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October Sky

Director – Joe Johnston – 1999 – US – Cert. PG – 97m

****1/2

Coming-of-age drama based on the teenage years of Homer Hickam who went on to become a NASA rocket scientist – out in UK cinemas on Friday, June 26th 1999

1957 was the year Sputnik became the Earth’s first man‑made satellite. This first of two December releases set in small town America against the backdrop of that event (the second is next week’s The Iron Giant, Brad Bird, 1999) is a coming-of-age drama based on the real life teenage years of Homer Hickam who went on to become a NASA rocket scientist. Homer (Jake Gyllenhaal) is initially inspired by the sight of the Sputnik flying over his hometown through 1957’s October skies, a tiny moving dot amidst the stars.

Hickham starts experimenting with home-made rockets – blowing up his mother’s picket fence, sending potentially lethal projectiles hurtling through the air towards the local pithead and, ultimately, becoming something of a local celebrity. Aided by his two best mates and the school nerd, a stereotype likely to infuriate anyone who wears spectacles, he receives support from admiring teacher Miss Riley (Laura Dern) but not his own mine superintendent father John (Chris Cooper) who regards him as an idealistic fool wasting his time.… Read the rest

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Features Live Action Movies

Hit The Road
(Jaddeh Khaki,
جاده خاکی)

Director – Panah Panahi – 2021 – Iran – Cert. 12a – 93m

****

Four in a car. An Iranian family drive across Iran towards the Turkish border, for reasons that will only later become clear – out in cinemas on Friday, July 29th

A family of four – dad (Hassan Madjooni), mum (Pantea Panahiha), elder son (Amin Simiar), younger son (Rayan Sarlak) plus family dog Jessy – are driving across Iran towards the Turkish border. Actually, when we first meet them, they’ve stopped at a lay-by. That opening, combined with the title, doesn’t leave you in much doubt that this is going to be a road movie. We take an instant shining to the younger son, an irrepressible six-year-old who plays air piano on the keyboard drawn on the plaster cast around his sleeping father’s leg.

A bit of a rogue, this one: mum and dad have left their mobile phones at home as instructed, but six has brought his with him (he denies it, but the ringtone is a giveaway: it turns out he’s hidden it in his underwear and we should probably be thankful the director didn’t make this film in Odorama). Mum takes the phone away and buries it, but later on in the journey, he’s trying to buy another one.… Read the rest