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Director – Marie Amachoukeli – Co-Director (Animation) – Pierre Emmanuel-Lyet – 2023 – France – Cert. 12a – 84m

Live Action **** / Animation *****

After her beloved nanny returns to Cape Verde, six-year-old Cléo visits her for the Summer – out in UK cinemas on Friday, June 14th and on BFI Player from Monday, July 22nd

Six-year-old Cléo (six-year-old Louise Mauroy-Panzani) lives with her dad (Arnaud Rebotini) in France, but is mostly cared for by her nanny Gloria (Ilça Moreno Zego). One day, Gloria gets a phone call informing her that her mum has died, so she has to return to her home island in Cape Verde. Cléo is distraught, and makes Gloria promise that they will see each other again.

Gloria makes arrangements for the little girl to spend the Summer with her on her island. She meets the family from whom Gloria was separated by being in France – the pregnant Fernanda (Abnara Gomes Varela), the alienated ten-year-old César (Fredy Gomes Tavares) and, in due course, Fernanda’s baby Santiago. Gloria spends some considerable amount of time mothering the newly-born Santiago, causing Cléo to experience extreme sibling rivalry for Gloria’s attentions. Eventually, these emotions come to a head in the little girl…

This is one of those sadly all too rare films which in the process of telling a story from a child’s point of view completely gets inside their head.… Read the rest

Evil Dead Rise

Director – Lee Cronin – 2022 – New Zealand, Ireland – Cert. 18 – 97m

****

When the Necoromicon is opened in a tower block, demons bloodily attack and possess members of an all-female nuclear family who try to fight them off – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

The first bookend: the sound of a fly buzzing around the auditorium, is if to state that this is a film about technique. Almost immediately, a POV shot travelling rapidly along a river then a lake recalls The Evil Dead (Sam Raimi, 1979). If you know the original, you’ll feel like you’re in good hands. The camera homes in on the characters as they interact with one another (a girl trying to relax on the pier, a boy goofing around nearby) and you get a strong idea of who they are. The acting is surprisingly good. Which means that, when people start being possessed by demons (which they do pretty quickly), you have a sense of what’s been lost, what’s been taken away. Pretty swiftly, you have to emotionally let the possessed go and get on the side of those still alive trying to survive the possessed demons.… Read the rest