Categories
Features Live Action Movies

Mother’s Kingdom
(Uhm-mah-ui
Wahng-gook,
엄마의 왕국)

Director – Lee Sang-hak – 2024 – South Korea – LKFF Cert. 15 – 97m

*****

A Christian mother, her ‘Christian book’ author son, and her local pastor brother-in-law are haunted by traumas from their collective past – suspense thriller from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

I don’t often preface a film review with a piece of verbal, religious text, but in this exceptional case, the following Old Testament quote may be pertinent, particularly the phrase in bold:

The Lord passed before him and proclaimed, “The Lord, the Lord, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty, visiting the iniquity of the fathers on the children and the children’s children, to the third and the fourth generation.”

– Exodus 34:6–7

Ji-wook (Han Ki-jang) lives with his mother Kyung-hee (Nam Kee-ae), and although he’s earning a respectable living working from home as a writer of self-help motivational books, in many ways he seems deeply unqualified to be peddling such advice to a wider public.… Read the rest

Categories
Animation Features Movies

Flow
(Straume)
(2024)

Director – Gints Zilbalodis – 2024 – Belgium, France, Latvia – Cert. U – 84m

A cat must survive rising water levels as they engulf both the countryside and cities – remarkable, dialogue-free, computer animated feature from the BFI London Film Festival 2024 which runs from Wednesday, October 9th to Sunday, October 20th in cinemas and on BFI Player and then out in UK cinemas on Friday, March 1st, 2025

LFF: Sun 13 + Q&A 20:15 Curzon Soho, Sat 19 11:30 BFI IMAX, Sun 20 14:30 Curzon Soho Screen 1

Like his earlier Away (2019), Zilbalodis’ new CG animated movie features creatures who don’t speak as well as an incredible music score. The central character is a cat, and you’d be forgiven, after years of animated films about cats in which they talk, for expecting the same, but Zilbalodis isn’t interested in anthropomorphised talking animals. He’s clearly interested in animals, and in characters, but the cat here has been derived from watching and studying real life cats and their behaviour in the real world. There’s a long history of this in drawn animation, typified by the classic Disney films, where it was all about what you could achieve with a paper and pencil, studying from life, making drawings of characters move.… Read the rest