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Features Live Action Movies

The Silent Virgin
(La Virgen Silenciosa)

Director – Xavi Sala – 2025 – Mexico – 127m

*****

A legal secretary frustrated in her job embarks on a relationship with another woman, but her possessive mother does not approve – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

This certainly knows how to grab your attention at the start. An icon of the Blessed Virgin Mary (BVM) hangs on the wall. On the bed, a grown woman pleasures herself until… The earth moves! Everything is shaking, and she quickly recovers her composure as her middle-aged mother runs in to get her out of the house as the earthquake alarm goes off.

After, they eat at the meal table, and her mother (Mercedes Hernández from New Order, Michel Franco, 2020) asks Vale (“Va-lay”; Zamira Franco also from New Order), who she’ll later address as Valeria, to pick up prescriptions while she’s out and makes sure she doesn’t forget her packed lunch. Then it’s train, bus and the walk past colourful stalls to work. Vale’s office with about half a dozen or so people seems to be piled high with paperwork. They are dealing with the cases of people being arrested. One man being interviewed claims that one of them is lying.… Read the rest

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Documentary Features Live Action Movies

Exhibition on Screen:
Caravaggio

Directors – David Bickerstaff, Phil Grabsky – 2025 – UK – Cert. 12a – 101m

***

A look at the turbulent life of sixteenth century Italian painter Caravaggio, his troubles, his forced travels, and his art – out in UK cinemas from Tuesday, November 11th

Michelangelo Merisi da Caravaggio (1571–1610), generally known as Caravaggio, is here, initially, curiously and somewhat confusingly referred to as Michelangelo only to be called Caravaggio throughout the remainder. The narrative of the artist’s life is built around talking head footage of actor Jack Bannell as Caravaggio himself speaking his own words – except that, they aren’t his own words since, as is pointed out later, this particular artist wrote very little himself and most of what is known about him today comes from police records of the time.

The framing device with the actor is supposed to be Caravaggio recalling his life on the boat trip back to Rome. Historically, he mysteriously disappeared after landing and was never seen again. Alas this latter fact – which might have made a great framing device – is only clarified at the end, at which point it plays merely as a less than satisfying conclusion.

Also included are a handful of art experts – historian Helen Langdon, artist Stephen Nelson, Caravaggio author Fabio Scalatti and Letizia Treves, Global Head of Research and Expertise, Christie’s – all of whom have a great deal to say about the various works of the artist which appear here.… Read the rest

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Features Live Action Movies

The Bone Breakers
(Spaccaossa)

Director – Vincenzo Pirrotta – 2022 – Italy – 105m

***1/2

A gang of criminals in Palermo runs an insurance fraud operation involving the breaking of people’s bones – Italian film inspired by real facts premieres at the 26th Tallinn Black Nights Film Festival

The scene you’re most likely to remember comes right at the start of The Bone Breakers. Inside a warehouse, bodybuilding weights are packed into a suitcase which, once sealed, is carried up some scaffolding. Below, men hold another man’s arm so that it rests on two blocks, one at each end, then the man on the scaffolding drops the case from the scaffolding onto the man below’s rested arm, painfully breaking it. You’re immediately wondering what’s going on, possibly assuming the men are gangsters and the man whose arm has been broken has upset or crossed them in some way.

However, the man is compliant and even though his fractured arm clearly causes him considerable pain afterwards, he goes along with and and doesn’t appear to bear the men who have done this any ill will. They get him to the hospital where his arm is put in a sling, then take him to another building in which he’ll live in the short term, presumably to recuperate.… Read the rest

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Features Live Action Movies

The Last Dance
(Po Dei Juk,
破·地獄)

Director – Anselm Chan – 2024 – Hong Kong – Cert. 12a – 130m (extended version – Cert. 15 – 140m)

**** (regular version) / unseen (extended version)

A failed, professional wedding planner joins a Taoist funeral director as a partner in his company as various crises come to a head in the latter’s family – engaging drama is back out in UK cinemas in an extended version on Friday, April 24th following the original version’s release on Friday, November 15th 2024

There have been movies about undertakers and funeral parlours before, but never one quite like this. Whether or not one is at a stage in life where one has had much experience of bereavement, at some point, each one of us is going to die – and, before that, in all likelihood, have to deal with our nearest and dearest dying and, by extension, undertakers and funeral directors in whatever culture we happen to live. Consequently, there is a universal fascination with such matters.

Hong Kong has a very specific cultural take on this phenomenon in its Taoist priests and rituals. While these have over the years supplied the basis for much beloved and fantastical Hong Kong action or horror fare such as Zu Warriors From the Magic Mountain (Tsui Hark, 1983) or the Mr.Read the rest

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Animation Features Movies Music

The Colors Within
Kimi no Iro,
きみの色,
lit. Your Color)

Director – Naoko Yamada – 2024 – Japan – Cert. PG – 101m

*****

A Catholic schoolgirl with synaesthesia inadvertently forms a rock band who find themselves playing a gig at her school – out in UK cinemas on Friday, January 31st

God grant me the serenity
to accept the things I cannot change;
courage to change the things I can;
and wisdom to know the difference.

That’s the Serenity Prayer, and it opens this remarkable story of a schoolgirl in a boarding school as she prays it to a statue of Mary in the school chapel. A scene of her as a small girl attending the dance class, and scenes of her seeing other pupils in the corridor, are rendered in vivid, blinding colour where bright white light constantly threatens to engulf the pastel shades in which the girl sees. For more on synaesthesia, see A Sudden Glimpse to Deeper Things (Mark Cousins, 2024).

If you were to land in the middle of this film with no context, for a frame, or a scene (drawn animation parlance for a single shot), you could be forgiven for thinking there was something wrong with the print, or the colour balance. I am immediately reminded of the reviewer who said of Black Narcissus (Michael Powell, Emeric Pressburger, 1947) that the film was so visually perfect that it could be shown out of focus and upside down and the audience would still be enraptured by its kinetic abstract colour properties.… Read the rest

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Features Live Action Movies

Kidnapped
(Rapito)

Director – Marco Bellocchio – 2023 – Italy, France, Germany – Cert. 12a – 135m

*****

A boy is forcibly taken from his Jewish family by the Pope to be raised as a Catholic priest because he has been baptised into the Catholic faith – out in UK cinemas on Friday, April 26th

Italy, the mid-nineteenth century. The Papal States will have disappeared by 1870 as Italy moves towards unification. In the meantime, they are still under the administrative control of the incumbent pope, Pius IX.

Bologna, 1852. A maid sees off a soldier in the night following a romantic tryst. The soldier is neither here nor there; the maid, Anna Morisi (Aurore Camatti) will play a significant part in what follows. The life of a nine-child Jewish family is about to be disrupted forever.

The home of the very ordinary Mortalo family, who are Jewish: father Momolo (Fausto Russo Alesi), mother Marianna (Barbara Ronchi) and their nine children. The parents are deeply religious and raise their offspring accordingly, teaching them, among other things, to recite the Shema prayer every night before they go to sleep. One night in 1858, they are visited by the authorities under Feletti (Fabrizio Gifuni) who have come to take away one of their children under Papist law.… Read the rest

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Features Live Action Movies

Kidnapped

One God, two families

Kidnapped
Directed by Marco Bellocchio
Certificate 12a, 135 minutes
Released 26 April

This Italian drama, based on true events, is set when the papacy was both the head of the Roman Catholic Church and the state authority in parts of Italy, a situation that would change with Italian unification in the 1870s and the instigation of a secular, country-wide system of government. There would be implications for the separation of church and state.

In 1858, six-year-old Jewish boy Edgardo Mortalo (Enea Sala) was removed from his family by the papist authorities following his Catholic baptism (how he was baptised emerges later) and taken to a school run directly by Pope Pius IX (Paolo Pierobon) to educate such ‘Christians’ in the faith and turn them into priests.

The Church’s theological rationale behind this appalling action… [read the rest at Reform]

[Read my longer review on this site]

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Features Live Action Movies

Padre Pio

Director – Abel Ferrara – 2022 – Germany, Italy – Cert. 15 – 104m

***1/2

Post-WW1, In San Giovanni Rotondo, Italy, a Catholic mystic undergoes temptation while down in the village, armed landowners and military officers attempt to halt the rising tide of socialism – out on Blu-ray, DVD & DL from Monday, March 11th

Ferrara has long been something of an outsider, working with small budgets. This current offering is highly uneven, very strong and moving in places, betrayed by a lack of planning and resources in others. Perhaps its besetting sin (to use Christian religious parlance) is that it doesn’t deliver exactly what it sets out to: this is not exactly a portrait of early 20th Century, Catholic mystic Pio (Shia LaBeouf). The friar really only forms half of the film – arguably its weaker half – dealing only intermittently with his life from arrival in the impoverished Italian village of San Giovanni Rotondo in 1916 through to his visitation by Jesus and first manifestation of stigmata some years later.

The other half of the film, running in parallel to this, deals with the aftermath of World War One in that same village, as men return from the Front to be reunited with wives and mothers.… Read the rest

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Features Live Action Movies

Ferrari

Director – Michael Mann – 2023 – US – Cert. 15 – 130m

*****

As Enzo Ferrari’s racing team takes on a particularly tough race in 1957, the complexities of his private life prove equally challenging – out in UK cinemas on Tuesday, December 26th

You might reasonably expect a movie about legendary driver turned racing car manufacturer Enzo Ferrari to be about motor racing, and while that’s undeniably true of this film, it’s about far more. In essence, it’s a character study about a man’s life focused on a brief period of his career, in which complex professional and personal issues intersect.

Based on a script by the late, great Troy Kennedy Martin (1932-2009 – writer of The Italian Job, 1969; BBC TV series Z Cars, 1962 and Edge of Darkness, 1985), Mann’s film covers four months in 1957 building up to a particularly tough race, the Mille Miglia, the route for which covers 1 000 miles of open country roads.

Alongside the considerable challenges and demands of the race itself, the personal life of Enzo Ferrari (Adam Driver) is nothing if not complex. His marriage to business-savvy Laura Garello Ferrari (Penélope Cruz) is on the rocks thanks to the death from muscular dystrophy in 1956 of their son Dino aged 24.… Read the rest

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Features Live Action Movies

20,000 Species
Of Bees
(20.000 Especies
De Abejas)

Director – Estibaliz Urresola Solaguren – 2023 – Spain – Cert. 12a –128m

**

An eight-year-old assigned male at birth struggles with their gender identity while mum struggles with her artistic identity as a sculptress – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 27th

This is one of those films that’s picked up lots of prizes at various international film festivals, which means that lots of people rated some aspect of the film highly or possibly that it was the best of a bad lot (although if a film wins awards over a number of festivals, that latter scenario is less likely).

I didn’t know any of that going in, and I didn’t like the film very much coming out – I found it difficult to follow who was who, a problem scarcely helped by the fact that one of the main characters is initially called by one name, then by a nickname they don’t like very much, then finally by the name by which they wish to be known. The film credits the eight-year-old character played by Sofia Otero as Lucía, but at the start of the film, they are called by their given name Aitor, although the character uses the nickname Cocó.… Read the rest