Tag: night

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Features Live Action Movies

Alone in the Night
(Yoru ga Mata Kuru,
夜がまた来る)

Director – Takashi Ishii – 1994 – Japan – Cert. 18 – 108m

****1/2

After her undercover cop husband is killed by a gang, Nami infiltrates the gang and suffers much abuse as she attempts to identify and take her revenge on his killer – out on Blu-ray as part of the Takashi Ishii: 4 Tales of Nami Limited edition digipack set (2000 copies) 

A compelling yet initially indecipherable image is slowly revealed, as we pull out, to be a pink marker pen colouring the handle of a black pistol in the hands of a girl wearing the pyjama top of the man against the side of whose bed she is sitting. He, it turns out, is Mitsuru (Toshiyuki Nagashima from Godzilla Against Mechagodzilla, Miyagawa, 2002; Godzilla vs. Biollante, Seiichi Yamamoto, 1989; Mishima: A Life in Four Chapters, Paul Schrader, 1985), an undercover cop; she is Nami (Yui Natsukawa from I Wish, Hirokazu Kore-eda, 2011; Still Walking, Hirokazu Kore-eda, 2008; Zatoichi: The Blind Swordsman, Takeshi Kitano, 2003), and she’s fed up with his lack of contact while he’s on the job. As they embrace, she pleads with him, “Don’t do it!… Read the rest

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The Life of Chuck

Director – Mike Flanagan – 2024 – US – Cert. 15 – 110m

*****

From the End of the World to the life and essence of what defines one man – remarkable Stephen King adaptation is out in UK cinemas on Wednesday, August 20th

This is an adaptation of a Stephen King novella, originally one of the four stories comprising the volume If It Bleeds, published in 2020. King is known as a horror writer, but every so often he comes up with something that defies that mould, including stories that have been turned into such films as Stand by Me (Rob Reiner, 1986), The Shawshank Redemption (Frank Darabont, 1994) and Apt Pupil (Bryan Singer, 1998). His story The Life of Chuck is different again.

And, as is apparent from its outset, it employs a three act structure – a standard device in classic Hollywood screenwriting that makes the property the obvious basis for a film for any filmmaker savvy enough to spot that element – which the author unexpectedly flips on its head by reversing it. Inspired, in part, by that structure, Mike Flanagan’s film follows this template, starting off with a title card announcing Act 3 and then proceeding to tell its three related acts, all of which in one way of another concern defining moments in the life of a man named Charles Krantz (his dying in hospital, an episode one day in his adult life, an experience in his childhood).… Read the rest

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Weapons

Director – Zach Cregger – 2025 – US – Cert. 18 – 128m

****

One night, all but one of the children in one class in the town school disappear into the dark, leaving the townsfolk baffled as to what happened to them… – Fortean-sounding mystery is out in UK cinemas on Friday, August 8th

One night at 2.17am, the 17 other kids in Alex’s class got up out of their beds, went downstairs, opened their front doors, and ran out into the night. As a child relates the incident, we observe it in flashback. The kids run with arms half outstretched at an angle, as if playing at being aeroplanes in the school playground. If you’ve seen the film’s poster, this strange angle of the arms is also apparent. As it also is in the film’s trailer, which starts with this flashback. But what is in the mind of these kids? Where are they going? To what purpose?

For that matter, why the title Weapons? I don’t think it’s a spoiler to say that you’ll know the answer once you’ve seen the film.

Thus begins one of the most intriguing cinematic mysteries of recent years. To unpack his prologue, writer-director Cregger opts for an astute, six-part, character-based structure.… Read the rest

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Animation Features Live Action Movies

Sister Midnight

Director – Karan Kandhari – 2024 – UK, Sweden, India – Cert. 15 – 110m

***1/2

A young woman in an arranged marriage discovers herself to be a creature of the night… and one of the undead – genre-bender is out on UK digital from Wednesday, June 18th

A young woman travels cross-country by train, face veiled by beaded hangings, to join the arranged marriage husband she has (presumably) never met in their new, urban home. Uma (Radikha Apte) and Gopal (Ashok Pathak best known here from The Second Best Exotic Marigold Hotel, John Madden, 2015) don’t seem to know what to do with each other. Certainly not any sort of sexual congress as they unveil sitting beside one another for the first time. As the tale proceeds, sleeping with him comes to consist of curling up on her own on the other side of the bed from him. Later, her sleeping patterns will start to shift…

Theirs is a pretty basic home – a room with a mattress and a door out onto the bustling, main street outside. Her husband has a job, so goes out in the morning and comes back in the evening, although sometimes he goes out drinking after work and comes back later.… Read the rest

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Aimless Bullet
(Obaltan,
오발탄)

Director – Yu Hyun-mok – 1961 – South Korea – 110m

****

Former soldiers and others struggle with the effects of post-war economic depression in the newly constituted South Korea – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Made and released in the brief period of about a year between the collapse of one dictatorship and the rise of another, and the temporary relaxation of state censorship that accompanied it in South Korea, Aimless Bullet deals with the struggle to survive in that country amidst economic collapse. Men including demobbed soldiers and officers struggle to find work, others lucky enough to have jobs struggle to support their extended networks of loved ones while women drift into prostitution – or, if they’re really lucky, become movie stars.

It opens with crippled, former officer Gyeong-sik, constantly asking Sgt. Park and other drinking buddies not to call him “The Commander”, making a scene in a bar and smashing a glass door. Wandering through the streets at night alone afterwards, he’s accosted by former girlfriend Song Myeong-suk (Seo Ae-ja) who desperately wants him to fulfil his promise and marry her, but he won’t because as a cripple he feel an incomplete man.… Read the rest

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Animation Features Movies

Coraline (3D)

Director – Henry Selick – 2009 – US – Cert. PG – 100m

UK release date 08/05/2009

Originally reviewed for Third Way in 2009; republished to coincide with not only the 15th anniversary cinema reissue of the film on Thursday, 15th August 2024, but also the LAIKA: Frame x Frame exhibition which shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by a stop-frame animation season including all five LAIKA feature films and much, much more

Selick has successfully positioned himself as Hollywood’s stop-frame puppet animation film-maker (as distinct from plasticine animation film-makers Nick Park and Aardman). His The Nightmare Before Christmas suggested leanings towards horror and the macabre; Coraline goes further in the sense that one’s immediate reaction after viewing was to question whether this was a film suitable for children (on reflection this may be a grown-up reaction and kids may in fact love the film, in much the same way that as a child I enjoyed hiding behind the sofa during the scary bits of Dr. Who.) The source material is an acclaimed children’s book by Neil Gaiman. Anyway, you have been warned.… Read the rest

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Features Live Action Movies

Sleep
(Jam, 잠)

Director – Jason Yu – 2023 – South Korea – Cert. 15 – 95m

***1/2

A pregnant woman becomes convinced that her husband is possessed when he starts sleepwalking and otherwise behaving oddly in his sleep at night – out in UK cinemas on Friday, July 12th

One night, a wife wakes up and looks at her husband. He’s sitting on the end of the bed and says, calmly, “someone’s inside”. She hears banging. She gets up, and we see she is pregnant. Fearing an intruder, she goes into the next room, household drill in hand. It’s the door to the verandah banging, wedged open with his flip-flop. She finds their dog, Pepper, a Pomeranian, hiding behind the box container with the laundry liquid. Returning to the bedroom, she sees him wearing one flip-flop.

Sleep is a horror thriller about both a sleep disorder and intermittent possession by a ghost. The wife Soo-jin (Jung Yu-mi) is a former film executive, the husband Hyun-Su (Lee Sun-kyun) a struggling actor in whose career she believes. On their wall, a wooden plaque proclaims, “Together, we can overcome anything”. Their new downstairs neighbour Min-jung (Kim Guk-hee), who moved in after the difficult old man who used to complain to the couple about the noise moved out, pops round to say hello and complain about the banging that’s been going on for the last week.… Read the rest

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Kinds of Kindness

Director – Yorgos Lanthimos – 2023 – UK – Cert. 18 – 144m

***

A triptych of stories from rising star cult director Lanthimos performed by the same intimate, ensemble cast – baffling auteur exercise is out in UK and Ireland cinemas on Friday, June 28th

Beyond a description of its structure – three separate stories performed by the same ensemble cast directed by one of today’s more idiosyncratic directors – Kinds of Kindness is not an easy film to synopsize. If the term ‘kindness’ in the title is meant to relate to the stories, it’s not immediately obvious as to how that should be (unless kindness is being used in the sense of “type of category” as the stories seem to function, on one level at least, as exploration of categories of transgressive behaviour). In terms of actors giving performances, the film is a masterclass; in terms of technical achievement – camera, editing, sand so on – it’s top of the line stuff; yet, in terms of what the film is about, the point of it, why anyone would want to make this film, you may find yourself completely baffled.

The main cast comprises Emma Stone, Jesse Plemons, Willem Dafoe and Margaret Qualley with support from Hong Chau, Joe Alwyn, Mamoudou Athie and Hunter Schafer.… Read the rest

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Killers
Of The Flower Moon

Director – Martin Scorsese – 2023 – US – Cert. 15 – 206m

*****

A returning WW1 veteran marries into Oklahoma’s Osage Indian tribe at the time of the Osage Indian Murders – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 20th

At slightly over 80 years of age, Martin Scorsese has now been making movies for over 60 years. Like his last, fictional, narrative feature The Irishman (2019), this one is pushing three and a half hours. I always have issues with films that long: the vast majority are that way due to director’s ego and / or inability to tell a story concisely. Some of them might have been better suited to a TV mini-series ( a medium in which, incidentally, Scorsese also works). Yet if you try and imagine Killers Of The Flower Moon cut down in length, it’s difficult. Maybe you could take out the frame story – the performance of a crime drama on the radio on the subject of the Osage Indian Murders – but that sets the scene nicely at the start and takes you back out of the movie equally nicely at the end, so it would be a shame to do so.… Read the rest

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A Chinese
Ghost Story
(Sien Lui Yau Wan,
倩女幽魂)

Director – Ching Siu Tung – 1987 – Hong Kong – Cert. 15 – 95m

*****

Some of the most seminal offerings of the commercial Hong Kong cinema are the product of creative wizard Tsui Hark. The producer who first gave John Woo his niche as bullet strewn action director on A Better Tomorrow (1986) also ensured director Ching Sui Tung’s place in fantasy film’s Hall of Fame with this stunning little offering.

The Hong Kong supernatural, fantasy genre is itself defined almost single-handedly by Tsui’s groundbreaking epic Zu: Warriors From the Magic Mountain (1983). CGS both typifies the genre and proves one of its finest examples. CGS spawned two sequels for what Tsui describes as “sentimental reasons – when the ghost died at the end, we want her to come back pretty badly.” He admits the sequels weren’t as good, though.

CGS opens in a downpour as a rain sodden Leslie Cheung (known to Western audiences from such diverse fare as A Better Tomorrow and art house hit Farewell My Concubine, Chen Kaige, 1993) watches a grim, head lopping argument between two bandits as he does his cowardly best to look inconspicuous. His work as a debt gatherer suffers something of a setback as he discovers the ink in his books has run with the damp, so once he arrives in the nearby town he’s unable to collect the payments he’d expected.… Read the rest