Categories
Animation Features Movies

Junk Head

Director – Takahide Hori – 2021 – Japan – Cert. 15 – 101m

****1/2

A cyborg is dropped from the planet’s surface into its depths by his immortal but impotent masters to investigate the beings who have evolved in the levels below – feature length, stop-frame epic is out in UK cinemas on Monday, April 24th

More, I suspect, by accident than design, Junk Head looks and feels like the wandering little sister of Mad God (Phil Tippett, 2021). The latter was made by a top Hollywood stop-frame effects animator as a 34-year, independent, labour of love, the former by a Japanese visionary as a seven-year, independent, labour of love. Hori had worked on puppetry at Tokyo Disneyland and became obsessed with stop-motion, inspired by Motoko Shinkai’s one-man debut 2D animated production Voices of A Distant Star (2002). He made a half hour version Junk Head 1 in 2013, and used it as a building block to this version, which he completed in 2017.

The production mode of stop-frame can be a solitary one involving one person alone in a room with a camera and armatured puppets, the approach typified by Willis O’Brien, Ray Harryhausen, the bolexbrothers, Jiri Trnka, Kihachiro Kawamoto, the early David Lynch and many others – a single person or very small number of people producing the work, either complete films or stop-frame effects sequences within live action films.… Read the rest

Categories
Features Live Action Movies

Apples
(Mila,
Μηλα)

Where are we now?

Apples
Directed by Christos Nikou
Certificate 12a, 91 minutes
Greece
Released 07 May on Curzon Home Cinema,
17th May in cinemas

A film whose time has unexpectedly come. People are suddenly losing their memories in a pandemic. A man (Aris Servetalis) nods off on a bus and, when he comes to, can’t remember where he was going, where he came from, or even his name and address. The amnesia is permanent and no one has been known to recover. As in our real life pandemic, the health service is set up to deal with the effects of all this.

The man’s pockets are checked for ID but none found. He is given a number: 18482. In hospital, he chats to the man in the next bed until one day the man has gone – having been identified and claimed by his family. Inevitably, some people remain unclaimed, as is the case for our man… [read more]

Full review in Reform magazine.

Trailer:

Categories
Features Live Action Movies

Memoir
Of A Murderer
(Salinjaui
Gieokbeob,
살인자의 기억법)

Director – Won Shin-yeon – 2017 – South Korea – 118m

***

A K-thriller with a memorable premise: serial killer with Alzheimer’s suspects man dating his daughter is also a mass murderer – at the London Film Festival 2017 and London Korean Film Festival 2018

At the start of Memoir Of A Murderer, Kim Byung-su (Sul Kyoung-gu) walks dazedly out of a dark tunnel into a white, wintry landscape. Like so much in this convoluted South Korean thriller, that might be highly significant or symbolic, a metaphor, a journey, a state of mind. Or it might not. It’s undeniably a visually striking and arresting starting point. In the manner of frame stories or flashbacks in so many films, we return to this sequence towards the end. But it’s not clear at the start that this is a flashback, and it’s no clearer at the end when this scene recurs.

That’s indicative of some of the games screenwriter Hwang Jo-yoon (co-screenwriter of Park Chan-wook’s Oldboy, 2003) and director Won Shin-yun want to play with their audience. They’re plugging into a long cinematic tradition of films dealing with impossible memory and that peculiar subset thereof most notably represented by Memento (Christopher Nolan, 2000) in which a main character suffers from amnesia or memory loss.… Read the rest