Categories
Animation Documentary Features Live Action Movies

Claydream

Director – Marq Evans – 2021 – US – 96m

****

The rise and fall of stop-frame Claymation pioneer Will Vinton and the Portland, Oregon animation studio that bore his name – out on digital from Monday, November 21st

Will Vinton, founder of Will Vinton Studios and the man who made Claymation a US household name, is in the middle of legal proceedings between himself and Phil Knight, founder of multimillion shoe company Nike. How could these two very different individuals have come into contact with one another? Well, they had a number of things in common. Both were residents of Portland, Oregon who had built up businesses there based on a successful brand name.

In the sixties, while studying architecture at Berkeley, Vinton discovered Gaudi’s organic sculptured shapes which were to influence his animation work. Borrowing his dad’s 16mm camera, he started shooting anything and everything going on around campus. At an experimental film community he set up tabletop clay animation sessions, which would often turn out pornographic footage. He became fascinated by the magical process which imbued this material with life.

Closed Mondays

He built a studio in his house where in collaboration with artist and sculptor Bob Gardiner he made the short film Closed Mondays (1974) as an excuse to show off the techniques developed by the pair.… Read the rest

Categories
Features Live Action Movies

The Post

Director – Steven Spielberg – 2017 – US – 12a – 116m

*****

The White House versus the press. Set in the 1970s, Steven Spielberg’s journalistic epic tells the story of The Washington Post and the Pentagon Papers – available for digital streaming

In 1971, The New York Times broke the story of the Pentagon Papers. These documents detailed how the incumbent Nixon administration and its predecessors had increased the scale of the US involvement in the unwinnable war in Vietnam for political gain rather than the national good. The administration’s response was swift and repressive: within two days, a legal injunction prevented the paper from publishing further details. The Washington Post (often shortened to The Post, as in the film title), at the time more a local paper than a national one, stepped into the breach with its reporters hunting down the New York Times’ source so that it could publish more of the story as it emerged. Having just floated on the New York Stock Exchange, the paper found itself in the tricky situation of being accountable to conservative shareholders who didn’t like the idea of exposing their investment to risks with the potential to close the paper down for good.… Read the rest