Categories
Animation Features Movies

Blood
The Last Vampire
(2000)

Director – Hiroyuki Kitakubo – 2000 – Japan – Cert. 15 – 48m

****

Part English, Part Japanese with English Subtitles, Widescreen (1.85)

REG 2 DVD / PAL VHS review from Starburst (UK Edition), 2001.

The animation weighs in at a mere 46 minutes on home video formats, although on both you also get an informative, 20 minute Making Of documentary which goes into a lot of fascinating detail about the project’s innovative production processes via interviews with most of the animation staff involved.

Set largely on an American Air Base in Japan in 1966’s early stages of the Vietnam War, Blood’s tale cleverly employs both American English for the US military and Japanese (here subtitled in English) for the indigenous population. Sometimes, of course, the Japanese speak English to Americans and on one occasion, an American schoolgirl is told by Japanese heroine Saya (voice: Youki Kudoh from Heaven’s Burning, Craig Lahiff, 1997; Mystery Train, Jim Jarmusch, 1989; Typhoon Club, Shinji Somai, 1985; The Crazy Family, Sogo Ishii, 1984) to back off in American English after attempting to greet Saya in the Japanese tongue.

Language wise, there’s therefore no need for a separate track, but the DVD includes two sound mixes of which the 5.1 scores hands down since every implement dropping to a stone floor or every bullet flying into a wall springs to life in the 5.1 mix, but sounds comparatively flat in the stereo.… Read the rest

Categories
Animation Features Movies

Ghost In The Shell
(Kokaku Kidotai,
攻殻機動隊)
(1995)

Director – Mamoru Oshii – 1995 – Japan, UK, US – Cert. 15 – 83m

****1/2

A cybernetically rebuilt, female, government agent and her male sidekick pursue a mysterious computer hacker known as The Puppet Master through Hong Kong Digital IMAX version plays in the Anime season April / May 2022 at BFI Southbank

Review originally published in What’s On In London in 1996.

Ghost In The Shell is the first (and hopefully not the last) anime feature to be jointly financed by America, Japan and Britain (our very own Manga Entertainment). Although superficially pigeonholeable as teenage boy’s market material (nothing wrong with that per se), Ghost is considerably more intelligent than that implies. Its plot is highly complex: suffice it to say that cybernetically rebuilt female agent Kusanagi and male sidekick Bateau are pursuing a mysterious computer hacker known as The Puppet Master through Hong Kong.

Kusanagi, who makes her first appearance stripping off her clothing, jumping off a skyscraper roof and crashing through a window below to riddle a criminal pleading “diplomatic immunity” with bullets, employs thermoptic camouflage which renders her invisible to the naked eye in a matter of seconds. It’s an impressive touch, additionally furnishing such great moments as a fugitive ankle-deep in an urban canal suddenly finding himself hit, gripped and thrown around by an invisible assailant.… Read the rest