Tag: production company

No Trees in the Street

Director – J. Lee Thompson – 1959 – UK – Cert. 12 – 96m

****

An essentially honest young woman living in her parents’ East End slum fails to stop her impetuous younger brother from becoming involved in the criminal underworld – one of two J. Lee Thompson movies out on UK Blu-ray, DVD and Digital

Framed by a contemporary story of plain clothes policeman Frank (Ronald Howard) trying to talk sense into a knife-carrying teenager (David Hemmings), this takes place in the East End street where the latter lives some 20 years previously. The name has changed: back then, Somerset Street was known as Kennedy Street. The policeman, who is local, has always worked this beat. 20 years ago, he was trying to prevent another young man from drifting into a life of crime.

That other young man is Tommy (Melvyn Hayes), who lives with his father, mother and older sister Hetty (Sylvia Syms) in fairly basic accommodation. It’s a poor area and honest work is hard to come by. Both brother and sister would like to find a way out, into a better life. Both have less than honest ways of doing so, in the form of local ‘businessman’ Wilkie (Herbert Lom).… Read the rest

Tags 1950s, a better life, abusive, accommodation, aerial photography, attraction, British, businessman, Carole Lesley, character study, crime, criminal, David Hemmings, East End, Elstree Studios, first starring role, French New Wave, gangland girl, good girl, Herbert Lom, honest, housing, J. Lee Thompson, Joan Miller, job, Kennedy Street, kitchen sink realism, knife, Lana Morris, Lee-Thompson Godwin/Willis, Liam Redmond, living at home, London, Melvyn Hayes, music hall, object of affection, older sister, on the beat, performer, plain clothes policeman, police beat, policeman, poor, poverty, pragmatism, production company, quirky characters, romantic interest, Ronald Howard, roots, screenplay, set, siblings, slum, smooth operator, Somerset Street, Stanley Holloway, stealing, straight and narrow, Sylvia Syms, Ted Willis, teenager, theatre, torment, troubled youth, UK, underworld, unemployment, unloading a van, unrequited love, waste ground, young offenders, young woman, younger brother

Documentary Features Live Action Movies

Made in England:
The Films of
Powell and Pressburger

Post author By Jeremy Clarke
Post date 8 May 2024
No Comments on Made in England:
The Films of
Powell and Pressburger
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Powell and Pressburger on the set of The Red Shoes

Director – David Hinton – 2023 – US – Cert. 12a – 129m

*****

Martin Scorsese talks about the seminal British filmmaking duo, and how they inspired his own movies – out in UK cinemas on Friday, May 10th

As a child, Martin Scorsese suffered from asthma and would constantly find himself at home while other kids were outside playing. He often found himself sitting front of the black and white TV watching a show called Million Dollar Movie. This would show a movie a week, playing it several times, and it was at a time when US producers wouldn’t sell their movie rights to TV but British producers would. Consequently, he grew up watching black and white versions of old British movies.

The ones he particularly liked opened with an arrow hitting a target: “a production of the Archers. Written, produced and directed by Michael Powell and Emeric Pressburger.” When this logo and these names appeared, Scorsese always knew he was in good hands. He watched these movies over and over again whenever they were shown, and learned much of his filmmaking craft from them. The first of these films to which he thrilled didn’t have this logo: it was the Alexander Korda production of The Thief of Baghdad (Ludwig Berger, Michael Powell, Tim Whelan, 1940) and parts of the film have the unmistakeable Powell visual stamp.… Read the rest

Tags “quota quickies”, adaptation, Alexander Korda, American Zoetrope, Anabaptist, arrow hitting target, art, asthma, autobiography, backers elsewhere, black and white TV, bombed out, bomber pilot, boxing, British movies, bureaucratic cock-up, Canada, Chaucer, child, Churchill, Cinema Unbound: The Creative Worlds Of Powell + Pressburger, Colonel Blimp, colour, colour scheme, convent, crash, dance, David Hinton, David O. Selznick, Emeric Pressburger, enemy territory, England, Englishman, Europe, filmmaking, Foula, Francis Coppola, friendship, George Lucas, German, Gloucestershire, Heaven, Himalayas, Hollywood, home, Hungarian, Hungarian Jew, Hutterite, immersive, J. Arthur Rank, Jennifer Jones, Jew, land girl Canterbury cathedral, London, love, marrying into money, Martin Scorsese, Martin Scorsese archive, Michael Powell, Michael Powell and Emeric Pressburger, Million Dollar Movie, Mozart, murder, Nazis, New York, newspaper cartoon character, nuns, obsession, Offenbach, opera, operetta, Outer Hebrides, pilgrims, Powell and Pressburger, production company, psychopath, radio operator, rehabilitation, remote Scottish island, Rex Ingram, script conference, Second World War, soldier, South Of France, The Archers, the war, Thelma Schoonmaker. ballet, U-boat crew, UK, unmarketable, US, Vienna, weather conditions, World War Two. World War 2, WW2

Features Live Action Movies

To The Ends
Of The Earth
(Tabi No Owari
Sekai No Hajimari,
旅のおわり、
世界のはじまり)

Post author By Jeremy Clarke
Post date 11 November 2020
No Comments on To The Ends
Of The Earth
(Tabi No Owari
Sekai No Hajimari,
旅のおわり、
世界のはじまり)

Director – Kiyoshi Kurosawa – 2019 – Japan – 120m

****

As a Japanese TV journalist works with a Japanese camera crew in Uzbekistan, she meditates on her life and career – from the BFI London Film Festival 2019 and the London East Asia Film Festival (LEAFF) 2019 – and from Wednesday, November 11th on MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa

Yoko (Atsuko Maeda) is a TV journalist working with a production company trying to find magazine format stories as they travel around Uzbekistan. None of them speak Uzbek, so they rely on a local interpreter Temur (Adiz Rajabov). When not shooting, Yoko explores the local city.

The prodigious Kiyoshi Kurosawa is best known for his horror films Cure (1997) and Pulse/Kairo (2001) yet has dabbled in a wide variety of genres. This one is, for want of a better description, a travelogue with a hint of a musical. The heroine desperately wants to be a singer, but has found herself in the job of roving TV presenter – not exactly what she wanted to do, but it’s certainly show business. She wonders if she’s lost her way. Her boyfriend Ryo who we never see is a firefighter working back at Tokyo harbour with whom she periodically communicates by text.… Read the rest