Tag: Emily Dickinson

Benediction

Director – Terence Davies – 2021 – UK – Cert. 12a – 137m

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The life of First World War poet Siegfried Sassoon, his homosexual lifestyle and his heterosexual marriage – out in cinemas on Friday, May 20th

It’s been five years since Davies’ previous film A Quiet Passion (2016) and the curious thing is, both these films have been about poets and poetry. The earlier film was about Emily Dickinson, with its discussion about religion and Christianity very much to the fore; the new film is about Siegfried Sassoon and while the Catholicism he embraced in later years is in the mix, alongside that element Davies’ research revealed others of far greater interest to the writer-director, notably that Sassoon was gay. As you might expect, the first half hour or so concentrates on the First World War, but more time is spent in the middle of the film exploring some of Sassoon’s gay relationships with a small section towards the end skimming over his later years and heterosexual married life.

Siegfried Sassoon (Jack Lowden) saw action in the First World War and had the utmost respect for the men under his command – and they for him. He was appalled by the conditions under which they found themselves serving.… Read the rest

Tags active service, Anton Lesser, Ben Daniels, Catholicism, chief medical officer, conflict, conversion, court-martial, Craiglockhart, Craiglockhart War Hospital, dance, Edinburgh, Emily Dickinson, fathers and sons, First World War, fit for active service, gay, gay illegal, gay relationships, gay sex, Gemma Jones, George Sassoon, Hester Gatty, heterosexual marriage, high command, homosexual illegal, hospital, illegal, Ivor Novello, Jack Lowden, Jeremy Irvine, Julian Sands, Kate Phillips, law, literary, marital breakdown, marriage, Matthew Tennyson, military command, narcissist, offspring, Peter Capaldi, poet, poetry, relationships, Richard Goulding, Robbie Ross, separation, sex, sexual preference, shell shock, Siegfried Sassoon, Simon Russell-Beale, Terence Davies, theatre, top brass, war, Wilfred Owen, World War One, WW1

Features Live Action Movies

Benediction

Glum heroes

Benediction
Directed by Terence Davies
Certificate 12a, 137 minutes
Released 20 May

Films about poets are few; however, the director Terence Davies has now made two in a row as different as their historical subjects. The earlier A Quiet Passion (Reform, April 2017) concerns the introverted, isolated, American spinster Emily Dickinson while the current Benediction is about First World War poet Siegfried Sassoon (Jack Lowden) – a homosexual man when this sexual preference was illegal, before the word ‘gay’ was used to describe such things.

His Military Cross earned for bravery as a First World War officer drops into a stream then sinks, an image expressing Sassoon’s dissatisfaction with the way the war is being run, and the hardships endured by the troops. He writes in protest to the top brass, but instead of the court-martial and platform to speak he expects, he is diagnosed with ‘shell shock’, partly thanks to literary mentor Robbie Ross (Simon Russell-Beale). Sent to Craiglockhart War Hospital near Edinburgh… [Read more…]

Full review published in Reform magazine.

A Quiet Passion

Nonconformist poet

A Quiet Passion
Directed by Terence Davies
Certificate 12a, 126 minutes
Released 7 April 2017

A stern matriarch divides a school room of young women into those who are saved on one side and those who hope to be saved on the other. This leaves Emily Dickinson (Cynthia Nixon) in the middle because she hasn’t got as far as that yet. Rescued from the seminary by her father Edward (Keith Carradine), Emily confesses that she was suffering from ‘evangelism’.

Thus begins the latest film from the British, Catholic director Terence Davies – a biopic of the 19th-century, US poet Emily Dickinson, from her leaving school, through her life as a single woman in an era when women were supposed to marry and have children, to her death. Directed with Davies’ usual visual, cinematic rigour and punctuated by large chunks of Dickinson’s poetry in voice-over, the film also drips Christianity. It never attempts to convert anyone, but neither does it shy away from portraying a household in the southern states where faith and theology are everyday discussion topics. [Read more…]

Full review in Reform magazine, April 2017.

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