Tag: Canada

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Features Live Action Movies

Naked Lunch

Director – David Cronenberg – 1991 – Canada – Cert. 18 – 115m

*****

Originally published in What’s On In London. See also my reviews in Film And Video – The Magazine and London Calling Internet.

INSECT POLITICS

Watching David Cronenberg’s film of William Burroughs’ novel The Naked Lunch, it becomes clear that the two men share a bizarre sensibility for what the protagonist of the director’s earlier remake of The Fly (1985) described as “insect politics”.

To film Burroughs’ “unfilmable” work, Cronenberg adopts the strategy of incorporating biographical details from the writer’s life into an overall fabric also comprising elements from a number of Burroughs’ books. Hence, the “accidental” shooting of his wife at a party (Burroughs was high at the time) jostles with insect typewriters turning into sex blobs (here pink, dog sized insects with prominent flattened buttocks) and animatronic Mugwumps working for the Interzone network.

Once again, Cronenberg is shown as a master not only at directing both actors and special effects but also in his sheer command of filmic vocabulary. The sequence where Joan Lee (Judy Davis) is startled by husband Bill’s “William Tell Routine” going wrong and getting her shot (he takes out his gun after she’s balanced a glass on her head) is as unforgettable as it is unsettling.… Read the rest

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Features Live Action Movies

Dead Ringers

Director – David Cronenberg – 1988 – Canada – Cert. 18 – 116m

*****

Originally published in Samhain.

When David Cronenberg was in the UK to promote The Fly late in 1986, he talked about a project called Twins which concerned two identical twins who fall in love with the same woman. At the time, no-one thought he was serious.

Two years later, the film has appeared (under the appalling title Dead Ringers, since there was another Twins in production elsewhere). Cronenberg denies that the new film is science fiction or horror, or even fantasy. Yet (if one wants to play the auteur game) parallels can be drawn with certain of his earlier films.

Dead Ringers bears a great resemblance not so much to the commercial Cronenberg schlock oeuvre as to the art films of the late sixties from which he has in recent years dissociated himself on the grounds that they were not real movie movies; however, both Stereo (1969) and Crimes Of The Future (1970) were shot on University Campuses with bleak, modernist architecture – and the same setting forms the backdrop to several Cronenberg features, most notably Scanners. Such architecture is more prominent in Dead Ringers than in any previous Cronenberg commercial feature.… Read the rest

Categories
Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review of the UK DVD was originally published in What DVD. See also my review for the Arts Centre Group’s member’s newsletter.

Sold as a sex and car crash (and by implication action) movie, Crash is in reality something very different: intelligent, grown-up science fiction. The former description being an easy sell, especially with the added (ridiculous) controversy surrounding the film’s (eventual) UK release, the inevitable resultant popcorn sensation‑seeking mass audience was largely disappointed.

That said, for those viewers prepared to engage brain, deal with tough subject matter and go the distance, it’s a masterpiece. But if you’re someone to whom the concept of sex scene as narrative device sounds too much like hard work, you probably shouldn’t touch it.

On the other hand, admirers of director Cronenberg (The Brood, Scanners, Dead Ringers, eXistenZ) or novelist J.G.Ballard (Empire of the Sun) will appreciate the film’s uncompromising vision. Although Crash is not especially unnerving by Cronenberg standards, it’s extremely shocking by those of mainstream movies and has the potential to confuse or overwhelm an average audience.

While it brims with sex scenes, they’re not particularly arousing in tone being close to the emotionally cold experience of watching laboratory experiments.… Read the rest

Categories
Animation Art Movies Shorts

The Physics
Of Sorrow
(Physique
De La Tristesse)

Director – Theodore Ushev – 2019 – Canada – 27m

*****

From the Annecy 2020 Online Animation Festival.

Available to watch on Amazon here.

Voice-over narration by Rossif Sutherland with the occasional line echoed by Donald Sutherland (or Xavier Dolan with Manuel Tadros in the French language version) accompanies extraordinary serial images. The verbals are adapted from the novel by Bulgarian writer Georgi Gospodinov and with echoes of reincarnation describe universal human and occasional other animal form experience of life. The opening minute or so (see the trailer) describes a person born in 1944 sheltering from English planes and bombing raids, a person born in the Bulgaria of 1968 who remembers the Prague Spring, a fruit fly who lives and dies in a day and the end of the dinosaurs.

This would probably be mesmerising were it just a radio broadcast or a sound file with the actors’ voices and sound effects, but Ushev accompanies his soundtrack with the most incredible images. Partly it’s the arresting content of the visuals he creates here and partly the technique used to realise them. A teenage boy falling in love with a circus acrobat girl who works days at a fairground shooting gallery.… Read the rest

Categories
Animation Movies Shorts

The Fox
And The Pigeon

Director – Michelle Chua – 2019 – Canada – 6m

*****

From the Annecy 2020 Online Animation Festival

This starts off opening a children’s book cover for a tale about, you’ve guessed it, a fox and a pigeon. In the time honoured tradition of such books, there are illustrations and words (in rhyming couplets) on the page. And like so many animated films, the characters move and come to life while the author acts as a narrator and reads the words.

What’s different about The Fox And The Pigeon is that while the characters want to live their own story – screenwriters often say that as they write they feel their characters talking to them and dictating the direction things should go – the narrator has other ideas and tries to impose his own narrative upon them. The fox finds a coin and buys an ice cream cone. Sitting on a park bench, he’s aware of the pigeon, who clearly wants to share the ice cream. But, intones the author reading his words, “why would a fox want to share with a pigeon?”

As the tale plays out, the author becomes increasingly vindictive, wanting the two characters to conflict with one another, to the point of one killing the other.… Read the rest

Categories
Animation Movies Shorts

Hot Flash

Director – Thea Hollatz – 2019 – Canada – 10m

*****

From the Annecy 2020 Online Animation Festival

Suffering from a hot flash just before she’s due to go on air, weatherwoman Ace Naismith (voice: Christine Horne) desperately employs the cooling fan in her dressing room to blow cool air on her face, under her boobs and up her dress in a desperate attempt to cool down. A moment of embarrassment ensues as she’s interrupted by P.A. Natalie Van Damme (Grace Glowicki) who tells her, Don wants you to talk about paragliders.

In the studio, under the lights against greenscreen, Ace is visibly suffering. Don (Tony Nappo) enters, but she can’t talk to him about the paraglider thing because he’s jugging three conversations on three different devices, one of which could be with his wife. So she delivers the report to camera on the incoming ice storm and then, paragliders, a reminder of warmer weather which she, in her current hot state, could well do without.

Her quest to cool down continues – sitting in the car park with the car door open while a male colleague walks past, warmly wrapped against the freezing cold. She drives home, rushes upstairs, rips of her clothes opens the window, cools down.… Read the rest

Categories
Animation Movies Shorts

The Big Snit

Director – Richard Condie – 1985 – Canada – 10 mins

*****

Both sweet and funny. The first five minutes look like exactly where we are now under the COVID-19 lockdown. It’s basically the story of an old married couple who not only love each other dearly but also get on one another’s nerves. He looks at her Scrabble tiles while she’s out of the room. He is obsessed with sawing and tunes in to the TV Show, ‘Sawing For Teens’. She, meanwhile, compulsively removes her eyes from her face and shakes them.

Five minutes in, neither of them are watching when an emergency announcement interrupts regular TV programming. If the first five minutes are about a couple isolated in their home, the second five are an end of the world scenario with nuclear missiles flying through the sky and people panicking outside in the streets. Our central couple are, however, blissfully unaware of this, caught up as they are in their own domestic squabble. Richard Condie’s drawings, colour and overall visual sense are an absolute delight and the film is hilarious. Ten minutes well spent.

Nominated for Best Animated Short at the 1985 (58th) Oscars.

Free to watch on the National Film Board of Canada’s (NFB) channel.… Read the rest

Categories
Features Live Action Movies

Videodrome

Director – David Cronenberg – 1983 – Canada – Cert. 18 – 87m

*****

This review originally appeared in What’s On In London during the film’s revival at the ICA. See also my review for London Calling Internet.

In a career-defining performance from 1983, the young James Woods is Max Renn, glutted on the diet of video porn he watches as buyer for a Cable TV station. Everything he sees is “too soft”. “I’m looking for something tough,” he proclaims, “something to break through the market.”

In the station’s basement, his technician assistant Harlan (Peter Dvorsky) finds the very thing. Videodrome. Women strung up and beaten to death. No cuts. One locked off camera. Nil production values. Here, indeed, is something tough.

Welcome to a world of media personalities like Brian O’Blivion (Jack Creley), a man who no longer exists as flesh but merely as viewable video images. Like Nikki Brand (Debbie Harry), who agrees with Renn on a TV chat show slot that her red dress is a come on, later vanishing after declaring she should audition for the Videodrome show.

A world where hands mutate into guns, men literally bury their heads in eroticised television screens and one person loads a videocassette into another’s stomach to programme him.… Read the rest

Categories
Features Live Action Movies

Videodrome
(Director’s Cut)

Director – David Cronenberg – 1983 – Canada – Cert. 18 – 85m

*****

UK PAL laserdisc review.

Originally appeared in London Calling Internet. See also my review for What’s On In London during the film’s revival at the ICA.

Distributor Pioneer LDCE

Cat No: PFLEB 36041

£19.99

BBFC Certificate 18

Director David Cronenberg (1982)

Starring James Woods, Sonja Smits, Debbie Harry

Running Time 85 min

Mono

Widescreen: 1.85:1

Chaptered? Yes

CLV (Side 1)/CAV (Side 2)

2 Sides

A decade and a half on and still retaining its incredible power to shock, this is the film in which David Cronenberg first coined his battle cry, “Long Live the New Flesh.” If a clear lineage can be traced in his films from Shivers’ aphrodisiac turds through to Crash‘s orgasmic collision of swingers and twisted metal, Videodrome remains unique in Cronenberg’s oeuvre – a black joke, a come on to the censor.

Just suppose, runs the pitch, violent porno (television signals) directly affected people causing them to hallucinate. This is the fate which befalls sleazoid Channel 83 cable television executive Max Renn (a young Woods in his best – and edgiest – role to date) who tells porno programme sales agents their merchandise is “too SOFT…I’m looking for something TOUGH.”… Read the rest

Categories
Features Live Action Movies

Naked Lunch

Director – David Cronenberg – 1991 – Canada – Cert. 18 – 115m

*****

Originally published in Film And Video – The Magazine. See also my reviews in What’s On In London and London Calling Internet.

PLOT

New York, 1953. Bug exterminator Bill Lee (Peter Weller) runs out of roach powder whilst treating an infested apartment. His initial accusations against his employers’ theft of the substance are revealed as groundless when he discovers wife Joan (Judy Davis) is using the brown powder as a drug. She persuades him to take up the habit. In a downtown interview, two narcotics detectives introduce Bill to his “Case Officer” – a typewriter sized bug with a talking orifice in its back who instructs him to kill Joan, as she is an Interzone agent.

After shooting his wife, Bill seeks counselling from Dr.Benway (Roy Scheider) who gives him a counter narcotic. A Mugwump gives Bill two air tickets to the Interzone where he meets (among others) Swiss expatriate Yves Cloquet (Sands) and writers Tom and Joan Frost (Ian Holm and Judy Davis). Throughout his adventures, friends Hank (Nicholas Campbell) and Martin (Michael Zelikner) encourage Bill to write his book Naked Lunch.

OPINION

Attempts have previously been made to turn William Burroughs’ seminal book Naked Lunch into a movie, but David Cronenberg’s version (produced by Jeremy Thomas of The Last Emperor fame) is the only one to reach fruition.… Read the rest