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Resurrection
(Kuangye Shidai,
狂野时代,
lit. Wild Times)

Director – Bi Gan – 2025 – China – Cert. 15 – 160m

****

An authority figure pursues a Deliriant – a man who escapes the authorities and his own social responsibilities by dreaming – through a period of a hundred years – out in UK cinemas on Friday, March 13th

This opens with a long series of intertitles about people discovering that the secret to eternal life is to stop dreaming. Rebels who refuse to do this are known as Deliriants, and they cause all manner of disruption to wider society. Then, the celluloid image catches fire…

revealing people watching stupified from the cinema stalls only to be rushed out by a truncheon-wielding policeman as music plays in the manner of a silent film. A lady photographer (Shu Qi from The AssassinHou Hsaio-hsien, 2015; The Transporter, Louis LeTerrier, Corey Yuen, 2002; Millennium MamboHou Hsaio-Hsien, 2001) appears to take a picture of the unseen projector (where we, the audience, are sitting).

The intertitles continue. One Deliriant (Jackson Yee from The Battle at Lake Changjin II: Water Gate BridgeTsui Hark, 2022; The Battle at Lake ChangjinChen Kaige, Dante LamTsui Hark, 2021) has been forgotten because he’s hiding in an ancient, distant past – that is film.… Read the rest

Categories
Features Live Action Movies

Enter The Dragon

Director – Robert Clouse – 2018 – Hong Kong – Cert. 18 – 94m (cut)

£6.99, Dist Warner Screen Classics

***

Reviewed on VHS for Manga Mania sometime in the late 1990s.

Now over twenty years old, this 1973 offering holds up pretty well as an average HK martial arts movie and remains a milestone in terms of Western involvement in the HK film industry. The plot, which owes more than a little to Ian Fleming’s Dr.No, has Bruce Lee sent to the island home of despot Han, a trafficker in opium and young women who has disgraced Lee’s temple and killed Lee’s sister. Han doesn’t allow guns on his island and recruits fighting talent by putting on martial arts contests with intent to employ the best entrants (an idea reworked later with supernatural trimmings in Mortal Kombat, Paul W.S. Anderson, 1995) – among them the unknown Jim Kelly (sporting embarrassing period afro) and the young John Saxon.

Much of the proceedings are taken up with one on one contest fights, with numerous yellow or white clad extras clapping politely after every blow or kick. The stunts remain impressive, but this current release isn’t in widescreen (unless you count titles, credits, and two fight scenes duplicated in widescreen at the start of the tape) with the result that essential parts of the fight sequences (e.g.… Read the rest