Wes Anderson Archives - Jeremy C. Processing

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Exhibition shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by the Stop Motion animation season including all five LAIKA feature films and much, much more

In the best part of two decades, US-based Laika Studios – named after the first dog in space – has carved itself a niche as arguably the foremost producer of stop-motion animation puppet films. That’s distinctly different from the other leading company in the stop-motion field, UK-based Aardman Animations, who specialise in plasticine animation. The difference is that plasticine is a malleable substance that can be reworked and remodelled one frame at a time, whereas although puppets can be moved a frame at a time, they can’t be remodelled.

Laika have consistently (and deservedly, in this writer’s opinion) picked up Oscar nominations for each of their five features, a remarkable achievement that speaks of the high quality of their work. Their five features (with a sixth forthcoming) are:

Coraline (2009): A young girl is lured into a darker, parallel world.
Paranorman (2012): A boy who can speak with the dead, ostracised by his local community, must save his town from dark forces by righting centuries-old wrongs.

… Read the rest

Asteroid City

Director – Wes Anderson – 2023 – US – Cert. 12a – 104m

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A stage play frames a tale of various characters in a 1950s US desert town, built on the site of an asteroid impact, which becomes the centre of a cover-up after an alien appears – out in UK cinemas on Friday, June 23rd

Iconoclast Anderson’s latest is being sold as one thing by its trailer, when it’s actually something else. And watching the film, that something else completely threw me. What we are being sold via the standard letterboxed movie framed image is, a 1950s family trapped in the town of Asteroid City, USA when their car irreparably breaks down, then the entire (not very large) population including visitors imprisoned there following an incident with an extra-terrestrial spaceship and an alien. The overall tone is of whimsy, but maybe there’s something unsettling and disturbing about it too.

Anderson’s movies have never been about photorealism as much as artifice, which is part of their undeniable charm. Perhaps that’s even more true of Asteroid City than most. The costumes, the production design, have gone for a very particular, stylized look. This is fifties American desert romanticised into pastel-shaded eye candy, and if all that were required of going to a movie were to sit down in your seat and soak up the scenery, then provided you’re not the type to insist on photo-representational accuracy, this would be a winner hands down.… Read the rest