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Twilight Cinema Blues
(Ginpei-cho Cinema Blues,
銀平町シネマブルース)

Director – Hideo Jojo – 2022 – Japan – 99m

*****

Two homeless men find a new spiritual home at a run-down, local cinema which, like them, is struggling to survive – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

Down on his luck in his home town of Ginpei-cho, Takeshi Kondo (Keisuke Koide fromShin Godzilla, Hideaki Anno, Shinji Higuchi, 2016) is napping by the riverside in daylight. Along comes another tramp Sato (Shohei Uno from A Far Shore, Masaaki Kudo, 2022; 37 Seconds, Hikari, 2019) to sell him a flier for money and, when Kondo is distracted by the arrival of his old friend Kumika, to steal his bag. After Kondo tracks Sato down and retrieves his bag – “sorry, it’s a habit”, says Sato – the two tramps respond to an ad claiming it can help them play the system and receive welfare payments. Sadly, the people behind the scheme will turn out to be, as a fellow tramp vocally suspects, crooks with a whole other moneymaking agenda.

Kondo attends welfare-claiming training sessions with Sato, but his heart isn’t in it.… Read the rest

Categories
Features Live Action Movies

37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest