Tag: murder

Drive
(Pulsión)

Director – Pedro Casavecchia – 2019 – Argentina – 7m

*****

A series of disturbing vignettes brings to mind work by Lars von Trier, the Brothers Quay, Alfred Hitchcock and David Lynch – available to watch on YouTube (see below) from Wednesday, September 1st 2021

This Argentinan short, although computer generated, has the feel of stop-motion. It brings to mind work by Lars von Trier, the Brothers Quay, Alfred Hitchcock and David Lynch. A narrative conveyed by a series of disturbing vignettes (think: the opening minutes of Melancholia (Lars von Trier, 2011) is put together with the same kind of fastidious technical attention to detail you find in the Quay Brothers’ films. A couple of scenes borrow directly from one of the murders in Psycho (Alfred Hitchcock, 1960), but in a clever way that shocks you much as those scenes in Psycho originally did. There’s a Lynchian feel about the whole thing – not just in the strange, quasi-industrial sounds recalling Eraserhead (David Lynch, 1977) or the weird lighting and heavily controlled mise-en-scène, but also in the overall feel of strange and terrible things happening within families and local communities, people adrift within the darkness of human existence.

One single viewing is not enough for this film which really only reveals itself on repeated viewings.… Read the rest

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The Shadows
(殘影空間)

Director – Glenn Chan – 2020 – Hong Kong, China – 94m

*****

A forensic lady psychiatrist becomes convinced that a fellow psychiatrist’s treatment of his patients is encouraging them to commit murder – playing in the UK as part of the Chinese Visual Festival which runs until Sunday, July 25th

Award-winning social worker Chu kills his mother, wife and little girl before throwing himself out of a second floor window in a suicide attempt. Psychiatrist Dr. Tsui Ching (Stephy Tang from My Prince Edward, Norris Wong Yee-Lam, 2019; The Empty Hands, Chapman To, 2017) possesses the ability to see inside the subconscious mind of her patients, something she experiences like a vivid dream. She appears in a public talk before an audience alongside Dr.Yan. When he asks her view of humanity, she expresses her belief that people are inherently good. He thinks they are inherently bad, ascribing their motives to selfishness.

When Chu turns out to have been one of Dr.Yan’s patients, Tsui becomes convinced that by telling them to embrace their dark side rather than repress it, he is effectively encouraging them to commit murder. Advising Ho (Philip Keung – A Witness Out Of The Blue, Fung Chi-Keung, 2019; Tracey, Li Jun, 2018; Shock Wave, Herman Yau, 2017), the cop who is investigating the case, she persuades him without any admissable evidence to investigate all of Yan’s patients.… Read the rest

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Cruella

Post author By Jeremy Clarke
Post date 27 May 2021
No Comments on Cruella
Sticky post

Director – Craig Gillespie – 2020 – US, UK – Cert. 12a – 134m

****

A 101 Dalmatians prequel. How a girl named Estella unleashed her darker personality of Cruella de Vil – in cinemas from Friday, May 28th

Disney’s project of mining their pantheon of animated classics for live action feature material continues. Here it’s the turn of Cruella de Vil, the villain from 101 Dalmatians (Clyde Geronimi, Hamilton Luske, Wolfgang Reitherman, 1961), and a very clever reimagination it is too. It commences with her birth and cleverly conceals certain significant details of her upbringing only to reveal them at the tale’s climax and give everything that went before a completely new spin.

Estella (Tipper Siefert-Cleveland) is the daughter of Catherine (Emily Beecham). Befriended at school by Anita Darling (Florisa Kamara) but picked on by bullies, Estella gives as good as she gets, fights back and gets expelled for figuratively blotting her copybook.

So her mother pays a visit to former employer the Baroness von Hellman (Emma Thompson) seeking help. But thanks to Estella’s refusal to do as she’s told and stay in the car and her dog Buddy’s strikingly similar refusal to obey Estella this plan goes fatally wrong.… Read the rest

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A Witness
Out Of The Blue
(Fan Zui Xian Chang,
犯罪現場)

Post author By Jeremy Clarke
Post date 9 February 2021
No Comments on A Witness
Out Of The Blue
(Fan Zui Xian Chang,
犯罪現場)

Director – Fung Chi-Keung – 2019 – Hong Kong – Cert. N/C 15+ – 104m

****

When a member of a gang of jewel thieves is found dead, the murder suspect may not be the obvious person – online in the UK as part of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th

Following a jewellery store heist, a gang of robbers are to meet to split the loot. But someone gets to gang member Homer Tsui first, slits his throat and makes off with the bag of jewellery. There are no witnesses unless you count the pet macaw which saw the whole thing. When gang leader Sean Wong (Louis Koo) arrives, Tsui is already dead.

Senior Inspector Yip (Philip Keung – Tracey, Li Jun, 2018) is convinced Wong is guilty. “He’s harsh”, says pretty young officer Charmaine (Cherry Ngan), “but he takes care of you.” However, Officer Larry Lam (Louis Cheung Kai-Chung) seems to get on the wrong side of Yip all the time. Lam is passionate about caring for animals and runs a cat sanctuary in his spare time, but he’s got himself into debt with a loan shark setting it up and following an early morning run in with the moneylender arrives late to the crime scene of Tsui’s murder, not to mention slipping on some blood and falling flat on a corpse.… Read the rest

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Young Ahmed
(Le Jeune Ahmed)

Post author By Jeremy Clarke
Post date 7 August 2020
No Comments on Young Ahmed
(Le Jeune Ahmed)

Directors – Jean-Pierre & Luc Dardenne – 2019 – Belgium, France – 85m

***1/2

Exclusively on Curzon Home Cinema from Friday, August 7th

Belgian teenager Ahmed (Idir Ben Addi) is having problems with his teacher Miss Inès (Myriem Akheddiou). As he sees it, she disrespects his Muslim faith. His life timetable is governed by the time table of not, as you might expect, his school but his mosque. He must attend prayers at a specific time. Actually, his teacher and school are more than accommodating of these demands, but that’s not how Ahmed sees it.

He has long and deep discussions with his local Imam, Youssouf (Othmane Moumen), a radical jihadist and frankly a pretty creepy individual. Ahmed looks up to and trusts him. More than he does his teacher who he accuses on various occasions of betraying the faith, having a Jewish boyfriend and being an infidel. (Incidentally, this being a French language movie the word ‘infidel’ has a direct meaning of ‘unfaithful’ in that language, something I’ve never noticed before.) More than he does his mother (Claire Bodson) who he berates for having the occasional drink or two. It doesn’t help that he seems to regard women and girls as unclean and inferior.… Read the rest

Tags Arabic, Belgium, community, community service, detention, farm, France, French, human rights, Imam, killing, knife, language, meeting, mosque, murder, Muslim, parents and children, radicalisation, religion, school, sex, song, teacher, terrorism, weapon, women

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Bluebeard
(Haebing,
해빙)

Director – Lee Soo-youn – 2017 – South Korea – 115m

****

A Korean Twin Peaks clone. A doctor becomes increasingly suspicious of his downstairs butchers’ shop neighbours: are they chopping people up and dumping their remains in the Han River? – London Korean Film Festival (LKFF) 2017 teaser screening

Dr. Byun Seung-hoon (Cho Jin-woong) is working at a colonoscopy clinic where the owner puts in the occasional appearance. The drugs they use have the unfortunate side effect of making their patients talk freely just like people do in their sleep. One day he’s treating the demented father (Goo Shin) of his landlord Sung-geun ( Kim Dae-myung) who runs a butcher shop on the ground floor below his cramped apartment when the old man starts talking about where to put body parts such as the legs and the torso. When the TV news reports on a woman’s body found in pieces in the Han River, Byun puts two and two together.

When Dr. Byun is accosted by Sung-geun the same evening, the two go to the former’s flat and consume drink and food. Medical textbooks are stacked in piles. That’s all he reads. Oh, and mystery novels. He likes the latter because, he says, they provide him with answers… Another evening, his ex-wife comes over and tries to mend their relationship but it doesn’t work and she storms out after a furious row.… Read the rest

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Creepy
(Kuripi:
Itsuwari No Rinjin,
クリーピー偽りの隣人)

Post author By Jeremy Clarke
Post date 1 October 2016
No Comments on Creepy
(Kuripi:
Itsuwari No Rinjin,
クリーピー偽りの隣人)

Director – Kiyoshi Kurosawa – 2016 – Japan – Cert. 15 – 130m

****

Currently on BFI Player as part of 21st Century Japan, MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa and Eureka Video Dual Format BluRay/DVD.

The following review originally appeared in Funimation UK.

Kiyoshi Kurosawa’s new crime thriller Creepy draws on Vertigo, Psycho and Audition.

The latest film by Kiyoshi Kurosawa to receive a UK cinema release is an extraordinary and highly original crime thriller with more than a passing nod to two better known Alfred Hitchcock films. Its opening reworks that of Vertigo (1958) while certain later narrative elements owe much to Psycho (1960) although not the parts of that film which are usually aped or recycled in other movies. It also recalls Takashi Miike’s notorious Audition (1999) in its overall structure. Yet despite these clear influences, Creepy is very much its own film.

Vertigo‘s first scene opens with the rung of a ladder grasped moments afterwards by a human hand. This develops into a chase sequence in which the vertigo of Detective ‘Scottie’ Ferguson (James Stewart) causes a cop to fall to his death. Creepy‘s first scene opens with bars over a window.… Read the rest

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The Invisible Man
Vs
The Human Fly
(Tomei Ningen
To Hae Otoko,
透明人間と蝿男)

Post author By Jeremy Clarke
Post date 19 May 2021
No Comments on The Invisible Man
Vs
The Human Fly
(Tomei Ningen
To Hae Otoko,
透明人間と蝿男)

Director – Mitsuo Murayama – 1957 – Japan – Cert. 12 – 96m

**1/2

The lesser of Daiei’s two Invisible Man movies. Mitsuo Murayama, working from a script by Hajime Takaiwa, delivers not so much a sequel but, much like the different entries in Universal’s Invisible Man series, a different story with a different set of characters built around the concept. Without Eiji Tsuburaya’s guiding hand, the invisibility effects are less memorable but do what they need to. A striking theramin score by Tokujiro Okubo adds an unearthly atmosphere.

This time, the Invisible Man is not a criminal but on the side of the law. It’s a murder mystery with a bizarre twist… [read more]

On a Blu-ray double bill with The Invisible Man Appears (1949). Full review at All The Anime.

Trailer (double bill):

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The Dissident

Spiritual wickedness

The Dissident
Directed by Bryan Fogel
Certificate 12 (Amazon advisory), 119 minutes
Released on Amazon Prime Video in the UK and Ireland from April 1st 2021

On 2 October 2018, the Washington Post journalist Jamal Khashoggi entered the Saudi consulate in Turkey to obtain a marriage licence. He never came out. It later transpired that Khashoggi had been murdered on the premises by Saudi officials and his body dismembered, taken away and disposed of.

This fast-paced and frankly mind-boggling documentary examines a good deal more than the murder…[read more]

Full review in Reform magazine.

See my alternate, longer review on this site.

Trailer:

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One Night
(Hitoyo,
ひとよ)

Director – Kazuya Shiraishi – 2019 – Japan – Cert. N/C 15+ – 123m

****1/2

A woman murders her violent husband after years of his beating up the kids, goes to prison then returns 15 years later to find the siblings in turmoil – played online in the Japan Foundation Touring Film Programme 2021 in the UK

A night of torrential rain proves a defining moment in the lives of the Inamura family which owns and runs a taxi business. Koharu (Yuko Tanaka – Princess Mononoke, 1997) enters, dressed in her usual suit she wears to drive customers around, to announce to her three teenager children, “I’ve just killed your father. Nobody will ever beat you again. You can live however you want. You’re totally free.” Expressing no remorse and convinced she’s done the right thing, she promises to return in fifteen years then disappears to hand herself in to the cops.

Koharu’s designs of freeing her kids from their father’s years of violent abuse don’t quite play out the way she had hoped. Their father would beat them for any suggestion that they’d want to do anything other than work in the family taxi business. The eldest Daiki (Ryohei Suzuki – Our Little Sister, Hirokazu Kore-eda, 2015; Tokyo Tribe, Sion Sono, 2014) is a stutterer whose relationship with wife Fumiko (Megumi) is mired in divorce proceedings as he struggles to hold down a regular job.… Read the rest