Categories
Animation Movies Shorts

Feeling
From Mountain
And Water
(Shan Shui Qing,
山水情)

Directors – Te Wei, Ma Kexuan, Yan San Chun – 1988 – China – Cert. N/C U – 20m

*****

Against a backdrop of mountains, rivers and the sea, a boy learns to play zither from an old master – available to rent online in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021 from Friday, February 12th to Wednesday, May 12th

A bearded man carries a package through a mountainous, water-strewn landscape. A boy gives him a ride on his boat. When the man collapses after leaving the boat, the boy takes him to his house. The package turns out to be a zither. The man plays. The boy learns and is soon playing skilfully.

The plot here, such as it is, is really just an excuse to move the camera around incredible ink and watercolour landscapes and, in places, move objects such as the two main characters, the boy’s boat, fish in the river or water trickling down a mountainside in a style which fits with that. That’s an admirable aim and the film succeeds in spades. 

There are static marks on the screen which you know to be merely brush strokes, yet they convey, for example, an outcrop of rock visible in the snow or a small islet surrounded by water.… Read the rest

Categories
Animation Art Movies Shorts

The Cowboy’s Flute
(Mu Di,
牧笛)

Directors – Qian Jiajun, Te Wei – 1963 – China – Cert. N/C U – 20m

*****

A flute-playing forest boy loses then is reunited with his beloved water buffalo in the mountains. available to rent online in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021 from Friday, February 12th to Wednesday, May 12th

This opens with a lengthy panning shot of a forest drawn with pen and ink in a distinctive Chinese style not entirely dissimilar to the animated opening of the Japanese live action feature The Mad Fox (Tomu Uchida, 1962) but without the chaos or violence. Among the ink and watercolour-rendered trees wanders a boy playing a flute as he rides a slow moving buffalo, rendered like the backgrounds in pen and ink so that the effect is not of watching clumsily moving images over exquisitely rendered backgrounds, as has often been the case in Western animation departing from the 2D Disney model, but rather of watching a seamlessly moving brush and ink painting. Te Wei had already done this with his groundbreaking Where is Mama? (1960) and he pulls off the same trick again here.… Read the rest