masks Archives - Jeremy C. Processing

Director – Panah Panahi – 2021 – Iran – Cert. 12a – 93m

****

Four in a car. An Iranian family drive across Iran towards the Turkish border, for reasons that will only later become clear – out in cinemas on Friday, July 29th

A family of four – dad (Hassan Madjooni), mum (Pantea Panahiha), elder son (Amin Simiar), younger son (Rayan Sarlak) plus family dog Jessy – are driving across Iran towards the Turkish border. Actually, when we first meet them, they’ve stopped at a lay-by. That opening, combined with the title, doesn’t leave you in much doubt that this is going to be a road movie. We take an instant shining to the younger son, an irrepressible six-year-old who plays air piano on the keyboard drawn on the plaster cast around his sleeping father’s leg.

A bit of a rogue, this one: mum and dad have left their mobile phones at home as instructed, but six has brought his with him (he denies it, but the ringtone is a giveaway: it turns out he’s hidden it in his underwear and we should probably be thankful the director didn’t make this film in Odorama). Mum takes the phone away and buries it, but later on in the journey, he’s trying to buy another one.… Read the rest

Totally Under Control

Directors – Alex Gibney, Ophelia Harutyunyan, Suzanne Hillinger – 2020 – US – Cert. 12 – 123m

***1/2

Documentary looks at the Trump administration’s handling of the early months of the COVID-19 pandemic in the US – in cinemas from Friday, October 23^rd and on iTunes, Amazon, Google, BFI Player, Curzon, Sky, Rakuten, Virgin. On BBC iPlayer from Sunday, November 1st.

This is a documentary shot, as it were, on the hoof. It constitutes a record of near-contemporary events as they unfolded in the recent past, in two of three very specific geographic locations. Two or three because the subject is the early months of the 2020 global COVID-19 pandemic in the origin of which the third country, China, specifically the city of Wuhan, played the major part. But this film isn’t really about China beyond that country’s being the source of the infection.

Nor is it really about the second country, South Korea, here quite reasonably held up to the audience as a paragon of virtue in its handling of the crisis. The film is really about the first country, the US, during this period, which had a playbook ready and waiting should such a crisis come to pass.… Read the rest