Categories
Features Live Action Movies

Origin

Director – Ava DuVernay – 2023 – US – Cert. 12a – 135m

***

A US journalist researches a book reinterpreting US racist attitudes to black people through both the Nazi’s segregation of Jews and the Indian caste system’s treatment of Dalits – out in UK cinemas on Friday, March 8th

This is based on both the 2020 nonfiction book Caste: The Origin of Our Discontents and its author US journalist and Pulitzer Prize-winner Isabel Wilkerson’s journey in writing that book. Highly effective in putting the first of those elements on the screen, the screenplay, credited to both DuVernay and Wilkerson, proves much more uneven in its attempts to do so with the second.

Wilkerson’s thesis looks at the US’ historic racist treatment of black people through the lens of a caste system. The term caste system derives from the Western European analysis of Indian society, and to a lesser extent other South Asian societies, in which certain designated groups are elevated above others to produce and maintain a social hierarchy. As portrayed here in the film, the book looks firstly at the US in these terms – a caste system favouring white people over blacks – then Nazi Germany – a caste system favouring Germans over Jews, a radical use of caste as an historical analytical tool I have never come across before – and finally India – a caste system putting the Dalits, the untouchables who traditionally clean latrines, at the bottom of the pile below everyone else.… Read the rest

Categories
Features Live Action Movies

Where
The Crawdads
Sing

Director – Olivia Newman – 2022 – US – Cert. 15 – 125m

***1/2

A young woman who grew up alone in the North Carolina Marshlands is the prime suspect for a murder she may or may not have committed – out in cinemas on Friday, July 22nd

The body of Chase Andrews (Harris Dickinson) is discovered having fallen to his death from an old, 63’ high viewing platform. But did he fall or was he pushed? The reclusive, local outcast and so-called ‘Marsh Girl’ Kya Clarke (Daisy Edgar-Jones) swiftly becomes the prime suspect after sheriffs find a red, woolly hat at her house, a fibre from which matches one found on Chase’s corpse.

As the investigation proceeds in the generic form of a whodunit by way of a courtroom drama, with the kindly Tom Milton (David Strathairn) as her self-appointed defence attorney against the state prosecutor in her jury trial, the narrative spilts into two separate strands, with the story of Kya’s personal history from childhood to the then present day of 1969 running in parallel until… well, refusing to divulge spoilers forbids me from saying, except that the final reel and the ending are arguably the most satisfying part of this engrossing movie.… Read the rest