publication Archives - Jeremy C. Processing

Exhibition on Screen
Van Gogh
Poets & Lovers

Director – David Bickerstaff – 2024 – UK – Cert. 12a – 90m

*****

Fascinating journey through Van Gogh’s two plus years in Arles and Saint-Rémy in the South of France through his paintings of 1888-90 (collected in the current National Gallery exhibition) and readings from his letters – out in UK cinemas from Wednesday, November 6th

This is the latest offering in Exhibition on Screen’s excellent series of films about art, which usually tie in with some current, recent or upcoming art exhibition. In this case, the tie-in is with the National Gallery’s current offering Van Gogh – Poets & Lovers, and on one level the film follows EoS’ tried and tested template of shooting footage of the exhibition and paintings along with interviews with exhibition curators (in this instance, Cornelia Homburg and Christopher Riopelle) and assorted artists, critics or other biographers.

It also incorporates footage of actor Jamie de Courcey playing Vincent van Gogh – more as shots from moving visual tableaux than anything else (a form of filmic illustration, if you will) – the actor isn’t required to speak dialogue – to break up the whole and make it more manageable by the viewer.

Vincent van Gogh who, as Homburg notes early on, had within 25 years of his death become the best known artist in the world, is something of a gift to anyone making a film about him.… Read the rest

The Critic

Director – Anand Tucker – 2023 – UK – Cert. 15 – 101m

The first four fifths of The Critic *****

The final fifth of The Critic *

In the 1930s, a London theatre critic, a flamboyant homosexual known for destroying careers with his acerbic prose, finds his job under threat from his newspaper’s new proprietor – out in UK cinemas on Friday, September 13th

This originally played in the Toronto Film Festival in a 95m version, only to be acquired for UK release on the proviso that an ‘unsatisfactory’ ending be changed by way of reshoots involving the director, the screenwriter (Patrick Marber), and key cast members. So this current cinema release is the version with the ending changed, and this writer found that new ending less than satisfactory. Which is a pity, because up to about the last twenty minutes, the film impresses.

Now, one could construct a review narrative which says that the original ending must have worked better, and the film has been ruined by its UK distributor. It’s possible that that is indeed the case. However, not having seen that first cut, it is equally possible that the original ending had severe problems which this new version has attempted to fix, even if that doesn’t seem to have entirely worked, and that this new version is an improvement.… Read the rest