broadcaster Archives - Jeremy C. Processing

Director – David Bickerstaff – 2026 – UK – Cert. U – 93m

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A journey through the current Tate Britain show and art history about the two rival landscape painters – out in UK cinemas from Tuesday, March 10th

This latest Exhibition on Screen entry kicks off in uncharacteristic fashion with photographic shots of landscape (typical of views that used by painters Turner and Constable) accompanied by an excerpt from the poem Richmond by James Thomson (1834-1882), a favourite of both painters whose work will be similarly deployed (voiced by Robert Lindsay) at appropriate intervals throughout this documentary.

However, the film soon moves into more familiar territory with shots of present day London and of the Tate Britain’s current Turner & Constable exhibition, with visitors admiring some of the paintings on display. Amy Concannon, Manton Senior Curator, Historic British Art, Tate Britain, notes that this show represents the first time the two painters have been displays side by side on such a vast scale. Turner & Constable were born within a year of one another, which became a catalyst for the current show’s displaying them together.

Artist, writer and broadcaster Lachlan Goudie talks about the “dazzling” influence of both artists on the likes of Delacroix.… Read the rest

Mother Night

Director – Keith Gordon – 1996 – US – Cert. 15 – 114m

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In this adaptation of Kurt Vonnegut’s novel, a former Nazi propagandist awaits trial in Israel for war crimes – retail VHS review from Home Entertainment, 1997

From his Israeli prison cell where he must compose his memoirs while awaiting trial for his war crimes in black and white, Howard W. Campbell, Jr. (Nick Nolte in a career-defining performance) recalls in colour flashback his rise to fame in wartime Berlin as a radio propaganda writer / broadcaster for the Third Reich, surviving that regime’s madness by devoting himself to actress wife Helga (Sheryl Lee) and their self-contained Nation Of Two.

Recruited from a park as an undercover American spy by raincoat‑wearing American top brass John Goodman (a small part, but likewise impressive), Campbell has to incorporate coded messages to the Allies in his broadcasts. In 1944, Helga dies. After the War, Campbell winds up alone in a seedy New York apartment where neighbours include fellow widower Alan Arkin and Auschwitz survivor‑turned‑doctor Ayre Gross.

When admiring right wing activists arrive at Campbell’s door, the tale (based on Kurt Vonnegut’s novel) lurches even further into surrealism. Gordon’s direction is flawless throughout.… Read the rest