Tag: capitalism

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Features Live Action Movies

Relay

Director – David Mackenzie – 2024 – UK – Cert. 15 – 112m

*****

A corporate whistleblower who has changed her mind hires a fixer to give her the leverage she needs to safely vanish and start a new life, only it doesn’t work out like that – out in UK cinemas on Friday, October 31st

Sometimes companies do bad things, and when you think they couldn’t do any worse, they set out to coerce or intimidate former employees attempting to expose them. How widespread this is in real life is anyone’s guess, but it makes for great copy and feeds into paranoid left wing ideas about the immorality of corporate capitalism. Don’t get me wrong: just because you’re paranoid, as the saying goes, it doesn’t mean they’re not out to get you.

To illustrate the point, this narrative opens with Hoffman (Matthew Mayer from Bringing Out The Dead, Martin Scorsese, 1999; Dogma, Kevin Smith, 1999, reissued in cinemas next week (Friday, November 7th); and Funny Pages, Owen Kline, 2022) entering a near empty New York restaurant to surrender a set of incriminating documents to McVie (Victor Garber from Family Law, TV series 2021-2025; Argo, Ben Affleck, 2012; Alias, TV series, 2001-6), safe in the knowledge that another copy of said documents will be mailed to an appropriate recipient should McVie not co-operate and ensure Hoffman’s safety.… Read the rest

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Features Live Action Movies

The Bone Breakers
(Spaccaossa)

Director – Vincenzo Pirrotta – 2022 – Italy – 105m

***1/2

A gang of criminals in Palermo runs an insurance fraud operation involving the breaking of people’s bones – Italian film inspired by real facts premieres at the 26th Tallinn Black Nights Film Festival

The scene you’re most likely to remember comes right at the start of The Bone Breakers. Inside a warehouse, bodybuilding weights are packed into a suitcase which, once sealed, is carried up some scaffolding. Below, men hold another man’s arm so that it rests on two blocks, one at each end, then the man on the scaffolding drops the case from the scaffolding onto the man below’s rested arm, painfully breaking it. You’re immediately wondering what’s going on, possibly assuming the men are gangsters and the man whose arm has been broken has upset or crossed them in some way.

However, the man is compliant and even though his fractured arm clearly causes him considerable pain afterwards, he goes along with and and doesn’t appear to bear the men who have done this any ill will. They get him to the hospital where his arm is put in a sling, then take him to another building in which he’ll live in the short term, presumably to recuperate.… Read the rest

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Animation Features Live Action Movies

Can I Get a Witness

Director – Ann Marie Fleming – 2024 – Canada – Cert. 12a – 100m

The subject matter *****

The film itself *

Can I fast-forward through the boring bits? Dystopian SF outing with good intentions may be the least watchable film of the year – out in UK cinemas on Friday, September 19th

Here’s a movie about one of the most important subjects there is which manages to turn itself into mind-numbingly tedious narrative. It’s hard to imagine more of a missed opportunity.

It’s the first day on the job for gifted sketch artist Kiah (Keira Jang), and before her experienced co-worker comes to pick her up, she’s already having misgivings. She doesn’t want to wear the old-fashioned dress her mother Ellie (Sandra Oh) has picked out for her (her mum bigs the item up as ‘vintage’). Her mum, meanwhile, takes delivery of a mysterious (and apparently equally vintage) fridge, plus a bottle of champagne (which she puts straight in the fridge), along with a mysterious wooden box for which she signs the obligatory paperwork without hesitation (she used to work getting people to sign these herself, so she knows the contents backwards).

Kiah is still getting herself ready when her co-worker turns up co-worker Daniel (Joel Oulette) turns up, so while he’s waiting, Ellie treats him to a piece of her special pie, which he finds delicious.… Read the rest

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Animation Features Movies

Savages
(Sauvages)

Director – Claude Barras – 2024 – Switzerland – Cert. PG – 87m

French with English subtitles.

*****

An indigenous pre-teenage girl stands up to loggers destroyingthe local rainforest – stop-frame animated feature from the director of My Life as a Courgette is out in UK cinemas on Friday, August 1st

From its opening moments in darkness following unsettling creature noises suggesting a jungle forest, followed by jungle forest establishing shots – a frog jumping across a river via a series of stones, a snake slithering around a tree, a baby orangutan (non-verbal voice: soundtrack composer and co-sound editor Charles de Ville) swinging on a branch – it’s clear that this has high ambitions indeed. All the above would be one thing to execute in live action – a few location natural history shots… possibly library footage. In model – or stop-motion – animation, you need to physically build everything in terms of miniature model sets, so to achieve such images is a major undertaking.

Having already set the production bar high, this then pushes it up further with the rasping sound of a chainsaw, as the tree heights on which the baby orangutan and its mother (voice: de Ville again), who has just rescued the infant from the attentions of the deadly snake, are resting suddenly topples into a camp of workers who are going about their allotted task of destroying the creature’s natural habitat.… Read the rest

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Features Live Action Movies

Rumours
(2024)

Directed by Guy Maddin, Evan Johnson, Galen Johnson
Certificate 15
109 minutes
Released 6 December

Jesus spoke of ‘wars and rumours of wars’, and told us to give our leaders their due. He also spoke of the End of the Age. In our post-Christian 21st century, half the world supposedly runs under democracy, government by the people. Capitalism is driving corporate and individual financial greed towards burning up the planet – or at least its human population – through climate change. It does not look good.

The leaders of the G7 nations, the seven richest nations on the planet, meet regularly to try and hammer out statements to help the world deal with this impending crisis. There is a widespread feeling among their citizens that the resulting diplomatic agreements achieve nothing, and disaster inevitably looms.

Read the rest at Reform magazine.

Read my longer, alternative review for this site.

Trailer:

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Features Live Action Movies

Dreaming of Lions
(Sonhar com Leões)

Director – Paolo Marinou-Blanco – 2024 – Portugal, Brazil, Spain – 85m

****

A woman diagnosed with terminal cancer signs up with a corporate programme allegedly aimed at helping people in her situation to humanely end their own lives – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

“Chemo never worked. So I decided to beat the fucker to the punch.” Thus says Gilda (Denise Fraga) at the start of this tale about voluntary euthanasia. Gilda has cancer and a year and a half left to live. She exasperates her husband when he hilariously stumbles into the bathroom as she’s trying to shoot herself in the head, both of them winding up in hospital as a result.

She is determined to kill herself. If she does nothing, the condition will take its course and the end of the process won’t be pleasant. In the hospital, she picks up a leaflet of a company which might provide some help for those considering voluntary euthanasia. So Gildagoes for an interview with Joy Transition International and finds herself facing a panel of three: Isa (Joana Rebeiro), Eva (Sandra Faleiro), and Bruno (Alexander Tuji Nam).

Isa has her mouth fixed in a somewhat ingratiating, permanently lipstick-painted smile.… Read the rest

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Documentary Features Live Action Movies

Eternal You

Directors – Hans Block, Moritz Reisewieke – 2024 – US – Cert. – 87m

*****

People deal with bereavement with the help of interactive versions of their deceased, loved ones recreated by AI – out in UK cinemas on Friday, June 28th

In a rare visual shot in this mostly verbally based documentary, an aerial shot of a graveyard, with light creating lots of little blocks of shadow as it falls on the ranks of gravestones, resembles a slice of internal computer electronics. It’s a pertinent pictorial moment that stands out from almost everything else here.

“Is there some reason you wouldn’t believe me?,” a woman asks her boyfriend. “You died,” comes the sceptical reply. Joshua, from Ontario, Canada, had to endure the trauma of watching the life support machines that were keeping her alive being switched off. After she died, about two weeks short of high school graduation which she was expected to pass, he got the school to graduate her. He later explains this by written chat to her interactive AI.

Psychiatrist Sherry Turkle talks about the problems people face coping with grief in the modern world, where they often live on their own following the death of a partner and don’t have an extended network of family around them like they would have done in former times.… Read the rest

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Features Live Action Movies

Next Sohee
(Da-eum So-hee,
다음 소희)

Director – July Jung – 2022 – South Korea – Cert. 18 – 134m

*****

A schoolgirl on an internship is appallingly exploited by her employers, and a police detective is called in to investigate – out in UK cinemas on Friday, June 14th

Here’s a film which presents a real problem for reviewers. Something monumental happens in the middle of the film which entirely changes it. It’s a little bit like the shift from the traumatic drama to the police manhunt in High and Low (Akira Kurosawa, 1963) and a bit like the infamous shower scene in the middle of Psycho (Alfred Hitchcock, 1960). And yet, the film is like neither of those classics in any other way (except, perhaps, the fact that it’s a remarkable film that will leave you with an indelible impression afterwards). Still, how much can a reviewer give away without ruining the film for audiences?

It’s very much a film of two halves. The first half centres around Sohee (Kim Se-eun), a star pupil at an average secondary school. She is obsessed with dancing, specifically the kind of dance moves associated with K-pop girl- and boy-bands. Among her friends are another former intern from her school who dropped out of her intern position and now spends her evenings getting paralytically drunk.… Read the rest

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Documentary Features Live Action Movies

Next Goal Wins
(2014)

Directors – Mike Brett, Steve Jamison – 2014 – UK – Cert. 15 – 97m

*****

DVD review for Third Way, 2014.

In 2001, American Samoa suffered the worst ever defeat for a soccer team in a World Cup qualifier when they lost to Australia by a staggering 31 goals to nil. Ten years later, FIFA still ranked the side at the bottom of its league table. Where most football teams dream of winning, American Samoa dreamed of not conceding a goal. Sensing herein the seed of a subject for a documentary film, Brit filmmakers Mike Brett & Steve Jamison headed for the tiny, English-speaking, Pacific island and spent months there hanging out with and filming the team in the training run up to the 2014 World Cup. What they captured on camera and edited into a feature film is both remarkable and compelling, whether or not you’re interested in football.

Rather than the expected group of losers, they find the team are steeped in the culture of American Samoa which is all about community, family and (Christian) religion, a very different cultural underpinning to Brett and Jamison’s. Western capitalism – and football within it – is all about competing, pushing yourself and your team as far as you / they can go and, ultimately, winning.… Read the rest

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Features Live Action Movies

Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest