Ackerman (Kevin Spacey).

Buddy is the sort of boss who tells underlings, “your brain counts as nothing”, then insults them viciously in front of visiting clients. Reasons for insults heaped on Guy include bringing the coffee with the wrong kind of sweetener and leaving at the office the phone number of the starlet wannabe his boss is currently bedding. Further employer vitriol erupts when Buddy’s superior (a welcome if all too brief appearance from veteran Brit Roy Dotrice) notices spelling errors Buddy had earlier refused to allow Guy to correct – in script notes supplied Buddy by Guy but palmed off by Buddy as his own.… Read the rest

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Features Live Action Movies Music

Elvis

Director – Baz Luhrmann – 2022 – US, Australia – Cert. 12a – 159m

***

Elvis Presley’s career from the mid-1950s through to his death in 1977, and his complex business relationship with his manager Colonel Tom Parker – out in cinemas on Friday, June 24th

Colonel Tom Parker (Tom Hanks), having a heart attack, reminisces to himself about his career. Many considered him the abuser and exploiter of the singer Elvis Presley, but that wasn’t the way it was. In the early 1950s, when Parker was managing the touring show of country singer Hank Snow (David Wenham), he heard Presley’s first recording on Sun Records though Hank’s son Jimmie Rodgers Snow (Kodi Smit-Mcphee), a singer in his own right who Parker didn’t think was anything like as good as his father.

Parker, an old time carnival showman, is always on the lookout for that one act that’s a little bit different, affects audiences and might well clean up at the box office. When he first sees Elvis (Austin Butler) perform, and notices young girls and older women going wild at the singer’s dance moves, he is convinced there’s money to be made and determines to sign him before someone else does.… Read the rest

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Animation Features Movies

Lightyear

Director – Angus MacLane – 2022 – US – Cert. PG – 107m

**1/2

Stranded on a hostile planet, Buzz Lightyear sets out on a series of missions which eventually lead to his first confrontation with the evil Emperor Zurg – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event on Friday, June 17th, and opens in UK cinemas the same day.

A caption at the start explains that this was the favourite film of child protagonist Andy (from Pixar’s Toy Story franchise) and the reason he got a Buzz Lightyear toy in the first place. Other than that, though, this is a completely separate and self-enclosed film.

As the literal meaning of its title implies, Lightyear delivers a narrative that races through vast periods of time at a stretch, so that we and ace space pilot Buzz Lightyear (voice: Chris Evans) and his colleague Alisha Hawthorne (voice: Uzo Aduba) land their spaceship on an unexplored planet which turns out to be populated with hostile life-forms, specifically (1) plant tendrils which burst out of the planet’s surface and try to drag anything they can back under the ground and (2) giant, flying bugs.… Read the rest

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Features Live Action Movies

Everything
Everywhere
All At Once

Director – Daniels (Daniel Kwan & Daniel Scheinert) – 2022 – US – Cert. 15 – 139m

*****

Do you know kung fu? A launderette owner in trouble with the IRS is sucked into serial, parallel worlds to defeat the being who threatens to annihilate the multiverse – available on demand in the UK from Monday, June 13th

You could describe it as a Cubist take on The Matrix. Or a mother-daughter relationship drama. Or a multiverse movie. Or a film about filing taxes with the IRS. Or a (multiple set of) romance(s). Or a Michelle Yeoh action movie. Or a Chinese American movie. Or a film put together unlike any other you’ve ever seen. All these descriptions would be accurate.

Chinese American Evelyn Wang (Michelle Yeoh) runs her own business. A launderette (or laundromat in American parlance). She sits at the table in her apartment which is covered with piles of receipts. She is sorting through them in preparation for an upcoming interview with the IRS. She isn’t sure she’s ready.

This pressing issue aside, her life is not without its challenges. Her husband Waymond (Ke Huy Quan, formerly the kid from Indiana Jones And The Temple Of Doom, Steven Spielberg, 1983; The Goonies, Richard Donner, 1985) is attempting to file for divorce and wants her to sign the papers.… Read the rest

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Features Live Action Movies

Jurassic World
Dominion

Director – Colin Trevorrow – 2022 – US – Cert.12a – 148m

***

Sixth Jurassic movie promises then dumps a plot where humans and dinosaurs co-exist in the modern world and instead heads for a secluded valley where numerous dinosaurs are kept by a dodgy corporation – out in cinemas on Friday, June 10th

There’s a long tradition in cinema of putting dinosaurs alongside humans, as if the dinosaurs on their own wouldn’t be enough to bring in audiences. This is nonsense of course: look no further than the TV series Walking With Dinosaurs (1999), Walt Disney’s Fantasia (segment directors: Bill Roberts, Paul Satterfield, 1940) or The Animal World (effects: Willis O’Brien, Ray Harryhausen, 1956), and the high regard in which they’re held, for proof.

The genius of Jurassic Park (Steven Spielberg, 1993) was to reconstruct the dinosaurs from their DNA, providing a much better reason to put both species side by side than the lost plateau of The Lost World (effects: Willis O’Brien, 1925), the lost island of King Kong (effects: Willis O’Brien, 1933), the lost valley of The Valley Of Gwangi (effects: Ray Harryhausen, 1969) or the cavemen and dinosaurs of One Million Years B.C. (effects: Ray Harryhausen, 1966).… Read the rest

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Features Live Action Movies

Swan Song

Director – Todd Stephens – 2021 – US – Cert. – 105m

***1/2

Tasked with creating an open casket hairdo for his deceased, former best client, a hairdresser worn down by care home institutionalism escapes to reinvent himself – out in cinemas on Friday, June 10th

A glamourous star on a stage playing to an audience of empty chairs, Pat Pitsenbarger (Udo Kier) wakes up to the boring reality that he’s living on social security checks and wearing an old T-shirt and sweat pants in a care home in his small town of Sandusky, Ohio.

Still, he takes his pleasures where he can find them: stealing napkins from the dining room and obsessively folding them into squares a quarter of their original size, smoking ladies’ More brand cigars. The latter he lights two at once after turning the wheelchair of Gertie (Annie Kitral) – left out in the corridor – to face the window before giving her the second cigar, something in which she clearly takes pleasure despite near total paralysis.

Otherwise, though, he battles with his nurse Shaundell (Roshon Thomas) over adjusting his armchair cushion and, worse, smoking, a pleasure she forbids. He swallows a cigar to conceal the activity; she finds out and confiscates his stash.… Read the rest

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Features Live Action Movies

Psycho

Director – Alfred Hitchcock – 1960 – US – Cert. 15 – 109 m

*****

A woman steals some money she’s supposed to bank at work and leaves town, winding up at a motel off the highway… where terrible events ensue – back out in cinemas on Friday, May 27th

(Warning: may contain spoilers.)

Often imitated, never equalled, Psycho sits so large in the firmament of cinema that it’s impossible to write about it as if seeing it for the first time. Hitchcock reused to admit cinemagoers after the film had started – a radical idea in a time when punters would show up, go in, watch ’til the end, watch from the point where they came in, then leave. “We won’t allow you to cheat yourself” ran the foyer blurb agreed between Hitch and Universal.

By the time I first saw the film, twenty years after its initial release on a BBC TV rerun some time in the late seventies / early eighties, I had seen clips of various scenes, probably in a BBC documentary about Hitchcock. Definitely the notorious shower scene. Probably the patrol man. Probably the staircase murder. Probably the skull lit by the swinging light bulb. Probably Norman as Mother saying, “she wouldn’t even harm a fly” with the briefest of lap dissolves to the human skull.… Read the rest