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Documentary Features Live Action Movies

Harder Than The Rock
The Cimarons Story

Director – Mark Warmington – 2024 – UK – Cert. 12a – 100m

****

The story of Cimarons, the first British reggae band, who were formed in 1967 – out in UK cinemas on Thursday, October 3rd

As teenagers, they came from sun-soaked Jamaica to the UK to be confronted with a climate that was “rain, dull and gray.” In the 1960s, one of the areas that Jamaican immigrants came to in London was Harlesden, in Brent, and it was at Harlesden Methodist Church Youth Club in 1967 where Losely Guichy (guitar), Franklin Dunn (bass), Maurice Ellis (drums), and Carl Levi (organ) first met up and started playing music together, a site today commemorated with a blue plaque. They went through s number of singers over the years, notably Winston Reedy between 1974 and 1983.

By 1968 they were gigging as Cimarons. A performance at Paddington’s Q Club saw an A&R rep from Trojan Records in attendance, which led to a recording contract, their first album appearing in 1974, recorded in part as the Jamaican studio of the legendary Lee ‘Scratch’ Perry. Before that, they worked mainly as session musicians, appearing uncredited on numerous singles by black British reggae artists. The film isn’t particularly clear on the matter, but it’s mentioned that they lacked management and got hardly any royalties out of all this.… Read the rest

Categories
Features Live Action Movies

The Intruder
(El Prófugo)

Director – Natalia Meta – 2020 – Argentina, Mexico – Cert. – 95m

***1/2

A woman moves between dreams and reality as she starts to fear that a foreign entity may be taking her over – on BFI Player as part of the BFI London Film Festival 2020 from 20.30 Monday, October 12th to 20.30 Thursday, October 15th

This opens with a close up of a woman’s body bound in bondage gear. She speaks in Japanese and then somewhat disorientatingly (as if this disturbing imagery hadn’t already thrown you enough) in a different voice in Spanish. Voice actress Inés (Erica Rivas) is working in a dubbing theatre. “More powerful, Inés”, says the man in the booth. After a take or two more, he’s got what he needed and they move on to the next clip.

The film’s a bit like that. The opening is representative of what is to follow: a series of bravura and often disturbing sequences that suck you in and make you wonder exactly where the film will end up. As the sequences build, one on another, I was fully expecting this to be a five star review. Alas, the film didn’t seem to know how to end and the final scene, which needed to somehow pull everything together and make sense of the larger whole, quite simply didn’t.… Read the rest