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The White Ribbon
(Das Weiße Band)

Director – Michael Haneke – 2009 – Germany – Cert. 15 – 144m

Reviewed for Third Way magazine to coincide with UK release date 13/11/2009.

Haneke’s first period drama for the big screen is set in 1913-14 in a Northern German Protestant village where strange accidents befall the community. A doctor (Rainer Bock), out riding a regular route, is brought down and injured by a wire between two trees. The wife of a farm labourer is killed when factory floorboards give way beneath her. Children are abducted. A baby’s window is left open in Midwinter. A building burns. But who is – or are – responsible?

The film sets out its cast of characters in terms of the social hierarchy. The landowning classes are represented by the local Baron (Ulrich Tukur), his wife (Ursina Lardi) and their child; the professional classes by a widowed doctor, the midwife (Susanne Lothar) “who has made herself useful to him”, the Baron’s steward (Josef Bierbichler), the village Pastor (Burghart Klaussner) and the local teacher (Christian Friedel) – also as an old man the narrator (Ernst Jacobi) – who is courting the nanny of the Baron’s son; the working classes by numerous agricultural labourers who generally feature less prominently in the story.… Read the rest

Categories
Features Live Action Movies

Eastern Promises

Director – David Cronenberg – 2007 – Canada, UK – Cert. 18 – 100m

****

After a London midwife delivers a dying woman’s baby she finds herself attracting the attention of the Russian mafia – reviewed in Third Way, 2007; on BBC iPlayer until Thursday, October 6th 2022

An immediately recognisable, ethnically diverse London unseen in previous movies about the capital. A Chechen unexpectedly gets his throat cut in a barber’s shop; a pregnant Russian teenager walks into a chemist’s, asks for help and collapses in a pool of her own blood. Given the director, you’d be forgiven for expecting such imagery to pervade the whole film, but Eastern Promises originated not with Cronenberg but screenwriter Steven Knight, whose acclaimed screenplay for Dirty Pretty Things (Stephen Frears, 2002) explored the hidden, ethnic workforce in the underbelly of contemporary, multicultural London. (He also wrote the recent Wilberforce biopic Amazing Grace, Michael Apted, 2006).

Eastern Promises takes us into related territory, again in the capital – this time Russian Vory V Zakone gangsters, sex trafficking and murder. Cronenberg puts this on the screen with all the precision and finesse one would expect, eliciting terrific performances and contributions from cast and crew.

Trafalgar hospital midwife Anna Khitrova (Naomi Watts), the daughter of a Russian father and an English mother, provides our point of entry into this unfamiliar world as the midwife who must deliver the baby from the dying teenager.… Read the rest