Categories
Animation Documentary Features Live Action Movies

A Sudden Glimpse
to Deeper Things

Director – Mark Cousins – 2024 – UK – Cert. PG – 88m

*****

A look at Scots artist and painter Wilhelmina Barns-Graham, who had synaesthesia – out in UK cinemas on Friday, October 18th

I am someone who frequents art galleries, yet I have to confess that before seeing this film, I had never heard of Wilhelmina Barns-Graham. Cousins starts his film off assuming we know nothing about her.

He starts with images. Who is this old woman on a verandah with palm trees in the background? Or peering down at rocky ground wearing an all-weather coat?

In later years, she frequently wore a necklace she had made resembling, in Cousins’ words, Concorde with droplets.

Wilhelmina Barns-Graham, a woman to whom all men were attracted (“she’d have flirted with you”, a woman who knew her tells Marc) was fascinated by order and disorder. Her arresting 1967 abstract painting Pilgrimage consists of Vermillion squares on brown, jostling as if in a procession across the picture surface.

Her father (and here Cousins cuts in the moving image of Joseph Cotten giving his “if you rip the sides off houses you’ll find swine” speech from Shadow of a Doubt, Alfred Hitchcock, 1943) never wanted her to be an artist.… Read the rest

Categories
Features Live Action Movies

Oppenheimer

Director – Christopher Nolan – 2023 – US – Cert. 15 – 180m

*****

Drama about the father of the atomic bomb, shot with IMAX cameras and best watched in IMAX 70mm format – out in UK cinemas on Friday, July 21st

There are certain hallmarks to Christopher Nolan’s feature length movies. Since The Dark Knight (Nolan, 2008), his second Batman movie, he has been shooting a proportion of each one with IMAX cameras. Seen projected on a screen the size of three double-decker London buses at London’s BFI Waterloo IMAX, these are larger than life experiences in a way that movies shown in the viewer’s own home on a screen, even a large one, can never be. And while Nolan is interested in character and performance, most of his movies in the IMAX format, even the historically inspired WW2 movie Dunkirk (Nolan, 2017), contain memorable action, exploiting the vastness of the IMAX screen to great kinetic effect whether it’s Batman roaring along on the Batbike, co-conspirators free floating inside a falling transit van in Inception (Nolan, 2010) or British WW2 soldiers trapped inside a flooding ship.

There is, however, a problem with watching Nolan’s IMAX-intended films in a lesser theatrical cinema format: the framing.… Read the rest