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Animation Features Live Action Movies

Sister Midnight

Director – Karan Kandhari – 2024 – UK, Sweden, India – Cert. 15 – 110m

***1/2

A young woman in an arranged marriage discovers herself to be a creature of the night… and one of the undead – genre-bender is out on UK digital from Wednesday, June 18th

A young woman travels cross-country by train, face veiled by beaded hangings, to join the arranged marriage husband she has (presumably) never met in their new, urban home. Uma (Radikha Apte) and Gopal (Ashok Pathak best known here from The Second Best Exotic Marigold Hotel, John Madden, 2015) don’t seem to know what to do with each other. Certainly not any sort of sexual congress as they unveil sitting beside one another for the first time. As the tale proceeds, sleeping with him comes to consist of curling up on her own on the other side of the bed from him. Later, her sleeping patterns will start to shift…

Theirs is a pretty basic home – a room with a mattress and a door out onto the bustling, main street outside. Her husband has a job, so goes out in the morning and comes back in the evening, although sometimes he goes out drinking after work and comes back later.… Read the rest

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Blue
is the Warmest Colour
(La Vie d’Adèle)

Director – Abdellatif Kechiche – 2013 – France – Cert. 18 – 180m

UK release date 22/11/2013;

Review originally published in Third Way magazine, November 2013.

A loose adaptation of Julie Maroh’s graphic novel Le Bleu est une Couleur Chaude, this is one of the most touching films about romantic love (and physical passion) ever. Be warned, it contains some pretty explicit, real rather than simulated, sex scenes (there’s good reason for the 18 certificate) but these appear in a wider, character-driven context.

Adèle (Adèle Exarchopoulos) and her mainly girl peer group at school spend much time discussing boys. She sleeps with but feels no real connection to a boy who’s a “sure thing”. While this romance is going nowhere, she exchanges glances with an unknown blue-haired girl on the arm of another woman on the street and is completely smitten. Seeing her emotional turmoil, she’s dragged off for a drink by her confidant, a boy she’s unaware is gay until they’re together in a gay bar, from which she makes her excuses and somehow winds up alone in an all-girl bar where Emma (Léa Seydoux), the girl with blue hair, chats her up. From there, to the confusion of her straight peers, a relationship slowly blossoms into full-blown passion.… Read the rest

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The Devils

Director – Ken Russell – 1971 – UK – Cert. 18 – 106m 41s (cut)

*****

UK DVD release date 19/03/2012, cert. 18, 107 mins plus extras, £19.99. Reviewed for Third Way

40 years after its 1971 theatrical release, the late Ken Russell’s key work reaches UK DVD in its original UK X Certificate version with a host of invaluable DVD extras. Although a more complete (2004 restoration) director’s cut exists, the nature of the excised material makes the current cut as complete as is ever likely to be released on DVD. In terms of controversy, the film has everything – sex, religion, politics and torture – and Russell’s original cut didn’t hold back in any of these areas. This presented headaches for not only the distributor Warner Bros. in terms of a mainstream US release but also the UK censor who questioned, as the BBFC’s secretary John Trevelyan succinctly put it, “whether artistic quality justifies total freedom.”

The plot concerns seventeenth century France where Cardinal Richelieu (Christopher Logue) is attempting to increase the Catholic Church’s hold on the nation by persuading decadent monarch Louis XIII (Graham Armitage) to knock down the walls surrounding cities that enable their functioning as self-governing entities.… Read the rest

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Features Live Action Movies Music

Sinners

Director – Ryan Coogler – 2025 – US – Cert. 15 – 138m

*****

In 1932, a young blues guitarist finds himself out of his depth when two brothers open a juke joint which comes unexpectedly under siege from supernatural forces – out in UK cinemas on Friday, April 18th

It’s a strange thing, but Warner Bros., which has a reputation for tough guy movies from its hard-edged gangster movies of the 1930s, has never made a movie about the blues. If that seems something of a stretch as an assumption, humour me here. The blues came out of the hardships of the Afro-American experience – white racism and the slave trade, poverty and hardship, and there was something raw about it, much as with those early gangster movies that shaped the Studio’s identity.

The idea of Warner Bros. making a movie about the black experience and the blues (or, indeed, building an entire genre around that idea) seems so obvious that it’s a wonder the Studio never did it before. Perhaps it’s significant that Warner Bros. were the Studio that made Elvis (Baz Luhrmann, 2023), which touches on such material.

Warner Bros. also has the first talking picture, The Jazz Singer (Alan Crosland, 1927), hardwired into its DNA.… Read the rest

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This is England

Director – Shane Meadows – 2006 – UK – Cert. 18 – 101m

A young, pre-teenage lad falls in with a gang of skinheads in Post-Falklands War, Thatcherite Britain – originally published in Third Way in 2007, to coincide with the film’s UK release date

The above one line synopsis, although accurate, doesn’t even begin to convey the piece’s considerable strengths. (Note: Meadows would subsequently develop this into a series of TV dramas in the UK using many of the same cast and characters: This is England ‘86, This is England ‘88 and This is England ‘90 in 2010, 2011 and 2015 respectively.)

Meadows is a unique and powerful voice, a teenage school dropout who kicked off his career in features with 1996’s 60-minute feature Small Time and went on to greater things TwentyFourSeven (1997) and critical favourite A Room For Romeo Brass (1999). His highest profile effort is the less impressive Once Upon A Time In The Midlands (2002), which suffers from trying to make an epic with an all-star British cast. Meadows is not about big movies (not yet, anyway) – he began shooting movies with mates as actors and has an uncanny ability to draw incredible performances out of actors and non-actors alike, based as much on the people concerned as on their acting ability.… Read the rest

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Novocaine
(2025)

Directors – Dan Berk, Robert Olsen – 2025 – US – Cert. 15 – 110m

*****

An assistant bank manager who is medically unable to feel pain pursues the bank robbers who have kidnapped his brand new and first ever girlfriend – out in UK cinemas on Friday, March 28th

(There have been several other movies with this title. Apart from having the same title, this one appears to be completely original.)

San Diego, California. Driving to work in gridlock, Nathan Caine (Jack Quaid) is the type to annoy fellow motorists by obsessively maintaining the correct space in front of his vehicle when no-one else is doing so. At work, he’s the assistant bank manager. He’s a genuinely nice guy who genuinely cares from people, such as long-standing customer Earl (Lou Beatty Jr.) who Nate helps through an unpleasant foreclosure on his workshop by doing things on a schedule that will help ease the man’s pain.

Also, there’s this new teller Sherry (Amber Midthunder) at the bank who Nate rather likes but can’t bring himself to talk to. In fact, despite her obvious attentions, he goes out of his way to avoid talking to her.

Somehow, she talks him into a lunch date where she has cherry pie and he… doesn’t.… Read the rest

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Picnic at Hanging Rock
(Director’s Cut,
4K Restoration)

Director – Peter Weir – 1975 – Australia – Cert. 12a – 107m

*****

A group of teenage schoolgirls supervised by two teachers go on a picnic beside an isolated volcanic outcrop: three of them never returnValentine’s Day previews on Friday & Saturday, February 14th & 15th, then is out in UK cinemas from Friday, February 21st

Two locations sear themselves into your brain when watching Picnic at Hanging Rock, whether for the first time or the umpteenth. One is the obvious one – the eponymous, towering rock formation in Victoria, Australia, at once an inescapable presence in a landscape and an invitation to come into its labyrinth and explore. The other is Appleyard College, a turn of the (nineteenth into twentieth) century boarding school for young ladies, shot in the real life 1870s-built, Georgian mansion Martindale Hall. They are two very different worlds, one natural, wild, and inexplicable, the other buttoned down and socially stratified.

The picnic, which takes place on St. Valentine’s Day, 1900, only seems to take the first third of the film’s running length. Two teachers, Miss Greta McCraw (Vivean Gray from The Last Wave, Peter Weir, 1977) and the French mistress Mlle de Poitiers (Helen Morse) are in charge of around a dozen teenage girls, all dressed very prim and properly.… Read the rest

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Rumours
(2024)

Director – Guy Maddin, Evan Johnson, Galen Johnson – 2024 – Germany, Canada – Cert. 15 – 109m

****1/2

The G7 leaders meet at a summit only to find themselves trapped in the woods following an apocalyptic event – out in UK cinemas on Friday, December 6th

Every so often, the leaders of the world’s leading liberal democracies – the G7 – gather for summits to deal with the impending global crisis. On this occasion, it’s a bright, sunshiny day. Prior to getting down to business, they are toured through some local woods and shown the remains of one of the Bog People in a deep pit, their corpses perfectly preserved, apart from their bones which have disappeared, thanks to the properties of the bog land environment in which they were buried thousands of years ago. One corpse which they are shown has had his penis cut off and hung ornamentally round his neck. British PM Cardosa Dewindt (Nicky Amuka-Bird) is understandably somewhat taken aback by this.

The seven have their picture taken by the side of the pit, posing with spades. Then it’s on to the gazebo in a large clearing to sit down and discuss the matter in hand.… Read the rest

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Goryeojang
(고려장)

Director – Kim Ki-young – 1963 – South Korea – 89m

2019 Korean Film Archive (KOFA) Restoration (two reels missing)

****

Goryeojang is the concept of taking your elders up a mountain when they reach 70 so that they can face death – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank – from the London Korean Film Festival 2019

Over fifty years old, Goryeojang is sadly available as only a print with two reels (three and six) missing. The LKFF screened the version where the missing scenes are explained by a brief series of intertitles so that the rest of the film can make sense. It’s a tough film to pigeonhole. A description like period drama, which genre it absolutely fits, proves woefully inadequate. To a Western viewer, it plays out like a classic fairy tale, with archetypal characters and considerable amounts of cruelty. The art direction is light years away from any sort of social realism with its rural sets obviously artificially constructed in a studio, recalling (to name but one obvious example) The Singing Ringing Tree (Francesco Stefani, 1957), especially for all those British people who saw that latter film in black and white on BBC children’s television in the 1960s.… Read the rest

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Dreaming of Lions
(Sonhar com Leões)

Director – Paolo Marinou-Blanco – 2024 – Portugal, Brazil, Spain – 85m

****

A woman diagnosed with terminal cancer signs up with a corporate programme allegedly aimed at helping people in her situation to humanely end their own lives – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

“Chemo never worked. So I decided to beat the fucker to the punch.” Thus says Gilda (Denise Fraga) at the start of this tale about voluntary euthanasia. Gilda has cancer and a year and a half left to live. She exasperates her husband when he hilariously stumbles into the bathroom as she’s trying to shoot herself in the head, both of them winding up in hospital as a result.

She is determined to kill herself. If she does nothing, the condition will take its course and the end of the process won’t be pleasant. In the hospital, she picks up a leaflet of a company which might provide some help for those considering voluntary euthanasia. So Gildagoes for an interview with Joy Transition International and finds herself facing a panel of three: Isa (Joana Rebeiro), Eva (Sandra Faleiro), and Bruno (Alexander Tuji Nam).

Isa has her mouth fixed in a somewhat ingratiating, permanently lipstick-painted smile.… Read the rest