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Benediction

Director – Terence Davies – 2021 – UK – Cert. 12a – 137m

****

The life of First World War poet Siegfried Sassoon, his homosexual lifestyle and his heterosexual marriage – out in cinemas on Friday, May 20th

It’s been five years since Davies’ previous film A Quiet Passion (2016) and the curious thing is, both these films have been about poets and poetry. The earlier film was about Emily Dickinson, with its discussion about religion and Christianity very much to the fore; the new film is about Siegfried Sassoon and while the Catholicism he embraced in later years is in the mix, alongside that element Davies’ research revealed others of far greater interest to the writer-director, notably that Sassoon was gay. As you might expect, the first half hour or so concentrates on the First World War, but more time is spent in the middle of the film exploring some of Sassoon’s gay relationships with a small section towards the end skimming over his later years and heterosexual married life.

Siegfried Sassoon (Jack Lowden) saw action in the First World War and had the utmost respect for the men under his command – and they for him. He was appalled by the conditions under which they found themselves serving.… Read the rest

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Benediction

Glum heroes

Benediction
Directed by Terence Davies
Certificate 12a, 137 minutes
Released 20 May

Films about poets are few; however, the director Terence Davies has now made two in a row as different as their historical subjects. The earlier A Quiet Passion (Reform, April 2017) concerns the introverted, isolated, American spinster Emily Dickinson while the current Benediction is about First World War poet Siegfried Sassoon (Jack Lowden) – a homosexual man when this sexual preference was illegal, before the word ‘gay’ was used to describe such things.

His Military Cross earned for bravery as a First World War officer drops into a stream then sinks, an image expressing Sassoon’s dissatisfaction with the way the war is being run, and the hardships endured by the troops. He writes in protest to the top brass, but instead of the court-martial and platform to speak he expects, he is diagnosed with ‘shell shock’, partly thanks to literary mentor Robbie Ross (Simon Russell-Beale). Sent to Craiglockhart War Hospital near Edinburgh… [Read more…]

Full review published in Reform magazine.

See also my alternative review.

Trailer:

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Features Live Action Movies

Rialto

Director – Peter Mackie Burns – 2019 – UK, Ireland – Cert. 15 – 89m

****1/2

A man who has recently lost his father faces uncertainty about his future – in cinemas from Friday, October 2nd

Colm (Tom Vaughan-Lawlor), 48, works in middle management at a port in Dublin. Various aspects of his life are in crisis. He meets a young man (Tom Glynn-Carney) in a shopping mall public lavatory and a relationship of sorts ensues. A corporate takeover at work means Colm may lose his job which he’s had since he was a teenager. At home in the suburb of Rialto, he talks to his grown up daughter Kelly (Sophie Jo Wasson) but not so much to his wife Claire (Monica Dolan) while he and his grown up son Shane (Scott Graham) don’t get on at all. All of which is underscored by Colm’s recent loss of his dad, with whom he had a pretty lousy relationship.

This is a film which constantly surprises in the sense that, if you were to guess the synopsis based on the first ten, or 20, or 30 minutes, you’d guess wrong. It’s not directly about a rent boy, or redundancy, or relationship breakup, or alcohol dependency, although it covers all those elements in some detail.… Read the rest